This lucid, easy-to-follow guide: * Explains the transformations of the genre through history * Outlines all the major figures which define the genre, such as ghosts, monsters and vampires * Charts key texts over two centuries * Traces origins of the form * Looks at the cultural and historical location of gothic images and texts * Provides a succinct introduction to the field which is also an excellent foundation for further study.

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    Now, in this Very Short Introduction, Lee provides a magnificent look at the genre in which she is an undisputed master--the art of biography. Here Lee considers the cultural and historical background of different types of biographies, looks at the factors that affect biographers, and asks whether there are different strategies, ethics, and principles required for writing about one person compared to another. She also discusses contemporary biographical publications and considers what kind of lives are the most popular and in demand. And along the way, she answers such questions as why do certain people and historical events arouse so much interest? How can biographies be compared with history and works of fiction? Does a biography need to be true? Is it acceptable to omit or conceal things? Does the biographer need to personally know the subject? Must a biographer be subjective?About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

    Predator: Stalking Shadows is the bridge between Predator 2 and the current day continuity. U.S. Marine Scott Devlin takes on a new assignment that begins with the clean-up of a Los Angeles combat scene revealing what appears to be alien weapons and tech. His next mission, to an equatorial jungle, seems like an assault on a drug cartel until his team finds human bodies, skinned and suspended from the trees. Justifiably freaked out, Devlin digs deeper and discovers hidden truths, clandestine agencies, savage opponents... and an unexpected ally.

    Battle --Mart Moody's bird dog (tall tale) / retold by Robert Bethke --Davy Crockett meets his match (tall tale) --Paul Bunyan's cornstalk (tall tale) / retold by Harold Courlander --Momma's store (autobiography extract) from I know why the caged bird sings / by Maya Angelou --Princess (short story) / by Nicholasa Mohr --The saddest day the summer had (short story) / by Dick Perry --Bloody murder (novel extract) from The original adventures of Hank the cowdog / by John R. Erickson --Wilson Rawls (biographical sketch).

    In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral life--and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R.D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life. Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.

    But when he fled the country to escape prosecution and entrusted her with his hard-won empire, Gino realized that Lucky Santangelo is no different than him—Lucky is a woman who could seize the reins of power with all the cunning, drive, and strength of a true Santangelo. Poised, sensuous, hungry for pleasure, Lucky is in love with power—and determined to fight for it. From New York penthouses and the villas of Southern France to the casinos of Las Vegas and the bedrooms of Beverly Hills, here's the unforgettable story of a woman on top of a world of love, sex, and wealth—where power is the ultimate aphrodisiac.

    Campbell Award for Best New Writer, Locus Awards for Best Novella and Best Critic, and numerous other awards. Twenty-four of his 30 books are still in print, in 10 languages. His short work has appeared in magazines around the planet, from Omni and Analog to Xhurnal Izobretatel i Rationalizator (Moscow), and in numerous anthologies. His most recent books are the novels Callahan's Key, and The Free Lunch.Contents:God Is an Iron (1979)In the Olden Days (1984)Local Champ (1979)Melancholy Elephants (1982)Not Fade Away (1982)Orphans of Eden (1996)Rubber Soul (1982)Soul Search (1979)Stardance (1977) with Jeanne RobinsonThe Magnificent Conspiracy (1977)

    In this first installment of his Pulitzer Prize-winning Freedom from Fear, Kennedy tells how America endured, and eventually prevailed, in the face of that unprecedented calamity. Kennedy vividly demonstrates that the economic crisis of the 1930s was more than a reaction to the excesses of the 1920s. For more than a century before the Crash, America's unbridled industrial revolution had gyrated through repeated boom and bust cycles, consuming capital and inflicting misery on city and countryside alike. Nor was the alleged prosperity of the 1920s as uniformly shared as legend portrays. Countless Americans eked out threadbare lives on the margins of national life. Roosevelt's New Deal wrenched opportunity from the trauma of the 1930s and created a lasting legacy of economic and social reform, but it was afflicted with shortcomings and contradictions as well. With an even hand Kennedy details the New Deal's problems and defeats, as well as its achievements. He also sheds fresh light on its incandescent but enigmatic author, Franklin D. Roosevelt. Marshalling unforgettable narratives that feature prominent leaders as well as lesser-known citizens, The American People in the Great Depression tells the story of a resilient nation finding courage in an unrelenting storm.

