In a world where real bees are extinct, the quickest, bravest kids climb the fruit trees and pollinate the flowers by hand.Will Peony's grit and quick thinking be enough to keep her safe?A story about family, loyalty, kindness and bravery, set against an all-too possible future where climate change has forever changed the way we live.

    The people who roamed Early Earth were much like us: curious, emotional, funny, ambitious, and vulnerable. In this series of illustrated and linked tales, Isabel Greenberg chronicles the explorations of a young man as he paddles from his home in the North Pole to the South Pole. There, he meets his true love, but their romance is ill-fated. Early Earth's unusual and finicky polarity means the lovers can never touch.      As intricate and richly imagined as the work of Chris Ware, and leavened with a dry wit that rivals Kate Beaton's in Hark! A Vagrant, Isabel Greenberg's debut will be a welcome addition to the thriving graphic novel genre.

    And join Odysseus on his journey through murky waters, facing obstacles like the terrifying Scylla and whirring Charybdis, the beautiful enchantress Circe, and the land of the raging Cyclôpes. Using narrative threads from The Iliad and The Odyssey, Padraic Colum weaves a stunning adventure with all the drama and power that Homer intended.

    Patriotic young men all over the world lined up to join the fight - including hundreds of Indigenous Australians.Shunned and downtrodden in their own country - and in fact banned by their own government from serving in the military - Aboriginal men stepped up to enlist. Undaunted, these bold souls took up arms to defend the free world in its time of greatest need. For them, facing the horror of war on a Gallipoli beach was an escape from the shackles of racism at home, at a time when Aboriginal people stood by, segregated, unable to vote, unable to act as their children were ripped from them. When the survivors came back from the war, there was no heroes’ welcome – just a shrug, and a return to drudgery and oppression.Black Diggers is the story of these men - a story of honour and sacrifice that has been covered up and almost forgotten.

    This edition contains important lessons on the nature of friendship and love, the importance of belief in the future, and the value of respect for oneself and others, and much more.

    In 1932, American's dreams were simple: a job, food to eat, a place to sleep, and shoes without holes. But for millions of people these simple needs were nothing more than dreams. When he was just fifteen years old, Josh had to make his own way through a country of angry and frightened people. This is the story of his struggle to find a life for himself during those turbulent times.

    I think I am in friend-love with you. What’s friend-love? It’s that super-awesome bond you share with someone who makes you happy every time you text each other, or meet up for an epic outing. It’s not love-love. You don’t want to swap saliva; you want to swap favorite books. But it’s just as intense and just as amazing. And it’s this search for that connection that comic-book artist Yumi Sakugawa captures in I Think I Am in Friend-Love with You. It’s perfect if you've ever fallen in friend-love and want to show that person how much you love them...in a platonic way, of course.

    But you’d be impossible if you lived my life ... You’d be impossible if you were invisible. Shakespeare was an idiot. Love is not blind. Love is being seen.Plagued by a gypsy curse that she’ll be invisible to all but her true love, seventeen-year-old Olive is understandably bitter. Her mother is dead; her father has taken off. Her sister, Rose, is insufferably perfect. Her one friend, Felix, is blind and thinks she’s making it all up for attention.Olive spends her days writing articles for her gossip column and stalking her childhood friend, Jordan, whom she had to abandon when she was ten because Jordan’s parents would no longer tolerate an ‘imaginary friend’. Nobody has seen her — until she meets Tom: the poster boy for normal and the absolute opposite of Olive.But how do you date a boy who doesn’t know you’re invisible? Worse still, what happens when Mr Right feels wrong? Has destiny screwed up? In typical Olive fashion, the course is set for destruction. And because we’re talking Olive here, the ride is funny, passionate and way, way, way, way dramatic.This story is for anyone who’s ever felt invisible.This story is for anyone who sees the possible in the impossible.

    But this year she will be mysteriously transported into the past. Only she knows the horrors that await.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    A portion of the proceeds will support WriteGirl, a creative writing and mentoring organization for teen girls. Publication is set for spring 2017; Stephen Barbara at Inkwell did the deal for U.S., Canadian, and open market rights.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    He’s used to being the loner, the odd one out, the boy who lives with his nan. So when Philip’s class is given a school assignment to write about heroes and villains, the project causes conflict in the classroom as everyone weighs in on the debate. For the first time, Philip has the opportunity to shine in school - but can he convince the class that being different is not necessarily a bad thing and that heroes have many disguises?

    Her use of quilting as a metaphor for the creative legacy that African Americans inherited from their maternal ancestors changed the way we define art, women's culture, and African American lives. By putting African American women's voices at the center of the narrative for the first time, "Everyday Use" anticipated the focus of an entire generation of black women writers. This casebook includes an introduction by the editor, a chronology of Walker's life, an authoritative text of "Everyday Use" and of "In Search of Our Mothers' Gardens," an interview with Walker, six critical essays, and a bibliography. The contributors are Charlotte Pierce-Baker, Houston A. Baker, Jr., Thadious M. Davis, Margot Anne Kelley, John O'Brien, Elaine Showalter, and Mary Helen Washington.

    And not just any bookshop. In 1893, Cole’s Book Arcade in Melbourne is the grandest bookshop in the world, brimming with every curiosity imaginable. Each day brings fresh delights for the siblings: voice-changing sweets, talking parrots, a new story written just for them by their eccentric father.When Pearl and Vally learn that Pa has risked the Arcade – and himself – in a shocking deal with the mysterious Obscurosmith, the siblings hatch a plan. Soon they are swept into a dangerous game with impossibly high stakes: defeat seven challenges by the stroke of midnight and both the Arcade and their father will be restored. But if they fail Pearl and Vally won’t just lose Pa – they’ll forget that he and the Arcade ever existed.