The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    P. Lovecraft.The Stories included are:The Nameless CityThe FestivalThe Colour Out of SpaceThe Call of CthulhuThe Dunwich HorrorThe Whisperer in DarknessThe Dreams in the Witch HouseThe Haunter of the DarkThe Shadow Over InnsmouthDiscarded Draft of "The Shadow Over Innsmouth"The Shadow Out of TimeAt the Mountains of MadnessThe Case of Charles Dexter WardAzathothBeyond the Wall of SleepCelephaïsCool AirDagonEx OblivioneFacts Concerning the Late Arthur Jermyn and His FamilyFrom BeyondHeHerbert West-ReanimatorHypnosIn the VaultMemoryNyarlathotepPickman’s ModelThe BookThe Cats of UltharThe DescendantThe Doom That Came to SarnathThe Dream-Quest of Unknown KadathThe Evil ClergymanThe Horror at Red HookThe HoundThe Lurking FearThe Moon-BogThe Music of Erich ZannThe Other GodsThe OutsiderThe Picture in the HouseThe Quest of IranonThe Rats in the WallsThe Shunned HouseThe Silver KeyThe Statement of Randolph CarterThe Strange High House in the MistThe StreetThe TempleThe Terrible Old ManThe Thing on the DoorstepThe TombThe Transition of Juan RomeroThe TreeThe UnnamableThe White ShipWhat the Moon BringsPolarisThe Very Old FolkIbidOld BugsSweet Ermengarde, or, The Heart of a Country GirlA Reminiscence of Dr. Samuel JohnsonThe History of the Necronomicon

    Contents include: The Horror at Oakdeene; the Viking's Stone; Aunt Hester; No Way Home; The Cleaner Woman; the Statement of Henry Worthy; Darghud's Doll; Born of the Winds4000 copies printed.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    Placed together within the same cover for the first time, a theme emerges from the tales that binds and unites them–and it is signaled in the title of the book.“These are stories of betrayal,” author John Langan confirms.Apart from this thread, the stories are otherwise quite distinct from each other in terms of their characters, plots, settings, themes and even varieties of horror.There’s “In Paris in the Mount of Kronos,” a snappy, neo-noirish, action packed Laird Barron-esque encounter with ancient malevolent forces; the dark, character-driven relationship dramas of “The Third Always Beside You” and “Renfrew’s Course”; the vaguely Lovecraftian horrors of “Bloom”; the atmospheric steampunk weirdness in the form of “The Unbearable Proximity of Mr. Dunn’s Balloons”; and apocalyptic surrealism in “Bos Uros”.Finally, the title novella, Sefira, is about a woman who is chasing a succubus across the United States, while the novelette At Home in the Devil’s House offers a new, nightmarish concept of Hell.Sefira and Other Betrayals contains stories previously published in such prestigious anthologies as Supernatural Noir, Blood and Other Cravings, Ghosts by Gaslight, Black Wings 2, Shadows Edge and others, and includes one original novella, Sefira, and an original novelette, At Home in the Devil’s House.(from Rue Morgue Magazine review)

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    He was born in Darlington, the son of a Congregational minister. He attended Silcoates School in Wakefield, but was early apprenticed in a merchant's office at Newcastle-on-Tyne. He soon gravitated into journalism, and in 1871 became editor of the Darlington Northern Echo. In 1880 he went to London to be assistant editor of the Pall Mall Gazette under John Morley. The number of his publications gradually became very large, as he wrote with facility and sensational fervour on all sorts of subjects, from The Truth About Russia (1888), to If Christ Came to Chicago! (1894), and from Mrs. Booth (1900) to The Americanization of the World (1902). In 1892, Stead published a story called From the Old World to the New, in which a White Star Line vessel, the Majestic, rescues survivors of another ship that collided with an iceberg.

    Banks.Over the last thirty years, M. John Harrison has been inspiring readers and writers alike across the world. His return to science fiction in 2002 with the magnificent space opera LIGHT was a monumental triumph, shortlisted for every major award in the genre. He combines brilliant storytelling with complex plots and evocative, mesmerising writing.THINGS THAT NEVER HAPPEN is M. John Harrison's definitive collection of short fiction, twenty-four dazzling stories of science fiction and fantasy; the perfect introduction to one of Britain's most brilliant writers.Contents:Settling the World (1975)Running Down (1975)The Incalling (1978)The Ice Monkey (1980)Egnaro (1981)Old Women (1984)The New Rays (1982)The Quarry (1983)A Young Man's Journey to London (1985)Small Heirlooms (1987)The Great God Pan (1988)The Gift (1988)The Horse of Iron and How We Can Know It and Be Changed by It Forever (1989)Gifco (1992)Anima (1992)Isobel Avens Returns to Stepney in the Spring (1994)Empty (1995)Seven Guesses of the Heart (1996)I Did It (1996)The East (1996)Suicide Coast (1999)The Neon Heart Murders (2000)Black Houses (1998)Science & The Arts (1999)

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    A woman chases the ghost of her neglectful father to a vanished amusement park at the end of the Long Beach pier. Two recently retired teachers learn just how much Los Angeles has taken from them.In these atmospheric, wide-ranging, surprisingly playful, and deeply mournful stories, grandkids and widows, ice cream-truck drivers and judges, travelers and invalids all discover -- and sometimes even survive -- the everyday losses from which the most vengeful ghosts so often spring.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.