    Venting their frustrations in an illicit literature of vitriolic pamphlets, libelles, and chroniques scandaleuses, these "Rousseaus of the gutter" desecrated everything sacred in the social order of the Old Regime. Here too are the workers who printed their writings and the clandestine booksellers who distributed them.While censorship, a monopolistic guild, and the police contained the visible publishing industry within the limits of official orthodoxies, a prolific literary underworld disseminated a vast illegal literature that conveyed a seditious ideology to readers everywhere in France. Covering their traces in order to survive, the creators of this eighteenth-century counterculture have virtually disappeared from history. By drawing on an ingenious selection of previously hidden sources, such as police ledgers and publishers' records, Robert Darnton reveals for the first time the fascinating story of that forgotten underworld.The activities of the underground bear on a broad range of issues in history and literature, and they directly concern the problem of uncovering the ideological origins of the French Revolution. This engaging book illuminates those issues and provides a fresh view of publishing history that will inform and delight the general reader.

    Their homeland was in the magnificent Black Hills in South Dakota, where they found plentiful game and held religious ceremonies at charged locations like Devil's Tower. Bullied by settlers and the U. S. Army, they refused to relinquish the land without a fight, most famously bringing down Custer at Little Bighorn. In 1873, though, on the brink of starvation, the Lakotas surrendered the Hills. But the story does not end there. Over the next hundred years, the Lakotas waged a remarkable campaign to recover the Black Hills, this time using the weapons of the law. In "The Lakotas and the Black Hills," the latest addition to the Penguin Library of American Indian History, Jeffrey Ostler moves with ease from battlefields to reservations to the Supreme Court, capturing the enduring spiritual strength that bore the Lakotas through the worst times and kept alive the dream of reclaiming their cherished homeland.

    Like the cowboy herding the dogies, they have cared little about the cost their activities imposed on others; what has mattered is the immediate benefit they have derived from their transformation of the land. Drawing on a recent flowering of scholarship on the western environment, western gender relations, minority history, and urban and labor history, as well as on more traditional western sources, It’s Your Misfortune and None of My Own is about the creation of the region rather than the vanishing of the frontier. Richard White tells how the various parts of the West—its distinct environments, its metropolitan areas and vast hinterlands, the various ethnic and racial groups and classes—are held together by a series of historical relationships that are developed over time. Widespread aridity and a common geographical location between the Missouri River and the Pacific Ocean would have provided but weak regional ties if other stronger relationships had not been created. A common dependence on the deferral government and common roots in a largely extractive and service-based economy were formative influences on western states and territories. A dual labor system based on race and the existence of minority groups with distinctive legal status have helped further define the region. Patterns of political participation and political organization have proved enduring. Together, these relationships among people, and between people and place, have made the West a historical creation and a distinctive region. From Europeans contact and subsequent Anglo-American conquest, through the civil-rights movement, the energy crisis, and the current reconstructing of the national and world economies, the West has remained a distinctive section in a much larger nation. In the American imagination the West still embodies possibilities inherent in the vastness and beauty of the place itself. But, Richard White explains, the possibilities many imagined for themselves have yielded to the possibilities seized by others. Many who thought themselves cowboys have in the end turned out to be dogies.

    Now from this award-winning author, here are two tales of the adventures of David Satrr - a bold and resourceful champion of interstellar justice. David Starr, Space Ranger Earth is on the brink of catastrophe. The vital foodstuffs supplied by its Martian colony are being poisoned. Working in secret, the ruling Council of Science sends David Starr, its youngest member, to the Martian farmlands to discover the truth behind the murders... Lucky Starr and the Pirates of the Asteroids Years ago, David Starr's parents were murdered by pirates from the asteroid belt. Now the pirates are threatening the commerce and safety of the far-flung Terrestrial Empire. David Starr - known to his friends as Lucky - has plans for vengeance: a daring foray into the pirates' forbidden lair that will wipe them out forever...

    Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields - for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics.

    A book which should appeal to both literary theorists and to readers of the novel, this study invites the reader to consider how the plot reflects the patterns of human destiny and seeks to impose a new meaning on life.