A finalist for the National Book Award with her 1995 novel, The House on the Lagoon, Ferre here uses family history as a metaphor for the class struggles and political evolution of Latin America and Puerto Rico in particular. The result is writing of the highest order--provocative, profound, yet delightfully readable.The "sweet diamond dust" of the title story in this debut collection is, of course, sugar. In this tale the De La Valle family's secrets, ambitions, and passions, interwoven with the fate of the local sugar mill, are recounted by various relatives, friends, and servants. As the characters struggle under the burden of privilege, the story, permeated with haunting echoes of Puerto Rico's own turbulent history, becomes a splendid allegory for a nation's past. The three accompanying stories each follow the lives of the descendants of the De La Valle family, making the book a drama in four parts, raising troubling issues of race, religion, freedom, and sex, with Ferre's trademark irony and startling imagery--a literary experience no reader would want to miss.

    It is voiced in first-person by an anonymous narrator often using jargon, broken grammar and punctuation with a poetry-like structure. The narration shifts quickly from random idea to idea with little to no connectivity between them, typically giving vivid descriptions of abstract situations. The narrative styles in the book vary significantly as well, with no apparent solid identity to the narrator itself. Some characters and ideas emerge suddenly and disappear without explanation.Within this form incorporate elements of science fiction, cyberpunk, tabloid journalism, and advertising slogans. Due to its use of pop-culture references (e.g. to kung-fu films) and literary allusions it requires knowledge of (then) current affairs. Leyner resorts to irony and humor as a means of interplay with traditional realism.-Wikipedia

    His novels, among them Rudin (1856), Fathers and Sons (1862), and Virgin Soil (1877), and his many stories and plays pointedly reveal his opposition to the serf system and his profound insights into the lives, interests, and attitudes of the nobility and intelligentsia of mid-19th-century Russia.Two of Turgenev's best works of short fiction are the touching First Love (1860), a novella known to be partly autobiographical, and The Diary of a Superfluous Man (1850), a fascinating tale of an ineffectual Russian Hamlet. Both provide a superb introduction to the keen social perception, rich characterization, and narrative command of this Russian master. Both stories are presented here in acclaimed translations by Constance Garnett.

    MyLiteratureLab icons are found in the margins of the text along with a list of media assets at the front of the anthology. The most popular Literature anthology continues to bring students the finest literature from fables to poetweets. The Twelfth Edition of "Literature: An Introductiuon to Fiction, Poetry, Drama, and Writing," edited" "by X. J. Kennedy and Dana Gioia, includes eleven new stories from students' favorite authors: ZZ Packer's "Brownies," Ray Bradbury's, "The Sound of Thunder," Anne Tyler's, "Teenage Wasteland," David Leavitt's, "A Place I've Never Been" and Isabel Allende's "The Judge's Wife." More than 60 new accessible and engaging poems have been added including former Iraqi soldier Brian Turner's "The Hurt Locker," Katha Pollit's "The Mind-Body Problem" as well as poetweets from Lawrence Bridges and Robert Pinsky. In addition, there are new poems from Kay Ryan, Benjamin Alire Saenz, H. D, Gary Snyder, Joy Harjo, Tami Haaland, Robert Hayden, Denise Levertov, and William Carlos Williams. Three new one-act plays help "ease" students into the study of this genre. The new plays include two comedies-- David Ives's, "Sure Thing" and Jane Martin's "Beauty"--as well as Edward Bok Lee's experimental drama "El Santo Americano." In addition, Milcha Sanchez-Scott's" The Cuban Swimmer "has been added." "

    The Man Who Had No Idea (1978)The Black Cat (1976)The Santa Claus Compromise (1974)The Vengeance of Hera or, Monogamy Triumphant (1980)Concepts (1978)The Apartment Next to the War (1975)The Foetus (1980)The Fire Began to Burn the Stick, the Stick Began to Beat the Dog (1976)At the Pleasure Centre (1974)The Grown-Up (1981)How to Fly (1977)Planet of the Rapes (1977)The Revelation (1980)Pyramids for Minnesota (1974)Josie and the Elevator: A Cautionary Tale (1980)An Italian Lesson (1982)Understanding Human Behavior (1982)

    "These stories are not merely flashes in the pan; there's pay dirt here!" —DeWitt Henry, editor of Ploughshares

    His life is a never ending spectrum of action. Just back from a mission, he learns of another in Afghanistan.A CIA team is trapped inside a compound in Afghanistan. A compound with a terrifying secret.Dan is told to extract the team, and their valuable asset. Dan knows there is more to it than that. Way more.Compromised from the very beginning, Dan fights his bloody way into the compound.Now, he is surrounded by the enemy. There is no escape.As Dan discovers the secrets the compound holds, the enemy draws closer to the gates.Soon they will be climbing over, and Dan and his team will be butchered alive.As the noose gets tighter Dan realizes he might be on the last mission of his life...Can Dan get out alive with the CIA team, and protect the compound`s secrets?Find out in this high octane thriller that reviewers are raving about. If you like Baldacci, Lee Child and Jason Bourne, you will love Dan Roy.

