Dower's brilliant examination of Japan in the immediate, shattering aftermath of World War II.Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order.

    The book chronicles the bloody coups and uprisings in the post-independence Bangladesh. The book focuses on the two towering figures of Bangladeshi politics, Sheikh Mujibur Rahman and Ziaur Rahman. They are popularly credited as two key architects of modern Bangladesh and the rule of each was ended by assassination. The book is written in an engaging style, and treats the coups/assassinations and their plotters in great detail. A section of black-and-white photographs depict the slain Sheikh Mujibur Rahman, the slain General Ziaur Rahman, plotters behind various coups, politicians and some photocopies of documents and an official gazette related to the many coups this South Asian country has suffered. In its jacket, the book promises that it has "revealed" issues like who killed Mujib (the first prime minister of Bangladesh), who was responsible for the jail killings in Bangladesh, and how General Zia was assassinated. Written in 13 chapters and an index, the book also contains a list of officers convicted by General Court Martial and hanged for the assassination of President Ziaur Rahman. In a November 1985 preface to the book, Mascarenhas writes: "This is a true story; in many ways a text book of Third World disenchantment. On the 16th of December, 1971, the state of Bangladesh (population 70,000,000) was born at the end of a nine-month liberation struggle in which more than a million Bengalis of the erstwhile East Pakistan died at the hands of the Pakistan army. But one of the 20th century's great man-made disasters is also among the greatest of its human triumphs in terms of a people's will for self-determination." Mascarenhas describes his own book thus: "This book is the unvarnished story of their (the early leaders of Bangladesh) times, essentially the sad history of the first 10 years of Bangladesh. It is based on my close personal knowledge of the main protagonists; on more than 120 separate interviews with the men and women involved in the dramatic events; and on official archives and documents which I had the privilege to inspect personally. The dialogue, whenever used, is a faithful reproduction of the words which my informants said they actually used during the events in which they were involved." David Taylor, a South Asia expert, praises the book's "attention to detail and narrative" although he suggests that it is short on interpretation and treats certain episodes of lesser importance in "excessive length". Mascarenhas is a veteran journalist, associated with Bangladesh from the start of its freedom struggle. In 1971, he left Pakistan to expose in The Sunday Times the atrocities committed by the Pakistan Army in the region now known as Bangladesh. He continued as a reporter for The Sunday Times for 14 years and subsequently as a freelancer. He was born in Goa, educated in Karachi and worked for many years as a journalist in India, Pakistan and the UK. He died in 1986 at the age of 58.[2] This book was published in 1986 by Hodder and Stoughton, with a coverprice of UKP 4.95 net in the UK. There may be an earlier printing in 1985. It is devoted "to Yvonne and our children -- who have also paid the price". A Bengali language translation of the book was released in the late 1990s in Bangladesh, with the title Bangladesh: Rokter Rin (বাংলাদেশঃ রক্তের ঋণ)

    Brilliantly funny and insightful, it puts individual people back at the center of the story of the French Revolution, telling this remarkable story as it has never been told before.For the Haymarket edition, Steel has added a new preface for North American readers and revised the book to address parallel themes in US history.

    But the famous and infamous have been thrilling, titillating, and outraging us for much longer than we might realise. Whether it was the scandalous Lord Byron, whose poetry sent female fans into an erotic frenzy; or the cheetah-owning, coffin-sleeping, one-legged French actress Sarah Bernhardt, who launched a violent feud with her former best friend; or Edmund Kean, the dazzling Shakespearean actor whose monstrous ego and terrible alcoholism saw him nearly murdered by his own audience - the list of stars whose careers burned bright before the Age of Television is extensive and thrillingly varied.Celebrities could be heroes or villains; warriors or murderers; brilliant talents, or fraudsters with a flair for fibbing; trendsetters, wilful provocateurs, or tragic victims marketed as freaks of nature. Some craved fame while others had it forced upon them. A few found fame as small children, some had to wait decades to get their break. But uniting them all is the shared origin point: since the early 1700s, celebrity has been one of the most emphatic driving forces in popular culture; it is a lurid cousin to Ancient Greek ideas of glorious and notorious reputation, and its emergence helped to shape public attitudes to ethics, national identity, religious faith, wealth, sexuality, and gender roles.In this ambitious history, that spans the Bronze Age to the coming of Hollywood's Golden Age, Greg Jenner assembles a vibrant cast of over 125 actors, singers, dancers, sportspeople, freaks, demigods, ruffians, and more, in search of celebrity's historical roots. He reveals why celebrity burst into life in the early eighteenth century, how it differs to ancient ideas of fame, the techniques through which it was acquired, how it was maintained, the effect it had on public tastes, and the psychological burden stardom could place on those in the glaring limelight. DEAD FAMOUS is a surprising, funny, and fascinating exploration of both a bygone age and how we came to inhabit our modern, fame obsessed society.

