Ever since the early 1970s Goldin has lived with and among drag queens, documenting both their glamour and their struggles. The Other Side is her very personal declaration of love and gratitude to these drag queens, who showed her a way out of the captivity of pre-packaged, socially prescribed identity. As she put it: "The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria.... The people in these pictures are truly revolutionary; they are the real winners in the battle of the sexes because they have stepped out of the ring". In contrast to much of the early 90s drag queen mania, The Other Side has brilliantly passed the test of time: Goldin's photographs are as beautiful, moving, and vibrant as ever, heralding the utopian promises of a world where gender has stopped being a prison -- a vision that remains as vital and acute as it was when the book was first published.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

    These paintings are among the central attractions for millions of tourists who visit these museums each year. Carefully selected works evoke the glorious light of the French countryside, quiet gardens, and seaside retreats. Includes such popular paintings as Woman with a Parasol, The Japanese Footbridge, and Houses of Parliament, Sunset.

    He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing—not even his medication—seems to work. The doctors won’t listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author’s own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today’s hectic and uninformed world.

    In 1985, he photographed an Afghan girl for the National Geographic. The intensity of the subject's eyes and her compelling gaze made this one of the most widely and consistently celebrated portraits in the history of contemporary photography.This accompanies the other remarkable faces he has encountered whilst travelling throughout the world, collected together in an engaging and strangely moving series of unique street portraits: unposed, unstylized images of people that reveal the true universality of the depths of human emotion.Critically acclaimed and recognized internationally for his classic reportage, over the last twenty years he has worked on numerous assignments, travelling extensively throughout the Middle and Far East.McCurry has won first prize in the World Press Awards, and was named Magazine Photographer of the Year in 1984. He is most famous for his evocative color photography, which has captured stories of human experience that, in the finest documentary tradition, transcend boundaries of language and culture.

    In this collection of short stories and prose poems, Vivien manages to touch on all the themes and ideas that obsessed her throughout her short life.This is the first English translation of Vivien's short stories, with an introduction by Karla Jay. Readers of all ages will be enchanted with tales such as "Prince Charming," in which Vivien takes a fresh, incisively feminist approach to old themes and deftly destroys fairly tales. She reworks adventure stories, Biblical tales, Greek and Roman Fables to offer a radically different, explicitly feminist alternative to common lore.

    When she meets Dylan Mahoney, however, the rules go out the window. During Rebecca's rumspringa—the four-year period during which Amish teenagers decide whether to join the church or leave it for the outside world—Dylan, a film buff and aspiring movie critic, shows Rebecca a world she never dreamed of. The pair make plans to spend the rest of their lives together until a rift forms between their families and forces them to part ways. After much soul-searching, Rebecca decides familial loyalty is more important than her own happiness. But when Dylan develops feelings for another woman, Rebecca's loyalty is put to the test.Love or tradition? Which path will she choose?

    Whether playing the online dating game, trying couples therapy, dealing with uncooperative children, discovering the melancholy of middle age, dreaming of a better life, or finally grasping the golden (or at least bronze) ring, these chickens encounter everyday troubles and triumphs as painfully recognizable as they are hilarious. Clever, charming, and endlessly entertaining, Going for the Bronze is a brilliant follow-up to a wholly unique bestseller.

    It is 1981, a summer night, and an unscripted ritual is about to take place. Young, beautiful Jesse is celebrating one year on the dazzling gay scene and plans to lose himself completely in its transient pleasures. He is joined by Dave, a leatherman bent on testing limits. A young hustler, an opera lover lost in fantasies of youth, a gang of teenagers looking for trouble -- as the Santa Ana winds breathe fire down the hills of Los Angeles, stirring up desires and violence, these men circle ever closer to a confrontation as devastating as it is inevitable. Lyrical, humorous, and compassionate, The Coming of the Night proves again that as a novelist and chronicler of gay life John Rechy has no equal. "The question Rechy asks is still potent: Would you die for sex? Rechy's sizzling literary response, The Coming of Night is as exciting as it is chilling." -- Pamela Warrick, Los Angeles Times; "[Rechy] very nearly touches greatness . . . feeling his way toward that place within each of us where the ecstatic teeters on the edge of psychic abyss. . . . A substantial artist." -- Frank Browning, Salon.

    The sisters nurture Gabrielle’s exceptional sewing skills, a talent that will propel the willful young woman into a life far removed from the drudgery of her childhood.Transforming herself into Coco—a seamstress and sometime torch singer—the petite brunette burns with ambition, an incandescence that draws a wealthy gentleman who will become the love of her life. She immerses herself in his world of money and luxury, discovering a freedom that sparks her creativity. But it is only when her lover takes her to Paris that Coco discovers her destiny.Rejecting the frilly, corseted silhouette of the past, her sleek, minimalist styles reflect the youthful ease and confidence of the 1920s modern woman. As Coco’s reputation spreads, her couturier business explodes, taking her into rarefied society circles and bohemian salons. But her fame and fortune cannot save her from heartbreak as the years pass. And when Paris falls to the Nazis, Coco is forced to make choices that will haunt her.An enthralling novel of an extraordinary woman who created the life she desired, Mademoiselle Chanel explores the inner world of a woman of staggering ambition whose strength, passion and artistic vision would become her trademark.

    It was an anthology of erotic comics, with contributions from some of the best and the brightest creators. There were three issues, and they were AWESOME. But that was it. The third Smut Peddler mini was followed by a years-long publishing hiatus...UNTIL NOW.

    While Chanel mythologized her glamorous life through relentless self-invention, the bare facts of her biography are no less worthy than her legend: born of a poor family in the provinces and raised in a convent, she was an entertainer and the mistress of men of impeccable social standing, and she began her career not as a dressmaker but as a milliner.Chanel's enduring influence is necessarily based on the long shadow cast over fashion by her maison couture. Chanel examines the history of the House of Chanel both thematically and chronologically, introducing ideas and elements of biography as they were expressed in her collections. Period examples are juxtaposed with the work of Karl Lagerfeld, who, beginning in 1983, just over ten years after Chanel's death, reinvented and revolutionized the House's identity. It is in Lagerfeld's masterful and often irreverent interpretations of Chanel's work, as well as his mixing of influences from high and low culture, that the historic importance of Chanel and the resonance of her image as the independent, elegant modern woman are both defined and reasserted for the contemporary world.

    Guys punch him, girls slag him and by high school he's developed an intense fear of being touched. Art remains his only escape from an otherwise emotionally empty life. Eulalie Mason is the lonely, tough-talking dyke from school who befriends Ash. The only one to see and accept all of his sides as a loner, a fellow artist and a best friend, she's starting to wonder if ash is ever going to see all of her.... a + e 4EVER is a graphic novel set in that ambiguous crossroads where love and friendship, boy and girl, straight and gay meet. It goes where few books have ventured, into genderqueer life, where affections aren't black and white. A Stonewall Youth Book Award Honoree for its frank portrayal of queer, contemporary youth.

    Beautifully illustrated and bracingly written, EMBODIED is a memorable collaboration between cis female, trans, and non-binary poets and comics artists showcasing the power of both forms in a stunningly unique keepsake volume that will be treasured for ages.Featuring the work of MAGGIE SMITH, ROSEBUD BEN-ONI, DIANE SEUSS, PAUL TRAN, VANESSA ANGÉLICA VILLARREAL, MORGAN BEEM, SOO LEE, HAZEL NEWLEVANT, ASHLEY A. WOODS, and more.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.