Lucien Ortane is a Paragon in the Etherian Empire. His job is to explore the universe and spread Etherian doctrines of peace, justice, and immortality to sentient beings everywhere. Like all Paragons, and most citizens, Lucien believes that Etherus, the benevolent ruler of the Empire, is exactly who he claims to be: the one true God and creator of the universe. But not everyone is a believer. The Academy of Science circulates a petition to send a mission to the cosmic horizon and learn the true nature of the universe. Over a billion people sign it, and Etherus grants their request, but with a dire warning: evil is lurking in the dark. Undaunted by this warning, three hundred million scientists from the Academy prepare to leave the Empire on what will be the longest and most incredible journey in history. A small group of Paragons also join the mission, each of them for their own reasons. Lucien Ortane tells himself that he’s going in order to settle other people’s doubts, and to keep a bunch of hapless scientists safe. After all, he’s a Paragon, one of Etherus’s most faithful servants. Yet even the faithful have doubts. Is the universe infinite? Does it have an edge? Is it shaped like a sphere, or connected like a torus? Did it need a creator, or does it cycle endlessly, god unto itself? These are the questions that the Academy is trying to answer, but the answers they get could be their undoing. God or not, Etherus was telling the truth about one thing: evil is lurking in the dark.... Also included in this set: Dark Space Universe (Book 2): The Enemy Within Synopsis omitted due to spoilers. Dark Space Universe (Book 3): The Last Stand Synopsis omitted due to spoilers.

    Thwarted in a previous attempt to bring charges for other nefarious crimes, Ms. Battle is determined to put the crime boss behind bars, and this time she has what looks like an airtight case. Claiming he has been framed, Carmine hires the blue blood, Harvard-educated attorney Harrison Fletcher, Jr. who was recently fired from his position as Assistant DA for refusing to compromise his ethics, to help him prove his innocence. Assisted by his beautiful wife and a scruffy, alcohol-loving detective, Harry sets out to discover who set the fire and why. As what really happened that June night becomes clear, evidence begins to disappear. With the defense’s case starting to crumble, Harry devises a way to prove Carmine’s innocence. But will the plan work?

    . . they sent one man. Brand protects the king, but every bodyguard before him is dead. A horde of mankind’s ancient enemies lays siege to Cardoroth city. During the day, the clang of blades, the mad shrieks of the foe and the hiss of swift-flighted arrows cuts the air. At night, the sorcerous chanting begins. Brand ignores it all. His duty is to shield one man from death. But fate forces him to leave that man in deadly peril, for the king he swore to guard sends him on a last-chance quest to save the realm. Enemies track him across strange lands. Beasts of foul magic stalk him. A beautiful but deadly girl aids him - for reasons of her own. She reveals that more is at play than the fate of kings and realms. Ancient forces, drenched in long-forgotten blood, seek to plunge the world into the dark. The odds pile against him. But he is Brand, and not for nothing did he earn the king’s trust.

    While the sheriff conducts his investigation, Kelton begins to discover the small sleepy southern town by the interstate isn’t as quaint and innocent as it appears. The large bale of cash sealed in plastic found at the scene speaks to nefarious activities, and the idealistic young Kelton with his K-9 dutifully assists underfunded local law enforcement in getting to the bottom of things. Even when he realizes they aren’t telling him everything. But his discoveries make clear that his ingrained respect for authority and showing chivalry toward all is being taken advantage of by numerous shady characters trying to preserve their own legacies. Lawless lawmen and damsels not so distressed drive him to reexamine his values to decide which are still worth living by and how those apply in a world twisted by drugs, money, sex and power. Come take a gritty journey of suspense driven by deep desperate characters and soul ripping action. Join Kelton and Azrael settling on a moral course in a world where nobody is perfect and even evil is far from absolute, and making heroic strides in trying to do what is right. Let no one underestimate the unbreakable bond between a man and his dog. SPECIAL NOTICE I’m proud to be providing half of net royalties through September 30th 2016 to the Warrior Dog Foundation ( http://warriordogfoundation.org/ ). This great Non-Profit organization transitions K-9 heroes retiring from service with Special Operations Forces to their state-of-the-art kennel facility where they receive any needed physical or mental rehabilitation so they can live out their lives with dignity and grace. I’m not affiliated with their foundation, but couldn’t be happier to contribute.

    A portrait of one of America's most influential comedians analyzes the complex, sometimes disturbing world of Jerry Lewis, from his rise to fame and his philanthropic work to the dark side of his career and personal life.

