She is an astute young Housekeeper, with a ten-year-old son, who is hired to care for him. And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor’s mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities--like the Housekeeper’s shoe size--and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away. The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    Unspeakable things have happened to his mother and his mentally disabled 12-year-old brother. As Takeru gets to know Mitsuko, his new caretaker, and Saki, his spunky neighbor, he meets more of his mother's old friends, discovering her history and confronting the terrible acts that have left him alone. All the while he begins to see a strange figure that calls himself Bunji—the same name of a delicate young boy who mysteriously vanished one day on the village's coastline at Lion's Cross Point.At once the moving tale of a young boy forced to confront demons well beyond his age, a sensitive portrayal of a child's point of view, and a spooky Japanese ghost story, Lion's Cross Point is gripping and poignant. Acts of heartless brutality mix with surprising moments of pure kindness, creating this utterly truthful tale of an unforgettable young boy.

    He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru. Side by side, they cruise around Japan through the changing seasons, visiting Satoru's old friends. He meets Yoshimine, the brusque and unsentimental farmer for whom cats are just ratters; Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B; and Kosuke, the mournful husband whose cat-loving wife has just left him. There's even a very special dog who forces Nana to reassess his disdain for the canine species. But what is the purpose of this road trip? And why is everyone so interested in Nana? Nana does not know and Satoru won't say. But when Nana finally works it out, his small heart will break...

    Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan--a mountain resort, a volcanic island, and a countryside clinic--haunted by the past. His attempt to solve the tape's mystery before it's too late--for everyone--assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip.

    Gone are her TV set, fridge, and above all, her boyfriend. She has no choice but to go back to her native village and her mother, on which she turned her back 10 years ago. There she decides to open a very special restaurant.

    So when some of the beasts mysteriously die, Elin's mother is sentenced to death as punishment. With her last breath she manages to send her daughter to safety.Alone, far from home, Elin soon discovers that she can talk to both the terrifying water serpents and the majestic flying beasts that guard her queen. This skill gives her great powers, but it also involves her in deadly plots that could cost her life. Can she save herself and prevent her beloved beasts from being used as tools of war? Or is there no way of escaping the terrible battles to come?

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.

    First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.

    But who hid this magnificent treasure and why? In Tun-huang, the great modern Japanese novelist Yasushi Inoue tells the story of Chao Hsing-te, a young Chinese man whose accidental failure to take the all-important exam that will qualify him as a high government official leads to a chance encounter that draws him farther and farther into the wild and contested lands west of the Chinese Empire. Here he finds love, distinguishes himself in battle, and ultimately devotes himself to the strange task of depositing the scrolls in the caves where, many centuries later, they will be rediscovered. A book of magically vivid scenes, fierce passions, and astonishing adventures, Tun-huang is also a profound and stirring meditation on the mystery of history and the hidden presence of the past.

    Arguably the central genre of Japanese literature, the 31-syllable lyric made up the great majority of Japanese poetry from the ninth to the nineteenth century and was the inspiration for such poetry as haiku and renga. Tanka has begun to attract considerable attention in North America in recent years. Modern Japanese Tanka is the first comprehensive collection available in English.Tanka retains the aesthetic sensibilities that circumscribe Japanese culture, but just as Japan has changed during this tumultuous century, tanka has undergone equally radical shifts. Responding to artistic and social movements of the West, tanka has incorporated influences ranging from Marxism to Avant-Garde.Modern Japanese Tanka includes four hundred poems by twenty of Japan's most renowned poets who have made major contributions to the hisotry of tanka in the late nineteenth and early twentieth centuries. With his graceful, eloquent translations, Makoto Ueda captures the distinct voices of these individual poets, providing biographical sketches of each as well as transliterating Japanese text below each poem. His introduction gives an excellent overview of the development of tanka in the last one hundred years.Tracing the contemporary tanka tradition from Yosana Tekkan in the late nineteenth century to the late twentieth-century poetry of such writers as Taware Machi, Modern Japanese Tankselegantly conveys an authentic sense of Japanese lyric to a Western audience.

    This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

    But the apartment’s electricity hasn’t been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Yōko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and water and naming it Kin.Inhabitation unfolds from there, following the complications in Tetsuyuki’s relationship with Yōko, a friendship with his supervisor who hides his heart disease at work, and his father’s creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin’s peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki’s human relationships.For more than four decades, Teru Miyamoto’s gentle prose—which often explores a kind of spiritual isolation—has enthralled Japanese readers. Now, translator Roger K. Thomas brings one of Miyamoto’s most well-loved novels to an English-speaking audience for the first time.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.