Fukuyama sketches a brief history of man's changing understanding of human nature: from Plato and Aristotle to the modernity's utopians and dictators who sought to remake mankind for ideological ends. Fukuyama argues that the ability to manipulate the DNA of all of one person's descendants will have profound, and potentially terrible, consequences for our political order, even if undertaken with the best of intentions. In Our Posthuman Future, one of our greatest social philosophers begins to describe the potential effects of genetic exploration on the foundation of liberal democracy: the belief that human beings are equal by nature.

    Gives some great insights into Gayatri mantra and how it can transform the life of a mortal.

    In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity--and how the differences between the faiths may be far stranger than they may at first seem. Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."

    In order to understand both the spirit of Tradition and its antithesis, modern civilization, it is necessary to begin with the fundamental doctrine of the two natures. According to this doctrine there is a physical order of things and a metaphysical one; there is a mortal nature and an immortal one; there is the superior realm of "being" and the inferior realm of "becoming." Generally speaking, there is a visible and tangible dimension and, prior to and beyond it, an invisible and intangible dimension that is the support, the source, and the true life of the former." -- from chapter one. With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo-Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader's most cherished assumptions about fundamental aspects of modern life.

    A kingdom that’s hers for the taking. And five warriors who will do anything to serve their queen. With a milestone birthday looming, newly single Carrie isn’t looking forward to the not so secret surprise party she has coming up, especially since her ex is going to be there with his brand new fiancé. But, when a strange chance encounter with the hottest man she’s ever seen sends her spiraling into a world she only thought existed in fables, Carrie soon finds that her life and identity is nothing like she imagined. Waking up in Camelot, Carrie finds herself surrounded by five-count ‘em five- smoking hot men, all sworn to stay by her side. They tell her that she’s the daughter of King Arthur and, as such, rightful queen of Camelot. But, with a dark queen already sitting on her throne, Carrie and her gaggle of supernatural protectors must embark on a journey that will bring them closer to death-and closer to her- then any of them ever imagined. With a loyal knight, a tattooed sorcerer, an immortal with a shocking connection to her, and a pair of twin dragon shifters who do everything together at her side, Carrie must find the strength to become the ruler she never thought she’d have to be…or lose everything in the process.A Reverse Harem Arthurian Fantasy

    A passionate critique of Enlightenment—both in its contemporary invocation and its historical and cultural use—and a call to arms to rethink human equality and liberty without the sacrifice of individual rights and ethnicities.

    In Holland, dogs are caressed more than people. Not as thoroughly, though: that one spot, somewhere down below, generally remains untouched …” Generally, but certainly not always. Kinsey’s research showed that 8 per cent of men and 3.5 per cent of women had had sex with an animal, and that in rural areas the figure for men was closer to 50 per cent. Yet bestiality is almost universally condemned. While our love for animals is extolled as noble and “natural,” all erotic elements in the relationship between humans and other species are vilified and proscribed, thus consigning them to the realm of exotic pornography or crude innuendo.Even so, something remains of physical love for animals. In different forms, sublimated or occasionally celebrated, its traces can be found throughout art and popular culture: in Leda and the Swan, Beauty and the Beast or the Lorelei; in a lubricious menagerie of satyrs and centaurs, wolfmen and vampires, all the way through to King Kong and Fritz the Cat, pony clubs and amorous dolphins, or even advertisements for luxury catfoods.Dearest Pet uncovers and explores those traces, illuminating the ambivalence of human attitudes to cross-species sexuality. Its author, the biologist and broadcaster Midas Dekkers, has analysed bestiality in all its aspects—physical, psychological and legal—and examined its representations in religion and mythology, art and literature, pornography and advertising. Beautifully—and sometimes bizarrely—illustrated, his book is neither drily academic nor pruriently trivial, but erudite, witty and challenging: the first history of the last taboo. A book for animal lovers, and for those who are just their good friends.