    To do otherwise would have exposed them to terrorism from the vigilant right wing. Yet this insightful book by a Japanese-American scholar who grew up in both cultures reveals the hidden fault lines in the realm of the dying emperor by telling the stories of three unlikely dissenters: a supermarket owner who burned the national flag; an aging widow who challenged the state's "deification" of fallen soldiers; and the mayor of Nagasaki, who risked his career and his life by suggesting that Hirohito bore some responsibility for World War II.

    From his legendary bayonet charge down the slopes of Little Round Top hill during the Battle of Gettysburg, to the startling calling of Union troops to salute as the defeated Confederate Army surrendered to him at Appomattox, Joshua Lawrence Chamberlain redefined the scale of greatness in this country. Wounded six times in battle, twice assumed to be a fatality, the volunteer officer from Maine continued to lead gallantly until the final shot was fired during the Civil War. Valor's Measure tells the death-defying tale of this Medal of Honor hero and captures his spirit as no autobiography can.

    American, British and coalition forces have been fighting in Afghanistan since October 2001, a month following the attacks on the Twin Towers in New York. By the end of the year the war seemed won. But a decade on the ongoing conflict seems far from over.Today's conflict has historical parallels - in the nineteenth century Great Britain twice invaded Afghanistan, in 1839 and 1878. Both times they had seemingly defeated the Afghan forces only to find that the Afghan soldier, not knowing the meaning of defeat, fought back inflicting on the mighty British Empire humiliating retreats. A century later, the Soviet Union, technologically and militarily superior, also discovered to its cost that the Afghan was a tenacious foe and impossible to defeat. After a decade of conflict the Soviet Union withdrew, its military reputation in tatters. Today, Afghanistan has been in a state of constant conflict for almost four decades. When not fighting external enemies its people have fought against each other. The Civil War of 1990 to 1996, during which the Taliban emerged, was ferocious in its intensity.The coalition forces of today are embroiled in an equally unending war. But why are we still fighting in Afghanistan? What are the lessons of history? Who are the Taliban; who are the Mujahedeen, and why was Osama bin Laden so significant? These, in an hour, are the Afghan Wars.

    It is without question one of the most famous battles in history. Now, for the first time since Gordon W. Prange’s bestselling Miracle at Midway, Jonathan Parshall and Anthony Tully offer a new interpretation of this great naval engagement. Unlike previous accounts, Shattered Sword makes extensive use of Japanese primary sources. It also corrects the many errors of Mitsuo Fuchida’s Midway: The Battle That Doomed Japan, an uncritical reliance upon which has tainted every previous Western account. It thus forces a major, potentially controversial reevaluation of the great battle. Parshall and Tully examine the battle in detail and effortlessly place it within the context of the Imperial Navy’s doctrine and technology. With a foreword by leading World War II naval historian John Lundstrom, Shattered Sword is an indispensable part of any military buff’s library.Shattered Sword is the winner of the 2005 John Lyman Book Award for the "Best Book in U.S. Naval History" and was cited by Proceedings as one of its "Notable Naval Books" for 2005.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    To become a governess, observed Jane Austen in Emma, was to retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever. However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Bronte's whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

    It explores the possible causes for the decline of the Harappan civilization and settlements. The book talks about the possibility of the Harappans having moved towards the south and settled in the peninsular region.The author also discusses the Aryan invasion theory, supporting it with various research papers and findings of that time. The evolution of Hindu religion is also talked about in this book--from the Harappan times, to the coming of the Aryans and the mutual influence that Hinduism and its off shoots Jainism and Buddhism had on each other.This book is comprehensive in its coverage of Indian history. It looks at every aspect of Indian society and culture. The Wonder That was India covers everything from religion, governance, social evolution, literary traditions, philosophy languages, and science.The author explores the significant role the Hindu religion played on the lives of the people. All the literary compositions of ancient times had religious associations. He also puts forward the theory that the European gypsies are of Indian origin.The Wonder That Was India also gives an insight into modern Indian society and culture, how it became a confluence of different influences from many a quarter throughout the many stages of its history.

    Threatened by the draft in the late sixties, he enlisted in the Army to avoid becoming a grunt, yet ended up one anyway. He endured a grueling war in Vietnam and then returned to a country too angry to care. While his journey took unexpected turns, his choices got him there, so he did his best to react positively and keep moving forward.Udden delivers his story in a comfortable, friendly style. He conveys the experiences of basic training, advanced infantry training, and what it was like to live, work, guard, patrol, and fight in the jungle. The reader will feel the adrenalin rush of a firefight, the thrill of a wild ride dangling below a helicopter, and the humor in celebrating his 21st birthday on a firebase.Through his words and personal photographs, you will live through his journey exactly as he experienced it.

    It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

    She was a dedicated patron of the arts, a lively and talented intellectual, a victim of violence and adultery, and a passionate advocate for the rights of women. Above all she is portrayed as a woman of reason in the Age of Reason.