And yet, here Brian Riordan was doing exactly that. So begins this prequel to the Exit Unicorns series, as we join the Riordan boys in the rough and tumble world of Belfast, Northern Ireland, during a summer of change and promise. Casey Riordan is on the cusp on manhood, and is learning just how high the price of that transition can be. Tagging along on this adventure is his brother, Pat, who is both shadow and conscience to Casey. Their father, Brian, is simply trying to keep his sons safe—a tall order in the gritty streets of this particular city. Bare Knuckle spans the events of one summer, giving a glimpse into the lives of the Riordans—the boys as they embark on the path to the men they are destined to be, and their father as he guides them along the way. The road is not smooth and contains hard lessons, both those of betrayal and treachery, all stemming from the events of one warm July night, when the match of hatred is set to the fuel of violence. After that night, life as they know it spirals out of control for the Riordans, until one man is forced to rejoin a world he thought he’d left behind forever, to ensure the safety of those he loves.

    The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

    A new arrival, Miss Gomez, lives for her postal correspondence with the Church of the Brethren of the Way in Jamaica. No one will believe Miss Gomez when she announces her revelation of a hideous sex crime soon to be committed in Crow Street. Until Prudence Tuke disappears, the police arrive, and the newspapers herald a 'Sex Crime Prophecy'...

    Harvard University Press is now undertaking to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a sense of the man and the many facets of his thought.

    A discovered life.What if you only had one day to find out who you really were?When Sabrina Boggs stumbles upon a mysterious collection of her father’s possessions, she discovers a truth where she never knew there was a lie. The familiar man she grew up with is suddenly a stranger to her.An unexpected break in her monotonous daily routine leaves her just one day to unlock the secrets of the man she thought she knew. A day that unearths memories, stories and people she never knew existed. A day that changes her and those around her forever.The Marble Collector is a thought-provoking novel about how the most ordinary decisions we make can have the most extraordinary consequences for how we live our lives. And how sometimes it’s only by shining on a light on someone else, that you can truly understand yourself.

    In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects.In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations.By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt?Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars."Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice"A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review

    Your explosive temper has probably cost you jobs, friends, loved ones—maybe even your liberty. If it hasn’t yet, it soon will, unless you do something about it.This book contains a powerful and straightforward system for taking control of your anger and your life. This program is not easy, and it might even be painful at times—but it works. The book will teach you how your anger escalates and what you can do to change your angry thoughts and behaviors. Then it’s your turn. When you make and keep that promise to yourself to stay calm no matter what, the happier, safer life you want will become a possibility.With this book, you'll be able to:Identify the causes of your anger Avoid violence, blaming, and threats Stay calm one day at a time Change anger-provoking thoughts Ask for what you want without anger

    Ed's family is very wealthy and very dysfunctional. Ed's father, a guilt-ridden judge, rarely emerges from his dusty study. Ed's morbidly obese, sexually perverse mother retired to her bed after a skiing incident ten years ago. They may live in the same luxurious apartment, but Ed and his parents barely interact. A bizarre yet touching friendship develops between Trevor and Ed both men are equally in need of someone who can show them umderstanding and compassion. As the boisterous narrative increasingly focuses its attention on Trevor's past and the mysterious stirrings of his psyche, Lorcan Roche's The Companion becomes a darkly humorous tale of obsession. An Irish take on One Flew Over the Cuckoo's Nest and A Confederacy of Dunces, The Companion's electrifying style, shocking finale, and its moving tale of friendship under duress all make for an immensely rewarding read."

    In a small town in the west of Ireland, a beautiful baby boy is born. He enjoys an idyllic country childhood: privileged, carefree, surrounded by love - and pet sheep.Eleven years later, the Pope visits Ireland, and things will never be the same again. At the Pontiff's mass in Knock, the little boy has an epiphany that will set him on the road to become the biggest, boldest, and most opinionated drag queen Ireland has ever known.This is the story of Rory O'Neill's journey from the fields to becoming Panti Bliss, the voice of a brave new nation embracing diversity, all the colours of the rainbow and, most of all, a glamorous attitude.It's also the story of a misfit who turned his difference into a triumphant art form; of coming to terms with HIV; of political activism; and of 'Pantigate', and the speech that touched a million lives.Welcome to the world of Panti - adored, fun drunk aunt to the world - and her creator Rory, in their own inimitable words.