    But although he lived in the German golden age of Goethe, Schiller and Mozart, he also believed that art was in terminal decline.To resolve this apparent paradox, as Michael Inwood explains in his incisive Introduction, we must understand the particular place of aesthetics in Hegel's vast intellectual edifice. Its central pillars consist of logic, philosophy of nature and philosophy of spirit. Art derives its value from offering a sensory vision of the God-like absolute, from its harmonious fusion of form and content, and from summing up the world-view of an age such as Homer's. While it scaled supreme heights in ancient Greece, Hegel doubted art's ability to encompass Christian belief or the reflective irony characteristic of modern societies. Many such challenging ideas are developed in this superb treatise; it counts among the most stimulating works of a master thinker.Table of ContentsIntroductory Lectures on Aesthetics Introduction A Note on the Translation and CommentaryINTRODUCTORY LECTURES ON AESTHETICSChapter I: The Range of Aesthetic Defined, and Some Objections against the Philosophy of Art Refuted[α Aesthetic confined to Beauty of Artβ Does Art merit Scientific Treatment?γ Is Scientific Treatment appropriate to Art?δ Answer to βε Answer to γ]Chapter II: Methods of Science Applicable to Beauty and Art[1. Empirical Method - Art-scholarship(a) Its Range(b) It generates Rules and Theories(c) The Rights of Genius2. Abstract Reflection3. The Philosophical Conception of Artistic Beauty, general notion of]Chapter III: The Conception of Artistic BeautyPart I - The Work of Art as Made and as Sensuous1. Work of Art as Product of Human Activity[(a) Conscious Production by Rule(b) Artistic Inspiration(c) Dignity of Production by Man(d) Man's Need to produce Works of Art]2. Work of Art as addressed to Man's Sense[(a) Object of Art - Pleasant Feeling?(b) Feeling of Beauty - Taste(c) Art-scholarship(d) Profounder Consequences of Sensuous Nature of Art(α) Relations of the Sensuous to the Mind(αα) Desire(ββ) Theory(γγ) Sensuous as Symbol of Spiritual(β) The Sensuous Element, how Present in the Artist(γ) The Content of Art Sensuous]Part II - The End of Art3. [The Interest or End of Art(a) Imitation of Nature?(α) Mere Repetition of Nature is -(αα) Superfluous(ββ) Imperfect(γγ) Amusing Merely as Sleight of Hand(β) What is Good to Imitate?(γ) Some Arts cannot be called Imitative(b) Humani nihil - ?(c) Mitigation of the Passions?(α) How Art mitigates the Passions(β) How Art purifies the Passions(αα) It must have a Worthy Content(ββ) But ought not to be Didactic(γγ) Nor explicitly addressed to a Moral Purpose(d) Art has its own Purpose as Revelation of Truth]Chapter IV: Historical Deducation of the True Idea of Art in Modern Philosophy1. Kant[(a) Pleasure in Beauty not Appetitive(b) Pleasure in Beauty Universal(c) The Beautiful in its Teleological Aspect(d) Delight in the Beautiful necessary though felt]2. Schiller, Winckelmann, Schelling3. The IronyChapter V: Division of the Subject[1. The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form2. Part I - The Ideal3. Part II - The Types of Art(α) Symbolic Art(β) Classical Art(γ) Romantic Art4. Part III - The Several Arts(α) Architecture(β) Sculpture(γ) Romantic Art, comprising(i) Painting(ii) Music(iii) Poetry5. Conclusion]Commentary

    In this book, current liberal theories of justice are criticized, the shortcomings of the modern university are analyzed and the works of Shakespeare, Swift and Plato are examined.

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    So hold your nose, kiss the babies, and just think how good you would look on a stamp.Now, before we go into your media responsibilities, you must understand the true history of political power, so you don't accidentally act on the naive idealism you are required to project to the general public.The reality of political power is very simple: bad farmers own crops and livestock -- good farmers own human beings...

    This book consists of all the available ecclesiastical writings of early Christian authorities that are known to exist & yet were omitted from the authorized New Testament. Whether they are canonical or not, at the least these writings are of very great importance. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010. The Forgotten Books of Eden: These books translate Old Testament pseudepigraphal writings which didn't achieve canonical status, giving mankind's early pictures of the past & hopes for the future that have survived the devastation of the centuries. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010.

    It is a collection that celebrates and understands girlhood, loss, and love. These are Medea's letters to the modern girl.

    This edition includes a selection of Bo Yang's speeches, writings and media interviews, as well as a sample of the reactions his comments have provoked.

    Our Gods and religions are the remains of our ancient rituals and beliefs as we transitioned from a hunter/gatherer society to labor specialization in our first settlements. Man is the product of an unguided evolutionary process from the first basic chemical bondings, in a primordial ocean, to the first cells and later life. The evidence is all around us and we can no longer be in denial. The next 100 years will be monumental in our religious journey as our Gods will faint away, being replaced by a new framework of reason and knowledge. Ever wondered how religion developed and why our Christian, Jewish, Hindu and Muslim religions came to dominate the world. Wanted to know where the Jewish tribes originated from and their first Gods. Why do we have countries of different faith and why is our religion so deeply embedded in our society. But even more telling - will religion exist after the next 100 years. Atheism is growing at an ever increasing rate. The Pew Research Center found that one-in-five U.S. adults do not identify with any religion. The percentage bigger for younger age groups. This book is becoming a best seller. It offers a consize and easy read explanation of our religious past and coming future. The future is here and it will be without our Gods. The last 100 years of religion is here. Readers reviews received "One of the best books that I have read in years. It does an exceptional job of explaining the history of gods, religion,and how we got to where we are today. It provides easy to understand evidence for formation of our universe and evolution. While it presents a hopeful view that religions will fade away as people understand that scientific evidence provides a better answer, it probably won't happen without some effort on our part. One thing is clear--the more people that read this book, the faster it will happen." "This book is a must read for all. It is very informative and very moving. I would especially invite the deeply religious people out there to take a chance on this (although I seriously doubt they will). So I challenge them to read this. If your beliefs are so strong that nothing can change them, then I double dog dare you to read this!!!!" "Why it has taken someone this long to write this book is beyond me. Kudos to Albert. He very concisely sums up the history of our "love affair" with religion and it is not pretty. As someone was wont to say "I look and I look but I do not see any footsteps of god in the sands of time." Most religions expect you to believe all kinds of nonsense on "blind faith" alone. In this age of science and cosmology, where else are we asked to look the other way from something which is patently unreasonable and largely illogical.?"