"Should be the number one source volume for everyone who embraces the philosophy of conservation".--Roger Tory Peterson. Illustrations throughout.

    Although Bernd Heinrich's father, Gerd, a devoted naturalist, specialized in wasps, Bernd tried to distance himself from his “old-fashioned” father, becoming a hybrid: a modern, experimental biologist with a naturalist's sensibilities.In this remarkable memoir, the award-winning author shares the ways in which his relationship with his father, combined with his unique childhood, molded him into the scientist, and man, he is today. From Gerd's days as a soldier in Europe to the family's daring escape from the Red Army in 1945 to the rustic Maine farm they came to call home, Heinrich relates it all in his trademark style, making science accessible and awe-inspiring.

    Wallace, a contemporary of Charles Darwin, spent nearly a decade cataloging the plant and animal species which inhabited the unique geographical area of the Malay Archipelago, and remains to this day one of the most extensive works of natural history ever written.

    Instead of scout troops and placid birdwatchers, Smith's beat -- a stretch of land that has been officially condemned to be flooded -- brings him into contact with drug users tweaked out to the point of violence, obsessed miners, and other dangerous creatures. In unflinchingly honest prose, he reveals the unexpectedly dark underbelly of patrolling and protecting public lands.

    She writes of ravens and elk and prairie dogs, and eagles falling out of the sky. She tells of a voyage of discovery in northern Japan, where she finds her bridge to heaven. She captures a light moving down a mountain slope. One evening there is a contrapuntal dance of death: a calf she has tried to save, and a friend and mentor both die. She remembers what a painter once told her when she was twelve years old, as he was painting her portrait: You have to mix death into everything. Then you have to mix life into that. If they are not there I try to mix them. Otherwise, the painting won't be human.Through these explorations, in prose that is supple and muscular and evocative, Ehrlich begins to understand her own longings, her own nature, and the relatedness of her life to the universe.A volume of ten deep, wandering essays that at times are so point-blank vital you nearly need to put down the book to settle yourself. -- Peter Stack, San Francisco Chronicle Her essays, delicately combining interior and exterior exploration, are as spare and beautiful as the landscape from which they've grown... Each one is a pilgrimage into the secrets of the heart. -- Andrea Barrett, The Cleveland Plain Dealers

    But the glory of each essay lies in Childs's ability to portray the sometimes brutal beauty of the wilderness, to capture the individual essence of wild creatures, to transport the reader beyond the human realm and deep inside the animal kingdom.

    Now, Haskell brings his powers of observation to the biological networks that surround all species, including humans. Haskell repeatedly visits a dozen trees around the world, exploring the trees connections with webs of fungi, bacterial communities, cooperative and destructive animals, and other plants. An Amazonian ceibo tree reveals the rich ecological turmoil of the tropical forest, along with threats from expanding oil fields. Thousands of miles away, the roots of a balsam fir in Canada survive in poor soil only with the help of fungal partners. These links are nearly two billion years old: the fir s roots cling to rocks containing fossils of the first networked cells. By unearthing charcoal left by Ice Age humans and petrified redwoods in the Rocky Mountains, Haskell shows how the Earth s climate has emerged from exchanges among trees, soil communities, and the atmosphere. Now humans have transformed these networks, powering our societies with wood, tending some forests, but destroying others. Haskell also attends to trees in places where humans seem to have subdued nature a pear tree on a Manhattan sidewalk, an olive tree in Jerusalem, a Japanese bonsai demonstrating that wildness permeates every location. Every living being is not only sustained by biological connections, but is made from these relationships. Haskell shows that this networked view of life enriches our understanding of biology, human nature, and ethics. When we listen to trees, nature s great connectors, we learn how to inhabit the relationships that give life its source, substance, and beauty."

    As a boy, Teddy Roosevelt learned taxidermy from a man who had sailed up the Missouri River with Audubon, and yet as president presided over America's entry into the twentieth century, in which our ability to destroy ourselves and the natural world was no longer metaphorical. Roosevelt, an avid birder, was born a hunter and died a conservationist.Today, forty-six million Americans are bird-watchers. The Life of the Skies is a genre-bending journey into the meaning of a pursuit born out of the tangled history of industrialization and nature longing. Jonathan Rosen set out on a quest not merely to see birds but to fathom their centrality—historical and literary, spiritual and scientific—to a culture torn between the desire both to conquer and to conserve.Rosen argues that bird-watching is nothing less than the real national pastime—indeed it is more than that, because the field of play is the earth itself. We are the players and the spectators, and the outcome—since bird and watcher are intimately connected—is literally a matter of life and death.

    Robert Michael Pyle trekked into the Dark Divide, where he discovered a giant fossil footprint; searched out Indians who told him of an outcast tribe that had not fully evolved into humans; and attended the convocation in British Columbia called Sasquatch Daze, where he realized that "these guys don't want to find Bigfoot-they want to be Bigfoot." Ultimately Pyle discovers a few things about Bigfoot - and a lot about the human need for something to believe in and the need for wilderness in our lives.

