They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

    The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light... The 27th century: Proxima Centauri, an undistinguished red dwarf star, is the nearest star to our sun. How would it be to live on such a world?

    With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror -- a tour de force from one of today's most forceful and imaginative artists.Barker turns from his usual horror to epic-length fantasy for this account of the Fugue, a magical land inhabited by descendants of supernatural beings who once shared the earth with humans. The Fugue has been woven into a carpet for protection against those who would destroy it; the death of its guardian occasions a battle between good and particularly repulsive evil forces for control of the Fugue. Weaveworld is rich with memorable characters, exciting situations, and pockets of Barker's trademark horror.

    Helliconia is emerging from its centuries-long winter. The tribes of the equatorial continent emerge from their hiding places and are again able to dispute possession of the planet with the ferocious phagors. In Oldorando, love, trade and coinage are being redisovered,This is the first volume of the Helliconia Trilogy -- a monumental saga that goes beyond anything yet created by this master among today's imaginative writers.

    She soon discovers that, in his final years, her father became increasingly concerned about the possibility that he was being haunted.As she explores the house, Jessica begins to wonder why her father had the place divided up into three separate apartments. He was never able to rent out the empty spaces, instead leaving them to sit untouched while he lived in just one small part of the house. Meanwhile, local people continued to whisper to one another that the ghost of a long-dead woman – the mysterious Ethel Hogsflesh – could sometimes be seen at the house's windows.Jessica soon decides to knock down the walls that her father put up. As she does so, however, she begins to understand why he had those walls installed in the first place. Was the house really haunted by Ethel's ghost? If so, did her father discover a way to ward her off? And is Jessica in danger of undoing all his work and unleashing a horrific force of evil?By the time she realizes that the truth is so much worse, Jessica might have made a mistake she can never take back.

    Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

    But now that he's free, someone-probably the same someone-is trying to get him sent back. Finn has only a few days to discover who is so desperate to keep him out of the mortal world, and find evidence to prove it to the Arcane Enforcers. They are going to be very hard to convince, since he's already been convicted of trying to kill someone with dark magic.But Finn has his family: His brother Mort who is running the family necrotorium business now, his brother Pete who believes he's a werewolf, though he is not, and his sister Samantha who is, unfortunately, allergic to magic. And he's got Zeke, a fellow exile and former enforcer, who doesn't really believe in Finn's innocence but is willing to follow along in hopes of getting his old job back.

    She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides.But when Miriam hitches a ride with Louis Darling and shakes his hand, she sees that in thirty days Louis will be murdered while he calls her name. Louis will die because he met her, and she will be the next victim.No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

    Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, 'as if a child had taken hold of it'.Intrigued by the encounter, he determines to learn more, and discovers that the owner's grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister ...

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    She resides in Limbo City, the modern capital of the collective afterlives, where she likes to stick it to the man (the legendary Grim Reaper himself) by harvesting the bare minimum of souls required of her. She’d much rather be hanging out with Gabriel, her favorite archangel, at Purgatory Lounge. But when a shocking promotion falls in Lana's lap, she learns something that could unravel the very fabric of Eternity. If the job isn’t completed, there could be some real hell to pay.

    Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilization. In the meantime, they are dismissed as decadents living in a state of highly developed barbarism, hoarding data without order, hunting their own young & fighting pointless formal wars. Seconded to a military-religious order he's barely heard of—part of the baroque hierarchy of the Mercatoria, the latest galactic hegemony— Taak has to travel again amongst the Dwellers. He is in search of a secret hidden for half a billion years. But with each day that passes a war draws closer—a war threatening to overwhelm everything & everyone he's ever known.

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    But now one of his own has convinced the rest of the family that Eddie's become a menace, and that humanity needs to be protected from him. So he's on the run, using every trick in the book, magical and otherwise, hoping he lives long enough to prove his innocence...

    In fact, Hart and Bowler (two ordinary, but dead men) have had to work out the rules of their new existence for themselves. It's that fact-along with being unable to leave the boundaries of their city centre, unable to communicate with the other lost souls, unable to rest in case The Beast should catch up to them, unable to even sleep-that makes getting out of their situation a priority.But Hart and Bowler don't know why they're there in the first place, and if they ever want to leave, they will have to find all the answers in order to understand the physics of the dead: What are the strange, glowing objects that pass across the sky? Who are the living people surrounded by a blue glow? What are their physical limitations in that place, and have they fully explored the possibilities of what they can do?Time is running out; their afterlife was never supposed to be this way, and if they don't make it out soon, they're destined to end up like the others.Insane, and alone forever...This is an alternate cover edition. The original ISBN was 1522908536