Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz.

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    The inspiration for Ray Bradbury's story.From Sara Teasdale's "Flame and Shadow" collection.

    An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth.

    The dual-language text (English and French) works to heighten the narrator's shifting perceptions, symbol by symbol, vision by vision.Winner of the USA Best Book Award in Poetry, the Pinnacle Book Award for Best Bilingual Poetry Book, and the Reader's Favorite Book Award in Poetry. International Book Awards and Julie Suk Award in Poetry Finalist.

    Tired of marrying off their daughters to the highest bidder and determined to finally make marriage fair, the women who form the country of Koyanagar have instituted a series of tests so that every boy has the chance to win a wife.Sudasa doesn’t want to be a wife, and Contestant Five, a boy forced to compete in the test to become her husband, has other plans as well. Sudasa’s family wants nothing more than for their daughter to do the right thing and pick a husband who will keep her comfortable—and caged. Five’s family wants him to escape by failing the tests. As the tests advance, Sudasa and Five thwart each other at every turn until they slowly realize that they just might want the same thing.Told from alternating points of view—Sudasa’s in verse and Contestant Five’s in prose—allowing readers to experience both characters’ pain and their brave struggle for hope.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    

    He had a broken sternum, two broken legs, a broken elbow and shrapnel lodged in both forearms. He had a severed femoral artery, while sustaining nerve damage to his hands and feet as well as facial injuries. He had been blown up during a routine foot patrol in Afghanistan. Within days of coming to his senses, a doctor told Andy that because of the blast he would no longer be able to have children. You’ll Never Walk is his story. This is the tale of a Scouser who had to cope with losing his mum at the tender age of 12. The story of how a dream career in the Royal Marines descended into nightmare at the hands of the Taliban. The painstaking account of how he grew back six centimetres of shattered bone in his leg and learned to walk again. However, Andy wanted to run and push himself to the very edge of his limits and so he made a colossal decision. Against doctor’s advice and pleas from his father, he chose to have his leg amputated. The operation was a success, although there was a minor twist. Where once Andy’s treasured Liverpool FC tattoo had carried the message ‘You’ll Never Walk Alone’, surgery to create a stump removed a key word from the slogan. The scars of his amputation had been decorated with an ominous new motto, which read ‘You’ll Never Walk...’ Andy would walk again – he would do much more than that. Armed with a running blade he learned to run and play football, scaled mountains in South America and Italy and claimed two gold medals at Prince Harry’s Invictus Games. Through public speaking he brought hope to people right across the country. In 2016, he set his sights on a 10k below- the-knee-amputee world-record and completed the run in an unprecedented 37 minutes 17 seconds. And, most preciously of all, after every obstacle placed in his path, Andy became a father to a little girl.

    A galactic empire of a quarter of a million worlds stumbles across the Earth. Their philosophy on life is totally unexpected. With the help of intelligent automatons, they've turned a reviled political system into a utopia for the masses, but are they a force for good or evil? A Daragnen university graduate, Yol Rummy Blin Breganin, discovers that Earth failed in its attempt to join the Federation, and, for some unknown reason, members are forever banned from visiting or contacting the planet. Rummy had never heard of a whole world being outlawed. Perhaps it would be sensible to leave well enough alone but no, he decides to investigate… FEDERATION is the first in a series of near-future, hard science-fiction novels by Tony Harmsworth, the First Contact specialist. Immerse yourself in humankind’s cultural and economic dilemma by buying FEDERATION today.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    "N-no, I'll do it." I whisper. "Then prove it." he states with a smirk, "Prove to me that you're willing to do this." "How?" I ask in a barely audible whisper, my entire body starting to shake in fear or excitement, I can't tell which. "Kiss me, as you mean it," he whispers back at me, looking down at my lips with hunger. ***************Anne De Ville is as normal as a teenage girl with three brothers and divorced parents get. She has no dogs because she is too lazy to take them for walks and spends her life reading or studying. On an average sunny day, Anna decides she needs to buy new shoes and so she goes to the closest mall and buys new converses. Little did she know that she might accidentally drop her shoes down three flights of stairs and they might accidentally fall on Hunter Denegan's head. Hunter Denegan. The baddest of the bad, the meanest of the mean, the best of the best, and the sexiest of the sexy. He is the school's bad boy and people worship him at his feet. What happens when a pair of converses land on Hunter's head and he turns into prince charming, looking for the girl who lost her shoe?