    S. Hamrah's film writing for n+1, The Baffler, Bookforum, Harper s, and other publications. Acerbic, insightful, hilarious, and damning, Hamrah s aphoristic capsule reviews and lucid career retrospectives of filmmakers and critics have taken up the mantle of serious American film criticism pioneered by James Agee, Robert Warshow, and Pauline Kael and carried it into the 21st century. Taken together, these reviews and essays represent some of the best film criticism in the English language. The Earth Dies Streaming showcases a remarkable critical intelligence while offering a cultural history of the cinema of our times.

    . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

    It is aimed at the novice, concentrating purely on the principles of shooting - still the best way to tell a visual story.Written in simple, easy-to-follow language and illustrated with clear uncomplicated line drawings, the book sets down the fundamental knowledge needed to achieve acceptable results.The book: - is a sister volume to Grammar of the Edit- has been extensively tested in Europe, Asia and Africa- lists, examines and explains the conventions and working practices of taking pictures.

    

    With a worldly generosity, LaGuardia knowingly and sensitively explores a famous man haunted by same-sexuality. His writing fearlessly penetrates the dark areas of the human psyche. (Many unpublished photographs).

    Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere “thumbs up” or “thumbs down.” Readers could always sense the man behind the words, a man with interests beyond film and a lifetime’s distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

     QUICK ON THE DRAW Glenister McCreedie was never a lucky man. Imprisoned for a crime he never committed, deserted by the woman he loved and betrayed by his own family. His bad luck seems to be running out when he is released early from prison and finds a job on the railroads. But it doesn’t last long. First he gets into a fight with a man who turns up dead and whilst still on the run, his train is held up by his own brother’s gang. Then he somehow manages to offend the railroad boss’ daughter, the beautiful Elizabeth. With the fates out to get him, Glen has to use all his wits and strength to take control of his own destiny… THE FIGHTING COWBOY Steve Blondel is better known throughout the West as El Cougar – the fighting cowboy. An unbeatable force, he’s winning competitions nationwide and earning a reputation for his skills in the ring. As the first fighting cowboy to come out of the West, Blondel is quickly becoming the one to beat. Huge bets are placed on his success and people travel far and wide to watch him in action. But his career is suddenly interrupted when he learns of the disappearance of his brother, who has mysteriously vanished whilst enroute to a fight. However, it’s not long before Blondel realizes that his brother has been murdered by a gang of vicious train robbers, and his body tossed into the nearby canyon. Blondel vows vengeance, and locates the prime suspects of the attack – the infamous Morton family – who will stop at nothing to get what they want... BATTLE AT BROKEN KNEE Trouble always seems to find Careless O’Connor. But when he comes across a wrecked wagon off a lonely Texan trail, dangerously close to the volatile Mexican border, he has little premonition that this chance encounter will change his life forever. Lying amongst the debris of shattered wagon wheels and dead horses is the woman who will turn Careless’ world upside down. Little did he know the plight of Grace Whitfield, with her blue eyes, blonde curls and fierce desire to avenge the ruthless imprisonment of her brother, was going to lead Careless on many an adventure – both in the harsh desert and in his heart. Battling against terrifying odds, Careless and his crew – the beautiful Grace, brave young Yippee Clay, honest Burt and dastardly Big Mouth – struggle on in their quest for justice. Praise for Gordon Landsborough 'A punchy tale coupled with plenty of action - an engaging read!' - Philip McCormac, bestselling western author 'A must-read collection of western adventures.' – Tom Kasey, bestselling author of Trade Off. Gordon Landsborough (1913-1984) was a publisher, author and bookseller. Writing tales about the exploits of gun-toting cowboys fighting out on the arid sands of the Wild West, Landsborough was himself a pioneer in the English paperback publishing world of the 1950s. He was widely known amongst his peers as the ‘maverick publishing genius’.

    In Pornocracy, a beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two will explore the numbing mechanics of sexual brutality. What follows is an exchange between a man and a woman that is both frankly sexual and deeply philosophical. Adapted and directed for film in France by Breillat as Anatomy of Hell (2004), Pornocracy leads the reader through an undulating and atmospheric exploration of the criminal and the erotic, finally climaxing in a place well beyond more familiar moral terrain. Although Breillat's films—most recently Fat Girl (2001) and Romance (1999)—are well known to international audiences, this publication marks her literary debut in America. It will demonstrate that Breillat's famous films are but one aspect of her strikingly original poetic and philosophical vision.

    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

    The distinguished director, Howard Hawks, discusses his techniques of filmmaking, analyzes the artistry of his movies, and portrays his experiences working in Hollywood.