And so when she meets and falls in love with Daniel Fallow, son of a successful businessman, she's quick to accept his proposal of his marriage. His family, though, are against the match, and so the young couple marry in secret. Grudging acceptance follows, and as the Depression worsens Daniel is persuaded to join the family business, unaware of his father's dodgy dealings. Tragedy is just around the corner, and worse is to come when war is declared in 1939: as Daniel leaves to fight and her children are evacuated, Hope wonders if she will ever have all her family around her again...

    This intense look at the dark side of American suburbia is a dark and provocative new play by award-winning playwright, screenwriter, and director LaBute.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    Experts say they are scanner echoes tossed out of the past by the Phenomenon. The rumors and a cryptic entry in an ancestor's diary propel Lieutenant-Commander Mart Britlot of the Confederation navy into the dangerous Sivon sector of space. There, Britlot hopes to find help for the Confederation, now facing a two-front war. As the last living Confederation descendant of the Adian nation, Britlot is obsessed with finding the ghost ships, believed destroyed during a mass emigration 300 years in the past. He dreams of riding to the rescue at the head of the never defeated Adian fleet; he dreams of finding family after the death of all his near relatives at the hands of the Combine. He'll drive his ship and crew beyond endurance to achieve this. The felid Tlartox Empire, eager to avenge their humiliating defeat at the hands of the Confederation, has voted to annul the long-standing peace treaty. The glory of The Hunt beckons. Admiral Tood Tlomega has focused on the human planet Lormar, with its great naval base, as a fitting target for retribution. She will return dignity to the people of Tlar. She will return them to the path that Tlar illuminated so many centuries ago.But a small band of Tlartox subversives intend to rake a claw across the plans of the war-mongers, and give both the Empire and the Confederation something they hadn't counted on.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    An historical comedy about two bumbling botanists sent into the southern wilderness by Thomas Jefferson to look for something that isn't there. A novel in the spirit of Lewis and Clark (who make cameo appearences). Replete with wild Indians, river pirates, the kidnapped son of King Louis XVI, the lost colony of Roanoke, and much more. A non-stop romp full of life and humor and the sensibility of early America.

    

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    The caller, KEVIN RIKER, reports that a man has been killed up on the plateau above the West Fork of Oak Creek Canyon. Kevin leads the two lawmen on the trail through the West Fork Canyon. The trail is busy with hikers enjoying the autumn colors that are at their peak on November first. After several miles of hiking, a wade through the cold creek water, and a steep climb to the canyon rim, the group rests. Kevin explains that he had lost the normal trail when he found a strange circular grove of ponderosa pines where he discovered the gruesome body.

    A strikingly original first novel about a female circus roustabout and her shadowy existence behind the bright lights of the big top, Roustabout marks a debut of uncommon impact that readers will not soon forget.

    Their seafront business is failing with the loss of Genie’s grandmother and her legendary ice cream flavours. Genie is determined to be the one to save her family’s heritage, but suddenly her mother wants to sell to developers and leave their shared history behind.Buying the business and taking on a sixty-eight year old business partner, Ada, with a mysterious past and a gorgeous but distracting grandson, Genie sets out to prove her parents wrong.Ada’s grandson, Cal, wants to protect his gran from ‘pensioner persuader’, Genie, but soon realises that living in a little seaside town and away from the paparazzi in Hollywood can actually give him time to heal. Hiding in a seafront business with its fiery owner and working as kitchen staff, is the only way he can think of to keep his ex-Hollywood glamour-puss, gran from harm. But his meddling might also ruin Ada's second chance at love. Hiring a private detective and learning about Genie’s parent’s past makes Cal regret his own impulsiveness. The information he has unearthed could destroy their blossoming romance and turn Genie’s world upside down.Genie soon discovers that friends can become enemies and your closest family can have lied to you for your whole life.

    Meanwhile, her older sister Peggy works as an apprentice at the Girls' School, hoping for a more prosperous future as a schoolteacher.Jennet and Titus Eastwood have always made decisions for their daughters' futures. But as the sisters near adulthood they are determined to make their own choices. And with temptation in the way, will the girls find love - or infatuation - leads them astray?Then an unexpected but familiar face arrives in town, and the family's future is threatened. For Bessie and Jennet, a difficult choice must be made - love or family . . .

    The rarest of these are worth colossal fortunes, and can make their finders fabulously wealthy in the blink of an eye.Against this backdrop, young Houston lawyer Jack Carver meets his newest client, Ashley Marcum. She is looking for help after the mysterious death of her brother, who died while working for a giant oil company. Jack and Ashley’s only clue about his death is a set of unidentified gold coins, of indeterminate age and value.As Jack and Ashley scramble to discover how her brother died and uncover the origin of the coins, the oil company sends their powerful lawyers to stop them. Jack and Ashley soon find themselves caught up in a legal battle to uncover the truth—a battle they are ill-equipped to win.As the saga unfolds, Jack and Ashley soon discover that the coins belong to an ancient shipwreck—perhaps one of the greatest of all time. As the oil company tries to subvert legal process and shut them out, Jack and Ashley are forced to fight a case that begins in Texas but soon spreads across the globe.Amidst twists, turns, and roadblocks, Jack and Ashley must race through a history shrouded in secrets, spurred on by a case that ignites a firestorm around the world.