He was a dark, cynical and pessimistic soul who had a grim vision of fate and the unfairness of life, which he channelled into his fiction. And in his death, or rather his disappearance, he created a mystery as strange and unresolved as any that he penned himself. But more of that later. Ambrose Gwinett Bierce was born in a log cabin on 21st June 1842, in Horse Creek, Meigs County, Ohio, USA. He was the tenth of thirteen children, ten of whom survived infancy. His father, an unsuccessful farmer with an unseemly love of literature, had given all the Bierce children names beginning with 'A'. There was Abigail, the eldest; then Amelia, Ann, Addison, Aurelius etc. So oddness was a part of Bierce's life from the beginning. Poverty and religion of the extreme variety were the two chief influences on young Ambrose's childhood. He not only hated this period of his life, he also developed a deep hatred for his family and this is reflected in some of his stories which depict families preying on and murdering one another. For example the unforgettable opening sentence of 'An Imperfect Conflagration' seems to sum up his bitter attitude: 'Early in 1872 I murdered my father - an act that made a deep impression on me at the time'.

    Included are: Introduction (The Second Cthulhu Mythos Megapack) • essay by Shawn Garrett Dreams of Yith • (1934) • poem by Duane W. Rimel and H. P. Lovecraft Out of the Aeons • short fiction by Hazel Heald and H. P. Lovecraft (variant of Out of the Eons 1935) Fishhead • (1913) • short story by Irvin S. Cobb When Chaugnar Wakes • (1932) • poem by Frank Belknap Long The Mound • (1940) • novella by H. P. Lovecraft and Zealia Bishop The Thing on the Roof • (1932) • short story by Robert E. Howard The Isle of Dark Magic • (1934) • novelette by Hugh B. Cave The Secret in the Tomb • (1935) • short story by Robert Bloch The Horror from the Hills • (1931) • novella by Frank Belknap Long The Terrible Parchment • (1937) • short story by Manly Wade Wellman The Shambler from the Stars • (1935) • short story by Robert Bloch The Diary of Alonzo Typer • (1938) • short story by H. P. Lovecraft and William Lumley Hydra• (1939) • short story by Henry Kuttner The Suicide in the Study • (1935) • short story by Robert Bloch Marmok • (1940) • poem by Emil Petaja The Intruder • (1940) • short story by Emil Petaja Out of the Jar • (1941) • short story by Charles R. Tanner [as by Charles A. Tanner] Skydrift • (1949) • short story by Emil Petaja Anonymous • (1951) • short story by George T. Wetzel Why Abdul Alhazred Went Mad • (1950) • short story by D. R. Smith (variant of Why Abdul Al Hazred Went Mad) Caer Sidhi • (1954) • short story by George T. Wetzel Dead of Night • (1988) • short story by Lin Carter Death of a Damned Good Man • (1991) • short story by Avram Davidson Medusa's Coil • short fiction by Zealia Bishop and H. P. Lovecraft [as by Howard Phillips Lovecraft and Zealia Bishop] Perchance to Dream • (1988) • short story by Lin Carter The Winfield Heritence • short fiction by Lin Carter (variant of The Winfield Heritance 1981) The Challenge from Beyond • (1935) • short story by C. L. Moore and A. Merritt and H. P. Lovecraft and Robert E. Howard and Frank Belknap Long The Last Horror Out of Arkham • (1977) • short story by Darrell Schweitzer If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    It was Thursday and unseasonably hot for April. He had his suitcoat off, his tie removed and shirt collar opened, his sleeve cuffs folded back. There was sunlight on his left arm and on part of his lap. He could feel the heat of it through his dark trousers as he drove along the two-lane highway. For the past twenty minutes, he had not seen another vehicle going in either direction.Then he saw the truck...

    The human obsession with the mysteries of the afterlife is explored in these supernatural tales of haunted houses, lost souls, unexplained phenomena, and “good” neighbors. Neil Gaiman’s “Closing Time” is a troubling tale recounted by an elderly man on a cold drizzly night in London while Joyce Carol Oates’ “Haunted” is a chilling story of two young girls drawn to abandoned houses and what they find in one. Francis Wardwell is eager to inform readers that everything they think they know about ghosts is wrong in Peter Straub’s “Hunger: An Introduction,” and George R. R. Martin’s "Remembering Melody” stresses the importance of keeping promises—no matter the consequences. Fans of a good ghost story will find this collection the ideal go-to for chills.Content"Anna" by F. Paul Wilson"Cargo" by E. Michael Lewis"Eenie, Meenie, Ipsateenie" by Pat Cadigan"Hunger: A Confession" by Dale Bailey"Delta Sly Honey" by Lucius Shepard"Nothing Will Hurt You" by David Morell"The Ammonite Violin (Murder Ballad #4)" by Caitlín R. Kiernan"Haunted" by Joyce Carol Oates"The Have-Nots" by Elizabeth Hand"Closing Time" by Neil Gaiman"Mr. Fiddlehead" by Jonathan Carroll"The Fooly" by Terry Dowling"The Wall" by Paul Walther"The Pennine Tower Restaurant" by Simon Kurt Unsworth"Distress Call" by Connie Willis"The Horn" by Stephen Gallagher"Everybody Goes" by Michael Marshall Smith"Transfigured Night" by Richard Bowes"Hula Ville" by James P. Blaylock"The Bedroom Light" by Jeffrey Ford"Spectral Evidence" by Gemma Files"Where Angels Come In" by Adam L. G. Nevill"Two Houses" by Kelly Link