    Now Annie Cohen-Solal, author of the hugely acclaimed Sartre: A Life (“an intimate portrait of the man that possesses all the detail and resonance of fiction”—Michiko Kakutani, The New York Times), recounts his incalculably influential and astonishing life in Leo and His Circle. After emigrating to New York in 1941, Castelli would not open a gallery for sixteen years, when he had reached the age of fifty. But as the first to exhibit the then-unknown Jasper Johns, Castelli emerged as a tastemaker overnight and fast came to champion a virtual Who’s Who of twentieth-century masters: Rauschenberg, Lichtenstein, Warhol, and Twombly, to name a few. The secret of Leo’s success? Personal devotion to the artists, his “heroes”: by putting young talents on stipend and seeking placement in the ideal collection rather than with the top bidder, he transformed the way business was done, multiplying the capital, both cultural and financial, of those he represented. His enterprise, which by 1980 had expanded to an impressive network of satellite galleries in Europe and three locations in New York, thus became the unrivaled commercial institution in American art, producing a generation of acolytes, among them Mary Boone, Jeffrey Deitch, Larry Gagosian, and Tony Shafrazi. Leo and His Circle brilliantly narrates the course of one man’s power and influence. But Castelli had another secret, too: his life as an Italian Jew. Annie Cohen-Solal traces a family whose fortunes rose and fell for centuries before the Castellis fled European fascism. Never hidden but also never discussed, this experience would form the core of a guarded but magnetic character possessed of unfailing old-world charm and a refusal to look backward—traits that ensured Castelli’s visionary precedence in every major new movement from Pop to Conceptual and by which he fostered the worldwide enthusiasm for American contemporary art that is his greatest legacy. Drawing on her friendship with the subject, as well as an uncanny knack for archival excavation, Annie Cohen-Solal gives us in full the elegant, shrewd, irresistible, and enigmatic figure at the very center of postwar American art, bringing an utterly new understanding of its evolution.

    It is significant that it begins in 1900 and ends in 2000. Most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland?' It makes extensive use of unused or neglected sources. It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

    . . .Ireland, 1912 . . .Fourteen members of a small village set sail on RMS Titanic, hoping to find a better life in America. For seventeen-year-old Maggie Murphy, the journey is bittersweet. Though her future lies in an unknown new place, her heart remains in Ireland with Séamus, the sweetheart she left behind. When disaster strikes, Maggie is one of the few passengers in steerage to survive. Waking up alone in a New York hospital, she vows never to speak of the terror and panic of that fateful night again.Chicago, 1982 . . .Adrift after the death of her father, Grace Butler struggles to decide what comes next. When her great-grandmother Maggie shares the painful secret about the Titanic that she's harbored for almost a lifetime, the revelation gives Grace new direction—and leads both her and Maggie to unexpected reunions with those they thought lost long ago.Inspired by true events, The Girl Who Came Home poignantly blends fact and fiction to explore the Titanic tragedy's impact and its lasting repercussions on survivors and their descendants.

    It is not primarily concerned with specific pictures and the things people say about them, but rather with the way we talk about the idea of imagery, and all its related notions of picturing, imagining, perceiving, likening, and imitating. It is a book about images, therefore, that has no illustrations except for a few schematic diagrams, a book about vision written as if by a blind author for a blind reader. If it contains any insight into real, material pictures, it is the sort that might come to a blind listener, overhearing the conversation the sighted speakers talking about images. My hypothesis is that such a listener might see patterns in these conversations that would be invisible to the sighted participant.

    Turns out Mr Safe Bet wasn’t so safe after all, and life in her small home town of Sweet Pocket got kind of sour. The last thing she needs on top of two kids, a sick mother, a deadbeat ex and a heap of bad debt is for Mr Love of her Life to ride back into town, successful, smart, devastatingly sexy, and all the things that she can no longer be. And it doesn’t help that she’s dressed as cheese. One-time-bad-boy-now-Crop-King Brodie Brown is back in town on a mission of mercy, but he’s keeping his guard up.  He can’t let this town – or the girl who broke his heart ten years before – get under his skin.  He’s seen what working the land can do to people, and he built his business, and a whole new life, in the big smoke far away from the pain and despair of a farmer’s life. But he loved this town and he loves the people, so when Sweet Pocket calls, he answers. That’s just the way it is.But it’s only temporary and it’s only business. Brodie learned long ago that there is nothing left for him in Sweet Pocket but a broken heart and lost dreams. When the town’s future is secure, he’ll ride away again – back to his life and his future, and away from the girl who could make both worthwhile.

    Detective Chief Inspector Ian Wilson is tasked with the unenviable job of finding the killer with tensions running high throughout the city. In the powder keg that is the Northern Irish political scene, Wilson needs to discover the reason behind the seemingly random killings, and quick, in order to prevent the troubles from breaking out on the streets of Belfast again. A powerful, and exciting, thriller Nothing but Memories is a tour-de-force by Derek Fee, author of Cartel.