With no pretense of courage, and a vague dislike for what she feels is the cheap availability of her emotions, Olly grieves the husband she probably would have divorced, while coping with the warmth and awkwardness of family trying (and failing) to distract her from their own grief. As she learns to rethink her life and her love, she becomes close to Sam's brother, Patrick—and begins to realize Sam's recklessness and passion may not be as foreign to her as she thought.Laurie Colwin depicts Olly—the “More Life Widow of the More Life Kid”—with humor, compassion, and a decided lack of sentimentality, creating a real heroine who tries to remain true to her heart while keeping her head.This edition features cover art by Olivia McGiff.

    No Jobs. No friends. Just buckets of our own ignorance. Follow along in horror and hilarity as the family acclimates to the new small town way of life and the author bounces from jobs working in a school cafeteria to selling women’s clothing in a call center to opening a barbecue restaurant. Written in a smart, self-deprecating, salty style, Small Town Ho is all at once poignant and laugh-out-loud funny, full of the struggle of an ordinary family consisting of three boys, one big black lab, one assassin of a cat, and two very tired parents.

    The family troupe's fame gathers momentum as they rise from open-mike nights, to small comedy clubs to late-night television spots, until it threatens them with unforeseen and new dangers. With compassion, warmth, and wit, Susan Richards Shreve has crafted a powerful story about family tragedy and one person's refusal to accept fate.

    in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

    The narrator, Steve Geddes, is a writer doing a book on collectors, especially those with "unlikely, bizarre, or exceptionally useless collections." His research leads him to the Havergals, a wealthy, eccentric couple. They "collect people"; that is, she does the "collecting" while he watches-"a bout of troilism," as Geddes calls it. By accident, Geddes learns that reclusive "cult author" Thornton McCain may have written a book that Geddes hasn't heard of. Geddes the observer becomes both obsessed collector and, for the randy Havergals, object to be collected. An insightful delight from start to finish; recommended for all fiction collections.

    Henry Porter's summer begins when his daughter Nicole-whom he hasn't seen in five years-shows up on his doorstep. Days later his girlfriend, Elizabeth, announces that she is pregnant. That Henry is speechless at these two events throws into sharp relief his emotional landscape, and this novel charts that landscape's exact contours. Anyone who has ever wondered what a man is saying when he isn't talking will find at least a large part of the answer here. Robert Bausch deciphers with perfect economy and unstinting honesty the code embodied in this man's (and a great many men's) words and actions, and discovers there the world of family legacies, love, and abuse. A Hole in the Earth brilliantly draws the webs that attract us to and repel us from our families, as well as the enduring strength that they can provide.

    He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something would come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over."

    Novak's One More Thing: Stories and Other Stories is an endlessly entertaining, surprisingly sensitive, and startlingly original debut collection that signals the arrival of a welcome new voice in American fiction.Across a dazzling range of subjects, themes, tones, and narrative voices, Novak's assured prose and expansive imagination introduce readers to people, places, and premises that are hilarious, insightful, provocative, and moving-often at the same time.In One More Thing, a boy wins a $100,000 prize in a box of Frosted Flakes - only to discover that claiming the winnings may unravel his family. A woman sets out to seduce motivational speaker Tony Robbins - turning for help to the famed motivator himself. A school principal unveils a bold plan to permanently abolish arithmetic. An acclaimed ambulance driver seeks the courage to follow his heart and throw it all away to be a singer-songwriter. Author John Grisham contemplates a monumental typo. A new arrival in heaven, overwhelmed by infinite options, procrastinates over his long-ago promise to visit his grandmother. We meet a vengeance-minded hare, obsessed with scoring a rematch against the tortoise who ruined his life; and post-college friends who debate how to stage an intervention in the era of Facebook. We learn why wearing a red t-shirt every day is the key to finding love; how February got its name; and why the stock market is sometimes just... down.Finding inspiration in questions from the nature of perfection to the icing on carrot cake, from the deeply familiar to the intoxicatingly imaginative, One More Thing finds its heart in the most human of phenomena: love, fear, family, ambition, and the inner stirring for the one elusive element that might make a person complete. The stories in this collection are like nothing else, but they have one thing in common: they share the playful humor, deep heart, inquisitive mind, and altogether electrifying spirit of a writer with a fierce devotion to the entertainment of the reader.