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    They reflect innermost fears and head for spaces where reality is blurred by imagination, where insanity and madness are shrouded in mystery and where humanity is haunted by repressed passion and obsession.

    "Dancing Men" depicts one of the creepiest rites of passage in recent memory, when a boy visits his deranged grandfather in the New Mexico desert. In "Mr. Dark's Carnival," a college professor confronts his own dark places in the form of a mysterious haunted house steeped in the folklore of grisly badlands justice. "Struwwelpeter" introduces us to a brilliant, treacherous adolescent whose violent tendencies and reckless mischief reach a sinister pinnacle as Halloween descends on a rundown, Pacific Northwest fishing village. Tormented by his guilty conscience, a young man plumbs the depths of atonement as he and his favorite cousin commune with the almighty Hawaiian surf in "Shipwreck Beach." With The Two Sams author Glen Hirshberg uses his remarkable gift for capturing mood and atmosphere to suggest the possibility that the most troubling ghosts of all are not the ones that hover above us and walk through walls, but those that linger in our memories and haunt our souls.

    Lansdale, Caitlin Kiernan, Catherynne M. Valente, Kit Reed, Ekaterina Sedia, and thirteen other fine writers to create stories unlike any they've written before. Tales to make readers shiver with fear, jump at noises in the night, keep the lights on. These twenty nightmares, brought together by two renowned editors of the dark fantastic, are delightful visions sure to send shivers down the spines of horror readers.

    IT IS THEIR RESIDENTS WHO ARE SCREAMING... "No-one could be that unhappy and be alive..." A chambermaid's seemingly innocent request is granted, an act of kindness that has dire consequences for the guest at THE ELMS, MORECAMBE. Human despair has a power of its own after death, and it is contagious... "I wish I had been right; I wish that it had been a man, or death alone, that had found her..." An unearthly light in an abandoned bungalow resolves the mystery of a missing child, but no human force has taken her. An entity that fishes for children is in THE MERRY HOUSE, SCALE HALL. But will it remain there? "Go beyond the graves, and they will come to you." An invitation to a clifftop graveyard leads to a harrowing chase by burrowing things that remain unseen, their hunger unknown and never satisfied, BEYOND ST PATRICK'S CHAPEL. "The great delight in being part of the Save Our Shit crew was that sometimes they could persuade those designers of the present and the future to save or incorporate the past into their designs." There is no need in THE OCEAN GRAND, NW COAST, because the original artists created a living work of art for the hotel. Art that celebrates the triumph of the natural world over the man-made. A life force that transcends - and brings death... "Something white came out. Something white, screaming and screaming..." Homes fit for heroes, they were promised after the Great War. They were given something else in THE TEMPLE OF RELIEF AND EASE. There is a hidden agenda to paranormal researcher Richard Nakata's investigations into these houses. A commission that witnesses cattle lowing in the cowsheds of STACK'S FARM long after they've been slaughtered, and a reckoning in the showhouse of 24 GLASSHOUSE, as he and his colleagues pay the price for creating their own ghost... Simon Kurt Unsworth reinvents the classic English ghost story with a portmanteau collection that takes the haunted house genre and makes it scream...quietly. Because the most terrifying screams are the silent ones. "A major new talent in the horror genre." - Pete Tennant

    The landscape of death becomes the new frontier for scientific exploration. With remarkable deftness, Rogers draws together the disturbing and the diverting in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh.

    Sylvia would take long walks in the country; Pam would have tea ready by the fire for when she returned. Nice fantasies...The house had that kind of effect on people. It felt cosy, lived-in, though it had been empty for many years. Oddly, there was rubbish everywhere, but there was no other sign of a squatter's brief inhabitation.And though the windows were unbroken. the doors securely locked, Pam could never entirely rid herself of the thought that she and her sister might not be alone in the house...One of 13 terrifying tales of terror...