While Jeremy can’t remember the previous year, he savors the miracle of waking up alongside the woman he loves.The next time he wakes, another year has passed and he finds himself a spectator of his own life. Victoria now carries his child, but the man alongside her is a disturbingly different person—a cruel, egotistical, seemingly unknowable Jeremy. Is it amnesia? Insanity? Or has the God Jeremy defied with his selfish act now cursed him?This strange and beautiful novel tells the tale of a man lost between life and death, but connected by the love—as friend, lover, son, and father—given and taken over the course of a lifetime, a love that simply won’t let go.

    From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.

    van Vogt. First published in 1957 by Shasta Publishers in an edition of 2000 copies, the novel is a fix-up of the first five of van Vogt's Gods stories which originally appeared in Astounding magazine. The remaining Gods stories are collected in The Wizard of Linn. Author & critic James Blish observed that the plot of the Gods stories resembled that of Robert Graves' Claudius novels. The novel concerns adventures of a mutant genius in a barbaric future where spaceships are used without being understood.A Son Is BornChild of the Gods Hand of the Gods Home of the Gods The Barbarian

    As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled.Translated from the French by Haakon M. Chevalier

    In France, a young woman succumbs to illness, leaving her husband and small children bereft. Present at both events, Emmanuel Carrère sets out to tell the story of two families—shattered and ultimately restored. What he accomplishes is nothing short of a literary miracle: a heartrending narrative of endless love, a meditation on courage and decency in the face of adversity, an intimate and reverent look at the extraordinary beauty and nobility of ordinary lives.Precise, sober, and suspenseful, as full of twists and turns as any novel, Lives Other Than My Own confronts terrifying catastrophes to illuminate the astonishing richness of human connection: a grandfather who thought he had found paradise—too soon—and now devotes himself to helping his neighbors rebuild their village; a husband so in love with his ailing wife that he carries her in his arms like a knight does his princess; and finally, Carrère himself, longtime chronicler of the tormented self, who unexpectedly finds consolation and even joy as he immerses himself in the lives of others.

    Suffering from debilitating headaches and memory loss, she can rely only on her compassionate new tenant, Dr. Niall Emberlin, a welcome distraction from the discomfiting bubble that has become her existence.But Brienne’s growing confidence in her new routine is shaken when she stumbles across unsettling evidence that someone else is living as…her. Same name. Same car. Same hair. Same clothes. She’s even friended her family on social media. To find out why, Brienne must leave the safety of her home to hunt a familiar stranger.What she discovers is more disturbing than she could have ever imagined. With her fragile mind close to shattering, Brienne is prepared to do anything to reclaim her life. If it’s even hers to reclaim.

    In her hunt for evidence, Sue begins to mistrust everyone close to her daughter and she’s forced to look further, into the depths of her own past.There is a lot that Sue doesn’t know about Charlotte’s life. But then there’s a lot that Charlotte doesn’t know about Sue’s …

    In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.

    After attempts at careers in medicine, law, drawing, English and piano, he became one of the first Romantic writers, with his first collection of poems, Contes d'Espagne et d'Italie (Tales of Spain and Italy) (1829). He was the librarian of the French Ministry of the Interior under the July Monarchy. The tale of his celebrated love affair with George Sand, which lasted from 1833 to 1835, is told from his point of view in his autobiographical novel, La Confession d'un Enfant du Siècle (The Confession of a Child of the Century) made into a film, Children of the Century. Musset's Nuits (Nights) (1835-1837) trace his emotional upheaval of his love for George Sand, from early despair to final resignation. He was dismissed from his post as librarian after the revolution of 1848, but he was appointed librarian of the Ministry of Public Instruction during the Second Empire. He received the Légion d'honneur in 1845, at the same time as Balzac, and was elected to the Académie française in 1852.

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses, and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, "Bel-Ami" is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity, and humanity. Douglas Parmee's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic.

    One wet afternoon, driving a vanload of new and second-hand books, ÉtienneVollard knocks down and seriously injures a little girl, Éva. In the hospital, he meets Éva's mother, Thérèse, a struggling single parent who lacks maternal instincts and whose dream is to be faraway, alone. Both are haunted by guilt: Thérèse because of her lateness in collecting her daughter, and Vollard because he did not manage to stop his car on time (even if he knows that he could not have avoided -va: indeed she seemed to throw herself in front of the car). Vollard visits Éva regularly while she is in a coma and reads books to her, while Thérèse spaces her visits out. When Éva eventually wakes up, she has become mute and is terribly weakened. A few weeks after Éva has been sent to a rehabilitation centre in the Massif de la Chartreuse, Thérèse gets a job faraway and asks Vollard to visit her daughter on her behalf. Soon, Vollard enjoys their walks in the mountain, where he tells her stories and poems he has memorized and tries to break her out of her mute, impassive shell. However, nothing seems to help "La Petite Chartreuse" - Vollard calls Éva that way in reference to the monastic order of the Chartreux - to enjoy life again. She becomes weaker everyday to such a point that Vollard decides to find Thérèse and to take her back to her daughter before it is too late . . .

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    Dumas's subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.