Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.Advance Praise for Snuffing Out the Moon ‘Criss-crossing historical periods and populating its multiple narratives with a diverse set of characters, Snuffing Out the Moon is a daringly original novel charting the past and the future of our civilization, and so illuminating the author’s view of our present. A challenging and thought-provoking read’—Shashi Tharoor, author and MP‘This novel stirred strange feelings in me. Its air is bleak and somehow forbidding. It is vast in scope but comparatively compressed in a space that the novelist uses expertly to draw for us the lineages of the past, the present and the future. It leaves us with the chilling vision that evil—greed or the impulse to destroy—is man’s destiny. Masterfully composed, the novel sums up aeons of history and culture with an assurance of narrative power that makes the picture of the past and the present as compelling as his imaginings of the future. Present fears are no less than the horrible imaginings, the novel seems to say. Learned and sagacious, the narrative pleases while it also awes the reader’—Shamsur Rahman Faruqi, author of The Mirror of Beauty‘Osama Siddique’s ambitious historical novel will be of consequence not only to Pakistan but to the Indian subcontinent’—Bapsi Sidhwa, author of Ice-Candy-Man‘Innovative, introspective and evocative, this remarkable debut novel gives poignant expression to an age-old human dilemma and one of the central challenges of our own troubled times: the choice between stultifying social conformity born of ignorance, intellectual laziness and fear, and the liberating agency that comes from doubt, dissent and defiance. Polyphonic in scope and written in the fragmentary and episodic mode, the intriguingly titled Snuffing Out the Moon deftly weaves together half a dozen different narratives informed by the rich sociopolitical, cultural and literary traditions of South Asia’s six millennia- long history. Beginning in 2084 BCE with the Indus Valley Civilization and ending in 2084 CE when the deadly politics of religious radicalism and water wars have drastically recast the face of South Asia, the novel is a gripping read. It dispenses with linear time by criss-crossing the past, present and the future in a disconnected fashion without becoming random and trivial or devoid of inner meaning and connectedness. A welcome addition to South Asia’s burgeoning trove of English-language literature, it will engage and absorb a cross-section of readers with its sparkling wit, lyrical bursts and welter of insights into human frailties and foibles’—Ayesha Jalal, historian and author of Jinnah: The Sole Spokesman

    A teenage boy makes the mistake of falling in love with the much-protected daughter of his uncle, mischievously nicknamed after his hero Napoleon Bonaparte, the curmudgeonly self-appointed patriarch of a large and extended Iranian family in 1940s Tehran.

    Discusses the basics of the Arabic language and provides instruction in the Arabic alphabet.

    But the zombie apocalypse taxes even his skills as he tries to get his family and friends out of Springfield, Missouri. Caught at work, all he has to help him survive is his normal "everyday carry" gear, the contents of his get-home bag and, most importantly, his wits to keep himself alive as chaos and death reign around him. As Dave struggles to reunite with his family and friends and fight his way clear of the city, he will discover that the dead aren't the only enemies he will have to deal with. Some of the living are just as deadly, and he discovers that a sinister element in the US government may have a plan of its own for the zombie apocalypse, and that it includes the estranged wife and son of his friend and benefactor, Nathan Reid. As he makes his way to his homestead outside of town, Dave will see the best and worst of humanity, and will be pushed to his limits and beyond. Can Dave overcome the dangers posed by both the living and the dead, and survive his exodus from Springfield?

    Adapted from Scott Nicholson’s original horror screenplay.MEAT CAMPIn a desperate attempt to save their land from tax foreclosure, Delphus Fraley and his daughter open a camp for at-risk kids, with the goal of building character through experience in the Appalachian Mountain outdoors.But a strange infection contaminating the camp’s mess hall soon triggers a violent rampage. As the isolated camp turns into a bloodbath, camp counselor Jenny Usher first fights to save the children, and then finds she must fight to save herself.Because this infection doesn’t just kill, it brings the dead back to life…----------Scott Nicholson is the international bestselling author of more than 30 books, including The Home, After: The Shock, Liquid Fear, The red Church, and more.J.T. Warren is the author of Hudson House, Rampage, Blood Mountain, and the series Jeremiah Rivers: Demon Hunter.

    In I Killed Scheherazade she challenges prevalent notions of identity and womanhood in the Middle East and speaks of her own intellectual development and the liberating impact of literature on her life. Fiery and candid, this is a provocative exploration of what it means to be an Arab woman today.Born in 1970 in Beirut, Joumana Haddad is an award-winning poet, literary translator, magazine publisher and journalist. Joumana is the cultural editor for the an-Nahar newspaper and in 2008 launched the Arab world’s first erotic cultural magazine, Jasad (Body). Joumana was chosen as one of the best Arab authors under 39 in 2009 (Beirut39). She lives in Lebanon with her two sons.