     Books change lives, and if you have any doubts on that score, you need only dip into this joyous celebration of reading by 65 people who have distinguished themselves in various fields, from sports, to cooking, to journalism and the arts. In brief and lively essays, the contributors— wrestlers, actors, singers, monks, Nobel Prize winners, chefs, politicians, writers—tell about the single book that changed the way they see themselves and the world around them. A sampling of contributors includes: Elizabeth Berg on The Catcher in the Rye; Harold Bloom on Little, Big; Steven Brill on The Making of the President, 1960; Da Chen on The Count of Monte Cristo; Maureen Corrigan on David Copperfield; Nelson DeMille on Atlas Shrugged; Tomie dePaola on Kristin Lavransdatter; Anita Diamant on A Room of One’s Own; Linda Fairstein on The Adventures of Sherlock Holmes; Sebastian Junger on Bury My Heart at Wounded Knee; Wally Lamb on To Kill a Mockingbird; John McCain on For Whom the Bell Tolls; Lisa Scottoline on Angela’s Ashes; Susan Vreeland on To Kill a Mockingbird; and many more. . . .

    A drunkard in a Mumbai slum tries to compete with the torrential rain, even as it washes his dwelling away. An army man at the border has become so accustomed to speaking over the wireless that he ends every sentence with ‘Over!’ And in the title story, a cop drags a dead cow from Vinayak Rao Patwardhan Road to the adjoining Bapu Road, since the latter is so much easier to spell.From real-life stories about Javed Akhtar, Sahir Ludhianvi and Kuldip Nayyar to tales set in Kashmir, in the hinterland, in the modern megapolis and on the LoC, from anecdotes of love and betrayal to fables of courage and conviction, this is an enthralling collection available in English for the very first time.

    How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith, a National Book Award-winning author, first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus’s house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing.The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

    The Black Cat; The Fall of the House of Usher, The Raven; The Tell Tale Heart, The Masque of the Red Death, the Premature Burial and six others that are a shuddering delight to read and listen to. Turn off the lights, settle down and hear these stories read to you as only LibriVox readers can perform them. (Summary by Phil Chenevert)THE TELL-TALE HEART.THE FACTS IN THE CASE OF M. VALDEMARTHE BLACK CAT.THE FALL OF THE HOUSE OF USHERTHE MASQUE OF THE RED DEATH.THE CASK OF AMONTILLADO.THE PREMATURE BURIALBERENICELIGEIAHOP-FROGTHE RAVENTHE PIT AND THE PENDULUM

    He wrote his poetry in Urdu and Farsi (1873-1938), and that bridged and encompassed the past many centuries of man's endeavours in the realms of thought and intuition. He emblazoned the high standards set by Mirza Asadullah Khan 'Ghalib', and glorified the literature in his own way. He was a scholarly personality, and wrote on various subjects, from philosophy to politics, from romance to emotions and so on. He wrote world famous poem 'sare jahan se acha Hindustan hamara' and many other such 'nazams' which are even today considered as great poetical creations. He was honoured with the title 'sir' by the British Government for his contributions to the literature.The present collection is a representative of Iqbal's Urdu poetry, which has been transliterated into English verses, with translation into Devanagari (Hindi) and Roman script. The English translation has been done by Khwaja Tariq Mahmood, who earlier translated the poems of Mirza Ghalib and Sahir Ludhianvi, and is now working on many other collections.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    In Holy the Firm she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things -- rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire.This is a profound book about the natural world -- both its beauty and its cruelty -- the Pulitzer Prize-winning Dillard knows so well.

    And angels are all around if we are open to seeing them and accepting their help. You’ll be inspired, awed and comforted by these 101 stories from ordinary people who’ve had extraordinary experiences, including: The young family caught in a snowstorm who were rescued by a man named David and hosted in his cabin—who learned afterwards that David and his family had died three years earlier on the same highway they were stuck on The widow who had been making snow angels with her husband for decades and then found two perfect ones in the fresh snow by his memorial bench one wintry morning—with no footprints leading to them The daughter whose dying mother promised to send flowers, who returned from the funeral to find her mom’s almost dead Christmas cacti had blossomed, covering an entire room with flowers The mother who saw her husband hoisting their little girl by one arm from a lake she’d fallen into, but didn’t see the man her husband says was holding the girl’s other arm The notoriously grumpy old man in a nursing home who spent a whole day happily saying goodbye to everyone and thanking them because an angel told him, correctly, it would be his last day on earth The teenager working in a hotel kitchen who was pushed away by an invisible force while standing in a group of people, and just missed being hit by a large piece of equipment that fell right where she’d been standing