By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered to be the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.

    Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    An elderly couple embark on a fishing boat in a harrowing journey to find their son, hoping that he has survived a bombing in the Pacific. A Japanese orphaned woman's past revisits her with devastating consequences in a wartime hospital. A case of mistaken identity compels a husband and wife to question the foundation upon which their lives have been built. An AWOL American soldier finds refuge in a small farming community, unknowingly endangering its inhabitants. And in the celebrated title story, a horrific accident at sea becomes the catalyst for an unlikely friendship between an American widow and a young waiter at a coastal resort.These stories capture, with lyrical precision, the moments in which lives shift and unravel -- ;where loss is ultimately turned into a search for reconciliation, and where the silences that pass between lovers and siblings, between parents and their children, are as powerful as the reverberations of war. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    Collection of poems rising from and returning to Bukowski's personal experiences reflect people, objects, places, and events of the external world, and reflects on them, on their way out and back.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

    ANNE SEXTON (1928–1974) was an American poet known for her highly personal, confessional verse. A celebrated poet of mid- twentieth century America, Sexton’s impressive body of work continues to be widely read and debated by literary scholars and cultural critics alike. Her poetry explored the many paradoxes within human behavior and motivation.

    After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters, in Korean, over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box.As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the horrors her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? Eun Ji Koh fearlessly grapples with forgiveness, reconciliation, legacy, and intergenerational trauma, arriving at insights that are essential reading for anyone who has ever had to balance love, longing, heartbreak, and joy.The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.

    But soon reality sets in and his attention is divided between his growing happy family and his impoverished parents back in Seoul in a dingy basement apartment. With an ailing mother in and out of the hospital and an alcoholic father, Madang struggles to overcome the exhaustion and frustration of trying to be everything all at once: a good son, devoted father, and loving husband.To cope, he finds himself reminiscing about their family meals together, particularly his mother's kimchi, a traditional dish that is prepared by the family and requires months of fermentation. Memories of his mother's glorious cooking—so good it would prompt a young Madang and his brother into song—soothe the family. With her impending death, Madang races to learn her recipes and bring together the three generations at the family table while it's still possible. This is a beautiful and thoughtful meditation on how the kitchen and communal cooking—in the past, present, and future—bind a family together amidst the inevitable.

    This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.In this memoir translated from the original Japanese, Ishikawa candidly recounts his tumultuous upbringing and the brutal thirty-six years he spent living under a crushing totalitarian regime, as well as the challenges he faced repatriating to Japan after barely escaping North Korea with his life. A River in Darkness is not only a shocking portrait of life inside the country but a testament to the dignity—and indomitable nature—of the human spirit

    From this interaction, John meets a variety of characters, each with their own values and ideas of "self-actualization." However, Liz begins to fall in love with John's best friend, and John realizes his journey of self-discovery has only just begun.

    Seemingly cursed with the inability to have children, the couple find themselves having to take responsibility for Sosuke's younger brother Koroku. Oyone's health begins to fail, and news that her estranged ex-husband will be visiting nearby finally promotes a sense of crisis in Sosuke and forces him temporarily to quit his life of quiet domesticity. Highly prized for the beauty of its description of the understated love between Sosuke and Oyone, the novel has nevertheless remained in many ways mysterious. An analysis of the novel by Damian Flanagan casts fresh insights into its complex symbolism and ideas, establishing The Gate as one of the most profound works of the modern age. Published in cooperation with the Japan Foundation and the Sasakawa Foundation, this novel is part of an international program to bring one of Japan's most popular author to a new international audience.

    Five years prior, her parents--hardworking greengrocers who forfeited personal happiness for their children's gain--were brutally murdered in an apparent robbery of their store. But the glint of a new lead entices Suzy into the dangerous Korean underworld, and ultimately reveals the mystery of her parents' homicide.

    This book features Li Po's work which is suffused with Taoism and Zen Buddhism.