Told in the simple and powerful prose that is a hallmark of his craft, these writings by Ernest J. Gaines faithfully evoke the sorrows and joys of rustic Southern life. From his depiction of his childhood move to California — a move that propelled him to find books that conjured the sights, smells, and locution of his native Louisiana home — to his description of the real-life murder case that gave him the idea for his masterpiece, this wonderful collection is a revelation of both man and writer.

    During the past four decades he's reviewed and revised the basic principles of his philosophy many times, sometimes as an exercise in personal growth, but more often in response to individual crisis. Then at fifty, seeking a simplicity to counter the complex thinking of his college years, Fulghum wrote a summary essay professing that all he really needed to know he learned in kindergarten. As he approached his sixtieth year, Fulghum became curious about what in his outlook had changed and what had endured. On review, Fulghum explains, everything he has ever said and thought and written is transparent to him now. As hard as he has tried to speak in his own voice, much of what he's said is neither original nor unique. The best ideas are often old and are continually being revived, recycled, renewed. Wherever his search took him, Fulghum found that someone else has been there before. And more often than not, that person has chosen words Fulghum wishes he had written, using language he can't improve upon. To Fulghum, however, this isn't a discouraging realization. It's a recognition n of companionship, which is an affirming consolation.The confirming statements, quotes, and credos that Fulghum recorded in his journals for years are collected here, representing the most important ideas underlying his living and thinking. They are organized thematically into such chapters as Companions, God, Bene-Dictions, Contra-Dictions, Simplify, and Believe. Each begins with Fulghum's own insightful, introductory words, followed by inspiring passages drawn from a diverse group of sources, from Jerry Garcia to Albert Camus, Dylan Thomas to Franz Kafka. At the end of each chapter, Fulghum offers readers his own personal commentary on the sources--where he was introduced to their words, why he returns to them again and again, and how they may change you.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    From the leopard who develops an unlikely bond with a human, to a young boy who discovers a shelf of books in an old forest bungalow, from Timothy, the tiger cub that Grandfather brings home to tame, to the man-eater that terrorizes an entire village-here is a world where man and wild beast come together in surprising fascinating ways.Interesting FactsTold in simple, lyrical prose that characterizes Bonds writing, The Jungle Omnibus brings together in one delightful volume, a selection of stories and poems from the jungle spanning across the sixty years of Ruskin Bonds writing career.This volume effectively captures a world where man and beast come together in order to survive, thus raising relevant questions about the environment and the need to protect the forest and its many inhabitants.In turns thrilling, thoughtful, funny and heart-warming, this is a collection that will delight both children and adults alike.

    A collection of essays by Orwell.Contents:Why I WriteSuch, Such Were the JoysWriters and LeviathanAnti-Semitism in BritainPoetry and the MicrophoneMarrakechLooking Back on the Spanish WarInside the WhaleEngland Your England

    Love, laughter, and occasional tears - no need to turn on the Hallmark Channel this winter. Snuggle up with this feel-good anthology instead!Warning: reading this anthology may cause cravings for cider sugar donuts, French toast, pimento cheese, cherry cola, and maple syrup ice-cream, as well as happy ever afters

    We encounter Brady again as he photographs Walt Whitman and then Ulysses Grant. Meanwhile, Henry James begins a lasting friendship with William Dean Howells, and also meets Sarah Orne Jewett, who in turn is a mentor to Willa Cather...Cohen brilliantly reanimates these unforgettable pairings and those of Edward Steichen and Alfred Stieglitz; Carl Van Vechten and Gertrude Stein; Hart Crane and Charlie Chaplin; Langston Hughes and Zora Neale Hurston; Elizabeth Bishop and Marianne Moore; Richard Avedon and James Baldwin; and John Cage and Marcel Duchamp; Norman Mailer and Robert Lowell. Ultimately, Cohen reveals and long chain of friendship, rebellion and influence stretching from the moment before the Civil War through a century that had a profound effect on our own time. A Chance Meeting is an intimate and original act of biography and cultural history that makes its own contribution to the tradition about which Cohen writes.

     In this deeply funny (and, no kidding, wise and poignant) book, Rakoff examines the realities of our sunny,  gosh­ everyone-can-be-a-star contemporary culture and finds that, pretty much as a universal rule, the best is not yet to come, adversity will triumph, justice will not be served, and your dreams won’t come true. The book ranges from the personal to the universal, combining stories from Rakoff’s reporting and accounts of his own experi­ences: the moment when being a tiny child no longer meant adults found him charming but instead meant other children found him a fun target; the perfect late evening in Manhattan when he was young and the city seemed to brim with such pos­sibility that the street shimmered in the moonlight—as he drew closer he realized the streets actually flickered with rats in a feeding frenzy. He also weaves in his usual brand Oscar Wilde–worthy cultural criticism (the tragedy of Hollywood’s Walk of Fame, for instance). Whether he’s lacerating the musical Rent for its cutesy depic­tion of AIDS or dealing with personal tragedy, his sharp obser­vations and humorist’s flair for the absurd will have you positively reveling in the power of negativity.

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

    Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn’t just eye candy; it’s timeless and romantic—the ideal complement to Carloto’s writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.

    A self-proclaimed “dirty old man,” Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments as well as some of his most joyful and inspired.In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff—a topic that allowed Bukowski to explore some of life’s most pressing questions. Through drink, Bukowski is able to be alone, to be with people, to be a poet, a lover, and a friend—though often at great cost. As Bukowski writes in a poem simply titled “Drinking,”: “for me/it was or/is/a manner of/dying/with boots on/and gun/smoking and a/symphony music background.”On Drinking is a powerful testament to the pleasures and miseries of a life in drink, and a window into the soul of one of our most beloved and enduring writers.

    Wings of Fire brings you all these dragons, and more, seen clearly through the eyes of many of today's most popular authors. Introduction - Jonathan Strahan and Marianne S. JablonStable of Dragons - Peter S. Beagle The Rules of Names - Ursula K. Le Guin The Ice Dragon - George R. R. Martin Sobek - Holly BlackKing Dragon - Michael Swanwick The Laily Worm - Nina Kiriki Hoffman The Harrowing of the Dragon of Hoarsbreath - Patricia A. McKillip The Bully and the Beast - Orson Scott Card Concerto Accademico - Barry N. Malzberg The Dragon's Boy - Jane Yolen The Miracle Aquilina - Margo Lanagan Orm the Beautiful - Elizabeth Bear Weyr Search - Anne McCaffrey Paper Dragons - James P. BlaylockDragon's Gate - Pat Murphy In Autumn, A White Dragon Looks Over the Wide River - Naomi Novik St. Dragon and the George - Gordon R. DicksonThe Silver Dragon - Elizabeth A. LynnThe Dragons of Summer Gulch - Robert ReedBerlin - Charles de Lint Draco, Draco - Tanith LeeThe Dragon on the Bookshelf - Harlan Ellison and Robert Silverberg Gwydion and the Dragon - C. J. CherryhThe George Business - Roger Zelazny Dragon's Fin Soup - S. P. Somtow The Man Who Painted the Dragon Griaule - Lucius Shepard