He fits into no familiar category for he was at once a biologist and a paleontologist of world renown, and also a Jesuit priest. He applied his whole life, his tremendous intellect and his great spiritual faith to building a philosophy that would reconcile Christian theology with the scientific theory of evolution, to relate the facts of religious experience to those of natural science.The Phenomenon of Man, the first of his writings to appear in America, Pierre Teilhard's most important book and contains the quintessence of his thought. When published in France it was the best-selling nonfiction book of the year.

    Pieper shows that the Greeks understood and valued leisure, as did the medieval Europeans. He points out that religion can be born only in leisure - a leisure that allows time for the contemplation of the nature of God. Leisure has been, and always will be, the first foundation of any culture.He maintains that our bourgeois world of total labor has vanquished leisure, and issues a startling warning: Unless we regain the art of silence and insight, the ability for nonactivity, unless we substitute true leisure for our hectic amusements, we will destroy our culture - and ourselves.These astonishing essays contradict all our pragmatic and puritanical conceptions about labor and leisure; Josef Pieper demolishes the twentieth-century cult of "work" as he predicts its destructive consequences.

    In a perfect fusion of treatment and theme, this powerful novel tells the story of a seventeenth-century Portuguese priest in Japan at the height of the fearful persecution of the small Christian community.

    Through brilliant and witty dialogue with the beloved Pooh-bear and his companions, the author of this smash bestseller explains with ease and aplomb that rather than being a distant and mysterious concept, Taoism is as near and practical to us as our morning breakfast bowl. Romp through the enchanting world of Winnie-the-Pooh while soaking up invaluable lessons on simplicity and natural living.

    . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction

    What the animals did not know was that they were the Keepers of Wyrm, monster of evil long imprisoned beneath the earth ... and Wyrm, sub terra, was breaking free.

    Translation of J'entre dans la vie, originally issued under title: Novissima verba.

    In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

    Nowhere is his glorious poetic and pictorial legacy more evident than in The Marriage of Heaven and Hell, which many consider his most inspired and original work.The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy, much of it revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.

    It is a collection of religious and philosophic texts gathered and translated into Coptic by fourth-century Gnostic Christians and translated into English by dozens of highly reputable experts. First published in 1978, this is the revised 1988 edition supported by illuminating introductions to each document. The library itself is a diverse collection of texts that the Gnostics considered to be related to their heretical philosophy in some way. There are 45 separate titles, including a Coptic translation from the Greek of two well-known works: the Gospel of Thomas, attributed to Jesus' brother Judas, and Plato's Republic. The word gnosis is defined as "the immediate knowledge of spiritual truth." This doomed radical sect believed in being here now--withdrawing from the contamination of society and materiality--and that heaven is an internal state, not some place above the clouds. That this collection has resurfaced at this historical juncture is more than likely no coincidence.--P. Randall Cohan

    Using the same inspired, inquisitive approach, he now turns to our most sacred book, the Bible. What Is the Bible? provides insights and answers that make clear why the Bible is so revered and what makes it truly inspiring and essential to our lives.Rob takes us deep into actual passages to reveal the humanity behind the Scriptures. You cannot get to the holy without going through the human, Rob tells us. When considering a passage, we shouldn’t ask "Why did God say . . .?" To get to the heart of the Bible’s meaning, we should be asking: "What’s the story that’s unfolding here and why did people find it important to tell it? What was it that moved them to record these words? What was happening in the world at that time? What does this passage/story/poem/verse/book tell us about how people understood who they were and who God was at that time?" In asking these questions, Rob goes beyond the one-dimensional question of "is it true?" to reveal the Bible’s authentic transformative power.Rob addresses the concerns of all those who see the Bible as God’s Word but are troubled by the ethical dilemmas, errors, and inconsistencies in Scripture. With What Is the Bible?, he recaptures the Good Book’s magic and reaffirms its power and inspiration to shape and inspire our lives today.

    Written in the solitude of his hillside study over seven years of Sabbaths, these are poems of deep spirituality, meshing the metaphysical and the natural worlds.

    Hugh Conway saw humanity at its worst while fighting in the trenches of the First World War. Now, more than a decade later, Conway is a British diplomat serving in Afghanistan and facing war yet again—this time, a civil conflict forces him to flee the country by plane.   When his plane crashes high in the Himalayas, Conway and the other survivors are found by a mysterious guide and led to a breathtaking discovery: the hidden valley of Shangri-La.   Kept secret from the world for more than two hundred years, Shangri-La is like paradise—a place whose inhabitants live for centuries amid the peace and harmony of the fertile valley. But when the leader of the Shangri-La monastery falls ill, Conway and the others must face the daunting prospect of returning home to a world about to be torn open by war.   Thrilling and timeless, Lost Horizon is a masterpiece of modern fiction, and one of the most enduring classics of the twentieth century.

    In this moving tale, follow Much-Afraid on her spiritual journey as she overcomes many dangers and mounts at last to the High Places. There she gains a new name and is transformed by her union with the loving Shepherd. Included in this special edition (February 2009 release) is Hannah Hurnard’s own account of the circumstances that led her to write Hinds’ Feet, and a brief autobiography. Special edition also features a new cover design.

    Awarded the Grand Prix for Literature by the Academie Francaise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion...it is a work of deep, subtle and singularly encompassing art." — New York Times Book Review (front page)