    Unlike the rest of the world's archipelagoes, it still has 95 percent of its prehuman quota of species. Wildlife of the Galapagos is the most superbly illustrated and comprehensive identification guide ever to the natural splendor of these incomparable islands--islands today threatened by alien species and diseases that have diminished but not destroyed what so enchanted Darwin on his arrival there in 1835. Covering over 200 commonly seen birds, mammals, reptiles, invertebrates, and plants, it reveals the archipelago's striking beauty through more than 400 color photographs, maps, and drawings and well-written, informative text. While the Galapagos Giant Tortoise, the Galapagos Sea Lion, and the Flightless Cormorant are recognized the world over, these thirty-three islands--in the Pacific over 600 miles from mainland Ecuador--are home to many more unique but less famous species. Here, reptiles well outnumber mammals, for they were much better at drifting far from a continent the archipelago was never connected with; the largest native land mammals are rice rats. The islands' sixty resident bird species include the only penguin to breed entirely in the tropics and to inhabit the Northern Hemisphere. There is a section offering tips on photography in the Equatorial sunlight, and maps of visitors' sites as well as information on the archipelago's history, climate, geology, and conservation. Wildlife of the Galapagos is the perfect companion for anyone who wants to know what so delighted Darwin. Covers over 200 commonly seen species including birds, mammals, reptiles, invertebrates, plants, and coastal and marine life Illustrated with over 400 color photographs, maps, and drawings; includes maps of visitors' sites Written by wildlife experts with extensive knowledge of the area Includes information on the history, climate, geology, and conservation of the islands The most complete identification guide to the wildlife of the Galapagos

    Often found in the most remote and dramatic reaches of our shores, these colonies are landscapes shaped not by us but by the birds.In 2015, Stephen Rutt escaped his hectic, anxiety-inducing life in London for the bird observatory on North Ronaldsay, the most northerly of the Orkney Islands. In thrall to these windswept havens and the people and birds that inhabit them, he began a journey to the edges of Britain. From Shetland, to the Farnes of Northumberland, down to the Welsh islands off the Pembrokeshire coast, he explores the part seabirds have played in our history and what they continue to mean to Britain today.The Seafarers is the story of those travels: a love letter, written from the rocks and the edges, for the salt-stained, isolated and ever-changing lives of seabirds. This beguiling book reveals what it feels like to be immersed in a completely wild landscape, examining the allure of the remote in an over-crowded world.“The writing lures you in, making you feel that you too might benefit from venturing out in inclement weather, just on the off-chance of seeing something remarkable on the wing to lift your spirits” – The National"A beautifully illuminating portrait of lives lived largely on the wing and at sea . . . In this intimate guide to the wild beauty and complexity of seabirds, Stephen Rutt has written a powerful chronicle of resilience and fragility' -- Julian Hoffman, author of Irreplaceable and The Small Heart of Things“An evocative book … I could taste the salt on my lips and smell the perfume of storm petrels. The Seafarers is a pelagic poem about the birds that exist at the coastal edges of our islands and consciousness. The stories of these hardy birds entwine seamlessly with Stephen Rutt's personal journey to form a narrative as natural and flowing as the passage of shearwater along the face of Atlantic rollers” -- Jon Dunn, author of Orchid Summer“An arrestingly vivid turn of phrase… An accomplished debut from an exciting new voice in Nature writing.” -- The Countryman Magazine “5*… One of those great joys of a book … I look forward to reading the next book from this author, although I acknowledge that he has set his own bar very high” – Tonto Williams Electronic Scrapbook“Writes as beautifully about Shetland as he does about seabirds” – Sally Huband, raingeeseandselkies.blogspot.com

    In this classic collection of meditations on the wonders of this region, Austin generously shares “such news of the land, of its trails and what is astir in them, as one lover of it can give to another.” Her vivid writings capture the landscape—from burnt hills to sun-baked mesas—as well as the rich variety of plant and animal life, and the few human beings who inhabit the land, including cattlemen, miners, and Paiute Indians. This Modern Library Paperback Classic is set from the original 1903 edition.

    As a young man, he climbed the peaks of this singular range with basic climbing gear friends. Later in life, he led treks in India, Pakistan, Nepal, China, Tibet, and Peru, but he always returned to the mountains of his youth. He continues to climb the Tetons as a guide for Exum Mountain, Guides, the oldest and most prestigious guide service in America. Teewinot is his ode to forty years in the mountains that he loves. Like Thoreau and Muir, Turner has contemplated the essential nature of a landscape. Teewinot is a book about a mountain range, its austere temper, its seasons, its flora and fauna, a few of its climbs, its weather, and the glory of the wildness. It is also about a small group of guides and rangers, nomads who inhabit the range each summer and know the mountains as intimately as they will ever be known. It is also a remarkable account of what it is like to live and work in a national park. Teewinot has something for everyone: spellbinding accounts of classic climbs, awe at the beauty of nature, and passion for some of the environmental issues facing America today. In this series of recollections, one of America's most beautiful national parks comes alive with beauty, mystery, and power. The beauty, mystery, and power of the Grand Tetons come alive in Jack Turner's memoir of a year on America's most beautiful mountain range.

    In this collection of essays and stories, John extols the important economic power of Maine's yard sale industry, bemoans the fact that Massachusetts, still upset because it allowed Maine to become a state in 1820, is buying it back one house at a time, and relates how the state's infamous black fly was really just an attempt at controlling tourists gone haywire. You will also meet Maine characters like Uncle Abner, Merrill Minzey, and Hollis Eaton, and find yourself pondering just where the truth ends and the story begins.

    In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays 'King of the Meadow' with a field of grasshoppers.