It presents the historical battle that progressed between the Maratha army and the army of Ahmad Shah Abdali, the founder of the Afghan Empire.The book initially follows the battle that takes place between the army of Najib-ud-Daulah, an ethnic Pashtun, and the Scindias. It then proceeds to cover the northward progress of the massive Maratha forces to counter the threat of Najib-ud-Daulah. Eventually, the Maratha infantry and cavalry succeed in entering the Mughal stronghold of Panipat. Here, they are surrounded by a huge force of Shia Muslim and Afghan soldiers who block their source of ration. The resulting frustration and malnutrition takes its toll on the Maratha army.The book speaks of the valiant efforts of men like Jankoji Shinde, Nanasaheb Peshwa, and many other Maratha compatriots. The author has also countered the common negative portrayal of Sadashivrao Bhau, one of the Maratha leaders, with strong appreciation of his war tactics.The book highlights the myriad experiences that cast their shadows on the battleground, including bloodshed, depression, disease, desolation, martyrdom, betrayal, death, fear, victory, loss, hatred, ignorance, and vengeance.It also focuses on certain key points pertaining to India as a federal nation. Some of these points include the role of religion, the battle for supremacy between the North and the South, the detrimental influence of regional politics, the role of language, and the importance of unity. At the end of the book, the author has provided insights into his research efforts, which included several trips to Panipat. Panipat was originally written in Marathi and first published on October 20, 1988. Since then, it been translated to English and several other Indian languages, including Hindi. Panipat has received thirty-eight awards since its release in 1988, and sold more than 200,000 copies.

    

    Set against the backdrop of the Mahabharata, Desai attempts to make readers aware that although winning is usually the goal in every war, one should also be ready to face defeat.Through Radheya, readers will learn about Karna and the circumstances which earned him a memorable place in the Mahabharata. From early on, Karna was deprived of familial love. Throughout the course of his life, he suffered at the hands of others. He also felt discarded by his own mother Kunti and was also ridiculed by many because he was born in a lower class. Since Karna’s foundation years were so tumultuous, his immense strength was reduced and he often felt lonely.Nevertheless, through Radheya readers can visualize the development of Karna’s individuality and how he came to earn the title of fearless warrior. This novel is essentially a written tribute to the hero Karna who fought against his own family members while remaining loyal to his friend. Through Karna’s decisions and actions, Desai brings to life the impending dualities of life such as victory and defeat, and doing what is expected versus doing what is right. Through Karna, Desai has tried to universalize the “karma katha”.

    Vaishali, the capital of the Confederacy and that of the illustrious Lichchavis was not only a center of commerce and political activity but also the blessed motherland of Amrapali.The Legend of Amrapali is the story of mayhem and turmoil brought about by the obstinate desires of one man – a man blinded by the intoxication of power. It is a story of sinister plots and political wizardry, of chaste love and unbridled passion, of naked ambitions and dogged loyalties that lead to the transformation of an innocent young girl into one of the most revered, even worshipped, and occasionally feared personalities of her times. A gripping cocktail of fantasy, fiction, fable and history that retains its charismatic appeal through the centuries gone by!

    There were 65 blocks on each floor, so in all the four floors had 260 blocks, all the members from each and every block started running towards Ramakant Laghate`s residence. Since many years, nothing so exciting had happened in the building and there was no possibility of anything exciting happening in the near future. This is a peculiarity of Va Pu`s stories; they start with a shock and give us another one at the end, the story it self at its height throughout the book. Every common man feels that something exciting should happen in his or her life. With this as a clue, Va Pu has cleverly woven the stories. Each and every story has a very special plot, which further heightens the suspense making it exciting as well and gives a shock at the end. Why do we get so engulfed in all those stories? Answer is simple. It is Va Pu`s natural, hearttoheart, and yet naughty style and the freshness of the topics.

