On January 26, no Australian can really look away.'Since publishing his critically acclaimed, Walkley Award-winning, bestselling memoir Talking to My Country in early 2016, Stan Grant has been crossing the country, talking to huge crowds everywhere about how racism is at the heart of our history and the Australian dream. But Stan knows this is not where the story ends.In this book, Australia Day, his long-awaited follow up to Talking to My Country, Stan talks about our country, about who we are as a nation, about the indigenous struggle for belonging and identity in Australia, and what it means to be Australian. A sad, wise, beautiful, reflective and troubled book, Australia Day asks the questions that have to be asked, that no else seems to be asking. Who are we? What is our country? How do we move forward from here?

    Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

    It is a dance, a cosmic strip show: a flash of spine, and then a rib cage, clean as a fish. Who is laying these bones down, one by one? Is it me who is making you, or are you making yourself?'When Anna Goldsworthy, pianist and perfectionist, falls pregnant with her first child, her excitement is tempered by the daunting journey ahead. In Welcome to Your New Life, she shares the dizzying wonder and crippling anxiety that come with creating new life. Should she indulge her craving for sausage after sixteen years of not eating meat? Will her birth plan involve Enya or hypnosis, or neither? And just how worried should she be about her baby falling into a composting toilet?This captivating memoir combines warmth and humour to reveal the love that binds families together. Welcome to Your New Life evokes the shock of plunging into a life-changing adventure and the kicking required to return to the surface.'A keen-eyed, funny, tender, wonderful book.' - Chloe Hooper'This book does what great literature should: it tries to get a grip on life - the making of it, the living-and-loving it, the leaving it. Goldsworthy's writing is so beautiful, so laser-acute and funny and moving that you feel you are living more vividly. Welcome to Your New Life seems essential to me now. I laughed and I cried and I absolutely loved it.' - Anna Funder'warm, funny and candid' - Books+PublishingAuthorAnna Goldsworthy is the author of Welcome To Your New Life andPiano Lessons.Anna's writing has appeared in the Monthly, the Age, the Adelaide Review and Best Australian Essays. She has won numerous prizes and scholarships for piano performance. In 2004, she completed a world tour performing in festivals and concert halls in Australia, Asia, Europe and North and South America. Her solo CD, Come With Us, was released in early 2008. In that same year she collaborated with her father, Peter Goldsworthy, on a theatrical adaptation of his book Maestro, which drew inspiration from her early life.

    There weren’t many. And too often there was a negative narrative around Indigenous lives, and Aboriginal women especially. Now an award-winning actor, she decided to change things herself. Combining her love of romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda wrote, produced and starred in the box office hit Top End Wedding.In this engaging and thought-provoking memoir, Miranda shares the path she took to create a moving film about reconnection to family and culture. And, like all good storytellers, she holds a mirror up to the society we live in to show the prejudice that too often surfaces.MIRANDA TAPSELL was born in Darwin and her people are the Larrakia. She grew up in Kakadu National Park and began performing at the age of seven. At 16, she won the Bell Shakespeare Company regional performance scholarship. She has her own podcast on BuzzFeed, Pretty for an Aboriginal, with Nakkiah Lui, which rocks the traditional perceptions of Indigenous Australia and challenges rigid mindsets of what women of colour can and cannot do. Top End Girl is her literary debut.

    His firsthand experiences are collected in this highly personal account of the rough and tumble world of modern politics and the growing disenchantment with Australia’s Labor Party. Button describes how politics took a detrimental toll on his own family, revealing that the death of his brother haunted their father—who in turn blamed the tragedy on his all-consuming absorption of politics. This moving memoir paints a colorful picture of the machinations of government and shows how far the party has strayed from the idealism and pragmatism of previous generations, ending on a hopeful note for the party’s revival.

    Alison Whittaker’s BLAKWORK is an original and unapologetic collection from which two things emerge; an incomprehensible loss, and the poet’s fearless examination of the present.Whittaker is unsparing in the interrogation of familiar ideas – identifying and dissolving them with idiosyncratic imagery, layering them to form new connections, and reinterpreting what we know.

    Jail attendants said they understood she was held in connection with the shooting of an airline pilot.'Petite, glamorous and beguiling, Jessie 'Chubbie' Miller was one remarkable woman ... flyer, thrill seeker, heartbreaker. No adventure was too wild for her, no danger too extreme. And all over the world men adored her.When the young Jessie left suburban Melbourne and her newspaperman husband in 1927, little did she know that she'd become the first woman to complete an England to Australia flight (with a black silk gown thrown into her small flight bag, just in case), or fly the first air race for women with Amelia Earhart, or that she would disappear over the Florida Straits feared lost forever only to charm her way to a rescue. Nor could she have predicted that five years later she'd find herself at the centre of one of the most notorious and controversial murder trials in United States history. And this all began with something as ridiculously mundane as a pat of butter.The Fabulous Flying Mrs Miller is a spellbinding story of an extraordinary woman - an international celebrity during the golden age of aviation - and her passionate and spirited life.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    

    As the matriarch at the head of the most notorious and violent family of habitual offenders in Australian criminal history, her life has revolved around murder, drugs, prison, prostitution and bent coppers–and the intrigue and horror that surround such crimes.Her eldest son Dennis Allen was a mass murderer and a $70,000-a-week drug dealer who dismembered a Hell's Angel with a chainsaw. Two younger sons were acquitted of the Walsh Street murders, the cold-blooded assassination of two police officers which changed forever the face of crime in Melbourne. One of the two, Victor, was gunned down himself in the street 14 years later, becoming the third son Kathy has buried.In this authorised book Kathy Pettingill reveals the chilling truth behind many of the myths and legends that surround her family, including her experiences in the blood-spattered charnel house at the centre of Dennis's empire of drugs and violence. But The Matriarch is no plea for pity–gritty, forthright and deeply disturbing, like its subject this story pulls no punches.

    Stern, domineering, fiercely loving, Lotty Kneen—born Dragitsa—was always tight-lipped about her early life and family history. She rebuffed Krissy’s curiosity and forbade her from taking the trip back to the old country that might have satisfied it.When her grandmother died recently, Krissy finally felt at liberty to explore the questions that had nagged at her for so long. In The Three Burials of Lotty Kneen Krissy sets out with a box containing her grandmother’s ashes, intending to trace the old woman’s early life in Slovenia and Egypt, and perhaps locate some remnants of family. Along the way she uncovers the extraordinary story of the colony of Slovene women who became the nannies of choice for the wealthy Italians of pre-war Alexandria—and identifies as best she can the places where Lotty’s restless, demanding spirit will be at peace.

    Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.

    When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter

    With seemingly nothing to lose, she makes the biggest decision of her life – to stay. But Emily's attempts to bridge a yawning loneliness spur a downward spiral of recklessness, as she hurtles from one sexual encounter to the next. It will take a truly terrifying experience for her to understand that sex is both a weapon and a wound in her battle for self-worth and empowerment.Delicately interweaving past and present, The Lotus Eaters is a sharply written story of self-redemption from an exciting young voice in Australian memoir that dissects the patterns of blame and shame women can form around their bodies and relationships.

    Filled with relentlessly driven diary entries, vivid details of life at the fringe, and memories of binge-drinking into oblivion as an escapeduring his playing days at the Sydney Swans, 28 is a portrayal of the sporting psyche in a way that has never been done before.But the true beauty of this book lies in the space outside football. Laid bare on these pages is a searingly honest deep dive into sport, addiction, art, sexuality, masculinity, love, family and identity.'Searingly honest, unflinching' Peter FitzSimons'Brandon Jack has talent and daring in abundance' Christos Tsiolkas