    In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country. For Jack, the tasting tour is Seven Days to D-Day, his final stretch of freedom. For Miles--who has divorced his wife, is facing an uncertain career and has lost his passion for living--the trip is a weeklong opportunity to evaluate his past, his future and himself. A raucous and surprising novel filled with wonderful details about wine, Sideways is also a thought-provoking and funny book about men, women, and human relationships.

    He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    After decades of disaster with men, she is trying to decide whether to withdraw forever from romantic love. Having just returned to Miami from a monthlong reunion with an old flame, “Sir Gold,” and a visit to her fragile mother, J begins translating Ovid’s magical stories about the transformations caused by Eros. “A woman who wants, a man who wants nothing. These two have stalked the world for thousands of years,” she thinks.When not ruminating over her sexual past and current fantasies, in the company of only her aging cat, J observes the comic, sometimes steamy goings-on among her faded-glamour condo neighbors. One of them, a caring nurse, befriends her, eventually offering the opinion that “if you retire from love . . . then you retire from life.

    In the neo-puritanical nineties, it's a challenge to defend the rights of smokers and a privilege to promote their liberty. Sure, it hurts a little when you're compared to Nazi war criminals, but Nick says he's just doing what it takes to pay the mortgage and put his son through Washington's elite private school St. Euthanasius. He can handle the pressure from the antismoking zealots, but he is less certain about his new boss, BR, who questions whether Nick is worth $150,000 a year to fight a losing war. Under pressure to produce results, Nick goes on a PR offensive. But his heightened notoriety makes him a target for someone who wants to prove just how hazardous smoking can be. If Nick isn't careful, he's going to be stubbed out.

    An English teacher at the naval academy, he is married to a woman young enough to be his daughter and has a little son whom he loves. He sits in a mountain garden in Niterói, overlooking the ocean.As he reminisces and writes, placing the pages carefully in his antproof case, we learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love. He was the thief of the century, a murderer, and a protector of the innocent. And all his life he waged a valiant, losing, one-man battle against the world’s most insidious enslaver: coffee.Mark Helprin combines adventure, satire, flights of transcendence, and high comedy in this "memoir" of a man whose life reads like the song of the twentieth century.

    While dining out with her husband and their friends, Kirshenbaum's protagonist—an acerbic, mordantly witty, and clinically depressed writer—fully unravels. Her breakdown lands her in the psych ward of a prestigious New York hospital where she refuses all modes of recommended treatment. Instead, she passes the time chronicling the lives of her fellow “lunatics” and writing a novel about how she got to this place. Her story is a hilarious and harrowing deep dive into the disordered mind of a woman who sees the world all too clearly. Propelled by stand-up comic timing and rife with pinpoint insights, her examination of what it means to be unloved, and loved; to succeed, and fail; to be, at once, both impervious and raw ultimately reveals how art can lead us out of—or into—the depths of disconsolate loneliness and piercing grief. Rabbits for Food, Kirshenbaum’s first novel in a decade, is a bravura literary performance. A heartbreaking, irreverent, laugh-out-loud funny meditation on what it’s like to lose your mind.

    As funny and entertaining as it is captivating and heartrending, A Gay and Melancholy Sound is a shattering depiction of modern disconnection and the tragic consequences of a life bereft of love.Joshua Bland has lived the kind of life many would define as extraordinary. Born in a small Iowa town to a controlling, delusional mother who had always wanted a daughter rather than a son, her anger at him colors his life. His father, a compassionate drinker incapable of dealing with Joshua's mother, walks out on his wife and son, leaving a vacuum in the family that is damagingly filled by his tutor-cum-stepfather Petrarch Pavan, scion of a wealthy New York family who has secrets of his own. Playing on Joshua's brilliance, Petrarch trains him to win a nationwide knowledge competition, but Joshua's disappointing results in the finals are met with anger and disbelief by both his mother and stepfather. If Petrarch was unsuccessful in teaching Joshua the information he needed to win the contest, he had more success in instilling Joshua with the cynicism, self-doubt, and self-hatred that fill his own soul.Enlisting in the army during World War II, he serves first as an infantryman, where his irreverent letters home turn him into a best-selling author. Then, as a paratrooper, he meets the physical challenges he thought were beyond his reach and helps free the concentration camps before being wounded as the Allied forces free Buchenwald. Back home after the war, he becomes a wildly successful producer — and all of this by the age of thirty-seven. But when his production company flounders amid critical and financial woes, the reality of who he is becomes perfectly, depressingly clear: he has had a lifetime of extraordinary experiences — and no emotional connection to any of it.