    Babu of Bhokarwadi dons the mantle of magician (‘Jadugaar’) to prove this point! Bajaba makes a complaint about a robbery in the hotel; but then also gives a written submission that the theft never took place (‘Chori zalich nahi’)! Fed up with the local politics (‘Gavgundi’), the newlyappointed lady teacher decides to quit her job and leave the village! Babu and Chengtya too face the same travails (‘Vanvaas’) as Rama had to. The Government issued an Ordinance legalizing corruption (‘Bhrashtaachar’); but this only serves to double Balu’s workload since he is a government servant! Bapu Patil did complete the adoption formalities (‘Dattakvidhi’) for his son, but Babu and Chengta manage to mess things up! Dagadu Gawali one conducts the class (‘Taas’) otherwise taken by the Std. IV Maths teacher who took pleasure in caning the boys! Siva Jamdade, Rama Kharat, Gana Mastar, Nana Chengat, and Babu Pailwan go for a picnic (‘Company’)! Fun…Irony…Advice…Sharp criticism…and tragedy too…such is the nature of this collection of stories.

    The story is split into parts which first explore the world from the point of view of each of these protagonists. A carefree Kalyanikutty is brought home in the middle of her exams by her widowed mother following the rumours that had been running around the town on her affair with a boy with a bad character, Prabhu. She surprises everyone with her cold attitude towards what they think is taboo in this society, she attain maturity and becomes strong enough to shock the society once again. Subha, her best friend is forced to marry the man whom she despised the most, Prabhu. She finds self-destruction as the only way to take revenge against the people who are trying to subjugate her and as a bad omen to the family it works. Prabhu, the spoilt , charming, womanizing rascal of the town completes the equation. His failure starts with Kalyanikutty, but gets the fatal blow from Subha that turns him around. His reprisal and how he finally realizes the mistakes prompts him to attempt the final act of redemption. In the depths of a canvas of very calm individuals and a modern town life this story runs as a strong undercurrent of tragedies. To all these drama only stars are the witness.

    Holkar family who take care of the Swaraj Tree which chhatrapati Shivaji Maharaj takes with like any other Maratha family. Author has tried to narrate about his life, his triumphs, strives & a loyal service provided to Peshwe.

    One awakens the sorrow and one brings cheerfulness. Patil never wrote for the sake of humour, but his stories have many unseen sown seeds of laughter. They are full of the contrast in life, the contrast is the central theme of his stories. Patil must get the credit for adding this caricature type stories to Marathi literature. The humorists are the wise men of the world because the most forcible way to impart truth is through laugh. Yes, Patil proves to this test. He is a very clever, astute, ingenious, naughty and mischievous writer. This book is a proof of his qualities.

    Autobiographical reminiscences of Sādhanā Āmaṭe, social worker from Maharashtra and her association with her husband, Bābā Āmaṭe.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    Payal Gidwani Tiwari, Bollywood’s most celebrated yoga expert, tells you how to go From XL to XS. With simple and easy to follow principles and exercise routines, learn how to lose (or gain) weight, stay fit, and transform your body structure. And that’s not all! Learn how to look ten years younger and about other invisible factors like stress, sleep, etc. that affect the way you look. So now you don’t need to envy your favourite stars. You can look like them. With photographs, celeb workouts, and useful tips by stars, From XL to XS is the best gift you can give yourself.

    Drawing from real-life characters and incidents, these sketches are as varied as people can be and quite interesting.The stories in Vyakti Aani Vyalli were written over a period of more than 20 years, from 1944 to 1968. Of the 20 stories in the book, the one about Bhaiyya Nagpurkar was the earliest one written by the author. The lead character is a Brahmin by birth, but he is often mistaken for a Muslim for various reasons. He is wealthy man with a bad reputation, but he admires Gandhiji, the Father of Nation. He even avoids drinking alcohol on the days when Mahatma is fasting.There are a lot of other varied sketches in this book. Narayan helps in arranging marriages and also ensures that the functions go smoothly. The author reveals an interesting side of Narayan.There is Parophari Gampu who would go out of the way to help people, and then there is the washer-man Namu Parit. The washer-man breaks buttons and uses his customers clothes on himself, and never delivers on time. He has every other evil habit imaginable but has no idea that the things he do are wrong.There is also a school boy named Sakharam Gatne, who speaks classical Marathi and is addicted to books. Lakhu Risbud, who is another interesting character, is a disillusioned writer who wanted to change the world with his pen, but ends up working as a sub-editor in some obscure magazine.The list goes on, with a fine variety of characters reflecting the ironies of life. Vyakti Aani Vyalli earned the writer a Sahitya Akademi Award.

    It is a story based on the life of famous Russian writer, Fyodor Dostoyevsky and his wife Anna.