Yousaf’s last collection of poetry, Sincerely. Struck by inspiration and overwhelmed by the response of dedicated fans, Yousaf wanted to continue this journey in a new collection. While tales of longing, uncertainty, and loss flow through each poem, Yousaf artfully captures the eternal question of how to face pain with courage and quiet resilience.Featuring 140 poems and accompanying illustrations, Serenity is the perfect escape from daily life, helping readers refocus energy and kindness toward themselves and their cherished relationships.

    Peopled with "ambassadors from the Netherworld"--the orphaned and abused, the lost and addicted--Cruz leads us through this "traveling minstrel show / Called girlhood--" which is at once tragic and magical.

    Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.”Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques.

    With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader’s reflection—unsettling the role of truth and interrogating the “I” in both literary and daily life: “The future isn’t anywhere, so we can never get there. We can only disappear.” (from the publisher's website)

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

    It's all the things we all hold onto, all the things we let anchor onto us, and all the things that leave us vacant.

    Her jugaad and privilege puts her directly in the path of a hardworking scholarship student– Vladimir Petrov, the vodka to her hot chocolate. Their tumultuous friendship is affected by global events, the landscape around them ever changing. And slowly, the Russian winter begins to melt for the Indian summer.Funny and endearing, Three Impossible Wishes is a heart-warming book about finding love and learning to love yourself.

    From online dating to beauty pageants, Greek mythology to road trips, Leigh Stein gives us resilient young women in longing and in love. Post-confessional—like Sylvia Plath raised on MTV, or Anne Sexton on Twitter—the poems seduce with a narrative hook or startle with a pop culture reference, all the while wrestling fresh meaning out of our fantasy-saturated modern lives.

    Through decades of quiet dedication and single-minded devotion he has achieved the successes one strives for in life, both with his family and career. Close to retirement and to sitting back and enjoying the fruits of a successful career and marriage, a malicious spurious complaint at work should have no material consequences on his life, but it starts a domino effect, and before long he finds himself shockingly dismissed, divorced, without a home, and with a criminal record. This story explores a convoluted tragic journey of divorce, rich with emotion, loss, betrayal, revenge and confusion. Along the way it explores the dynamics of what makes a relationship weak and vulnerable, or strong and resolute. It’s not a miserable story, but one of resilience, hope, and true love. It is told with an immense depth of feeling, insight, humour and faith, and there are many truly surprising twists and turns as the story unfolds.

    Just without the extra pay.Now I’m showing old homes, and every single one of them is haunted. As a witch, I’m not supposed to be able to see ghosts. But I do. And they know I do. And I know they know I do. And, oh boy.Worse yet, an apparition that looks an awful lot like my boss’s dead partner has come knocking, and demanding I solve her murder. I’ve been given an ultimatum: help or die. It looks like I can’t really trust anyone any more. Will my cat, mouse familiar, and a new shapeshifter friend be enough to help me get the job done in what little time I have left?

    Songs and Portobellos is a magical story that captures the creativity and clarity of perception that young people possess.The book centres on the development of teenagers Conor and Melanie during the summer of 1967 and explores the influences that bring them to understand their uniqueness.By the end of the summer they have transcended the ordinary, discovered who they are and determined what they stand for.

    The stories are selected both for their appeal to young people and for the quality of the writing.

    Parker’s collection is hyper-contemporary, drawing on what it means to be alive today when our phones autocorrect our texts and we’ve given into a kind of living that prioritizes work, money, and power over justice, equality, and happiness.

    Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy.Praise for Aja Monet:“[Monet] is the true definition of an artist.”—Harry Belafonte“In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.”—Carrie Mae WeemsOf Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.

    a landmark debut' Guardian'Oh my God, he's just stirring me. Destroying me' Michaela Coel'A poet of truth and rage, heartbreak and joy' Max Porter'Takes us into new literary territory ... impressive' Bernardine Evaristo, New Statesman (Books of the Year)'It's simply stunning. Every image is a revelation' Terrance HayesWhat is it like to grow up in a place where the same police officer who told your primary school class they were special stops and searches you at 13 because 'you fit the description of a man' - and where it is possible to walk two and a half miles through an estate of 1,444 homes without ever touching the ground?In Poor, Caleb Femi combines poetry and original photography to explore the trials, tribulations, dreams and joys of young Black boys in twenty-first century Peckham. He contemplates the ways in which they are informed by the built environment of concrete walls and gentrifying neighbourhoods that form their stage, writes a coded, near-mythical history of the personalities and sagas of his South London youth, and pays tribute to the rappers and artists who spoke to their lives.Above all, this is a tribute to the world that shaped a poet, and to the people forging difficult lives and finding magic within it. As Femi writes in one of the final poems of this book: 'I have never loved anything the way I love the endz.'