Greg's reason for joining has nothing to do with looking for love. His recently divorced sister Sam has disappeared and Greg is convinced that Dinner for Twelve, or at least one of its clients, may be responsible.Neither is Megan looking for love. Although single, she only joined at her best friend Brenda De Luca's insistence. When a client of the dating agency is murdered, suspicion falls on several of the members. Then Megan's friend Brenda disappears without trace, and Megan and Greg join forces. Will they find Sam and Brenda, or are they about to step into the same inescapable snare?

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.

    Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wanted it to be. But every few nights something—or someone—picks off one of the sheep and sets off a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, rumors of an obscure, formidable beast. But there is also Jake's past—hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back—a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption.

    At 32, the hero of Māhū has reached the pinnacle of his profession, detective on the Honolulu Police Department's homicide squad, based at the Waikīkī station. But a difficult murder case, as well as turmoil in his personal life, is about to threaten everything he has worked for.A life-threatening drug bust in chapter 1 makes Kimo realize that it's time to stop lying to himself. He's drawn to the Rod and Reel Club, a gay bar in Waikīkī, where he has a couple of beers and begins the long process of accepting his attraction to other men. Leaving the club, though, he stumbles onto two men dropping a dead body in an alley, and he launches himself into a nightmare where his private life becomes public news.Kimo's pursuit of this case takes him from the seamy underside of Chinatown to the elegance of million-dollar homes in Maunalani Heights, from gay bars where young men stride naked down runways to bloody crime scenes.

    Harry is sent into the outback – the never never – to investigate the disappearance of mine worker Danny Carter. The mining town is a seedy place, full of money and immoral ways to spend it. As Harry delves deeper into the murky lives of these miners, she finds that Danny isn’t the first to go missing.

    He didn't really know whether he'd seen anything at all, though. Maybe an abduction? Maybe just a stressed-out father.Detective Bart Moy, newly returned to the country town where his ailing, cantankerous father still lives, finds nothing. As far as he can tell no one in Guilderton is missing a small boy. Still, he looks deeper into the butcher's story — after all, he had a son of his own once.But when the boy does turn up, silent, apparently traumatised, things are no clearer. Who is he? Where did he come from and what happened to him?For Moy, gaining the boy's trust becomes central not just to the case but to rebuilding his own life. From the wreckage of his grief, his dead marriage and his fractured relationship with his father may yet come a chance for something new.A mystery, a meditation on fatherhood, a harrowing examination of love and loss: a new departure in literary crime from Stephen Orr.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.

    A gifted thief. A vicious ganglord. A disillusioned cop. Together they’re a missing girl’s only hope.Dr. Blair Harbour, once a wealthy, respected pediatric surgeon, is now an ex-con down on her luck. She’s determined to keep her nose clean and win back custody of her son. But when her former cellmate begs for help to find her missing daughter, Blair is compelled to put her new-found freedom on the line.Detective Jessica Sanchez has always had a difficult relationship with the LAPD. And her inheritance of a multi-million dollar mansion as a reward for catching a killer has just made her police enemy number one.It’s been ten years since Jessica arrested Blair for cold-blooded murder. So when Jessica opens the door to the disgraced doctor late one night she expects abuse, maybe even violence. What comes next is a plea for help…

    Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor.On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on—when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone.

    Her world–and everything she thought she knew about her family–is shattered instantly. Unable to comprehend the lies, betrayal, and secrets that–unbeknownst to Mira–have come to define and keep intact her family’s existence, Mira distances herself from her sister and closest friends as a means of coping. But her father’s sexual orientation isn’t all he's kept hidden. A shocking health scare brings to light his battle with HIV. As Mira struggles to make sense of the many fractures in her family's fabric and redefine her wavering sense of self, she must find a way to reconnect with her dad–while there is still time. Told in raw, exposed free verse, Skyscraping reminds us that there is no one way to be a family.

    The gay son of a wealthy family has disappeared. Now it's up to private dick Don Strachey to get to the bottom of this mess--even if he has to cruise every gay bar in the city to do it Don Strachey isn't exactly the most sought-after private eye in Albany, New York. In fact, this gay P.I. has gotten to the point of having to write checks to pay his tab at the cheapest lunch counter in town. And he isn't sure that the latest one, for the grand total of two dollars and ninety-three cents, is going to clear. Then the phone rings. Billy Blount, the gay heir to one of Saratoga Springs' upper-crust families, has disappeared, and his parents want him back. On top of that, Billy, a young and outspoken gay activist, is wanted for the grisly murder of the man he slept with on his last night in Albany--a man he'd never met before that night Set in the glorious, promiscuous pre-HIV late 1970s, Death Trick: A Murder Mystery is a fast-paced excursion through the seamy underside of gay Albany. From gay discos where the hard-pumping music never stops, to the city's infamous baths, to the dark alley behind the local precinct house, this hard-bitten private dick searches for answers to the questions that plague Billy's parents and the police. With his faithful companion (and unfaithful lover) Timmy, plus a cast of characters that includes drag queens, ex-jock gay bar owners, homophobic cops, male hustlers, and wealthy suburbanites, Strachey begins a chase that leads him to seedy gay bars, posh suburban homes, and pricey mental institutions where they use electric shock to destroy "sick" gay tendencies.

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    She sets out to expose the cult's lunatic beliefs and bizarre practices, but when she learns the identity of a recent recruit, her quest becomes personal. And dangerous.The cult isn't the only case on Scout's agenda. Someone is cutting up girls' underwear at an exclusive school and Scout agrees to look into it. And the sinister secret behind the vandalism is not nice. Not at all.But Scout has her secrets too. In the dead of night she sneaks out with an underground group of yarn bombers to decorate the locality with artworks. The next mission ticks all the right boxes – it's risky, difficult and extremely silly. However, not everyone is amused, and Scout has a sneaking suspicion that the local police sergeant, Rafe Kelly, is hot on her tail.

    Her name was Rebecca Ryle. The killing would mystify investigators, lawyers, and psychologists – and profoundly rearrange the life of the victim's family.It would also involve the author’s family, because his brother knew the man charged with the murder. For years, the two had circled each other suspiciously, in a world of violence, drugs, and rotten aspirations.A Murder Without Motive is a police procedural, a meditation on suffering, and an exploration of how the different parts of the justice system make sense of the senseless. It is also a unique memoir: a mapping of the suburbs that the author grew up in, and a revelation of the dangerous underbelly of adolescent ennui.