    A former circus clown who was spared the gas chamber so that he might entertain thousands of other Jews as they marched to their deaths, Adam Stein is now the ringleader at an asylum in the Negev desert populated solely by Holocaust survivors. Alternately more brilliant than the doctors and more insane than any of the patients, Adam struggles wildly to make sense of a world in which the line between sanity and madness has been irreversibly blurred. With the biting irony of Catch-22, the intellectual vigor of Saul Bellow, and the pathos and humanity that are Kaniuk's hallmarks, Adam Resurrected offers a vision of a modern hell that devastates even as it inches toward redemption.

    Now it seems Craig has moved on to a younger woman. Helena pleads with Jenny to help find out who the mystery woman is. Jenny’s friend Kate, and adult daughter Rebecca, warn her not to become involved, but Jenny can’t resist. This might just be the opportunity she has been looking for. It’s not very often the chance for revenge comes knocking. But does Jenny really know what she’s getting into, and is Helena really the person she appears to be?

    Considering the huge impact of modernity on the region, and the accompanying shockwaves that turned society upside-down, Kassir states that the current crisis in Arab identity lies in the failure to come to terms with modernity, turning instead to false solutions such as pan-Arabism and Islamism.Being Arab is a clarion call, urging Arabs to embrace their own history, to reject Western double standards and Islamism alike, and to take the future of the region into their own hands.

    Her best friend Amra Abbas is about to make partner at a top Boston law firm. Together they’ve thwarted proposal-slinging aunties, cultural expectations, and the occasional bigot to succeed in their careers. What they didn’t count on? Unlikely men and geopolitical firestorms.When a handsome childhood friend reappears, Amra makes choices that Zainab considers so 1950s—choices that involve the perfect Banarasi silk dress and a four-bedroom house in the suburbs. After hiding her long work hours during their courtship, Amra struggles to balance her demanding job and her unexpectedly traditional new husband.Zainab has her own problems. She generates controversy in the Muslim community with a suggestive magazine spread and friendship with a gay reporter. Her rising profile also inflames neocons like Chase Holland, the talk radio host who attacks her religion publicly but privately falls for her hard. When the political fallout from a terrorist attempt jeopardizes Zainab's job and protests surrounding a woman-led Muslim prayer service lead to violence, Amra and Zainab must decide what they’re willing to risk for their principles, their friendship, and love.

    Michael Hopf bring you: HOPE: A GOING HOME NOVELNeal managed to survive the initial weeks after an EMP decimated the grid and all critical infrastructures. Using his cunning, skills and mindset, he navigated the harsh new landscape. Life became harder when the weeks turned to months but still he survived. As he settled into his new normal complacency set in with it. At first everything was fine but then the deadly realities came to his doorstep. When tragedy struck all he wanted to do was give up, but a promise he had made kept him going, barely. He was a man without a home, a purpose and more importantly hope. That changed one day along a desolate highway in the desert. There he’d discover a new reason for living.

    Mina sets these personal events against a richly detailed description of events in the history of early 20th century Syria, as the silkworm industry gave way to modern foreign technology. The mode of life described is one of 3 bygone era.

    Together, they face all the difficulties of poor immigrants—the passage by ship, admittance through Ellis Island and the rough immigrant life. Khalid, always the dreamer, tries to participate in the political and cultural life of the teeming city—to often humiliating and comic result.Tiring of their sojourn, he convinces Shakib they should return to Lebanon. But their heads are now full of New World ideas. And Khalid, trying to improve his brethren, turns his understanding of Western thought into a call for political progress, and religious unity and tolerance in the Arab world. A call that has him, accidentally, almost founding a new religion—and almost becoming its first martyr, when his ideas incite the faithful to riot.Playing with classical Arabic literary forms, as well as Western literary conventions, Ameen Rihani’s The Book of Khalid is a unique contribution to American and World literature.From the Trade Paperback edition.

    No one was, although Mia and her fifteen-month-old sister had a slight advantage: their father, a hardcore doomsday prepper, left them a safe haven to help them survive their new reality. Andrew Greene is Mia's childhood friend. On track to graduate college at nineteen years old, his sharp mind gives him an edge against the competition. How will the trio survive the harsh winters of Pennsylvania? How will they survive attacks from hungry wildlife? What will they do when faced with perhaps their greatest danger: the other survivors? Can they live in this new world? Or will their Shelter turn into their tomb?

    Be careful, our professor advised, in the first moment of outright humor in class, that you don’t ask a waiter, ‘Excuse me, where is the pigeon?’ — or, conversely, order a roasted toilet.”   If you’ve ever studied a foreign language, you know what happens when you first truly and clearly communicate with another person. As Zora O’Neill recalls, you feel like a magician. If that foreign language is Arabic, you just might feel like a wizard. They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and outdated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach. Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door.    A natural storyteller with an eye for the deeply absurd and the deeply human, O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.