The menagerie of characters include Coral Musker, a beautiful chorus girl; Carleton Myatt, a rich Jewish businessman; Richard John, a mysterious and kind doctor returning to his native Belgrade; the spiteful journalist Mabel Warren; and Josef Grunlich, a cunning, murderous burglar.What happens to these strangers as they put on and take off their masks of identity and passion, all the while confessing, prevaricating, and reaching out to one another in the "veracious air" of the onrushing train, makes for one of Graham Greene's most exciting and suspenseful stories. Originally published in 1933, Orient Express was Greene's first major success. This Graham Greene Centennial Edition features a new introductory essay by Christopher Hitchens.

    After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. It took Sabatini roughly a quarter of century of hard work before he attained success with Scaramouche in 1921. This brilliant novel of the French Revolution became an international bestseller. It was followed by the equally successful Captain Blood in 1922. A prolific writer, he produced about a book a year. Mistress Wilding begins: Then drink it thus, cried the rash young fool, and splashed the contents of his cup full into the face of Mr. Wilding even as that gentleman, on his feet, was proposing to drink to the eyes of the young fool's sister. See other titles by this author available from Kessinger Publishing.

    There was no ship in sight, and the seagulls were motionless upon its even greyness. The sky was dark with lowering clouds, but there was no wind. The line of the horizon was clear and delicate. The shingly beach, no less deserted, was thick with tangled seaweed, and the innumerable shells crumbed under the feet that trod them. The breakwaters, which sought to prevent the unceasing encroachment of the waves, were rotten with age and green with the sea-slime. It was a desolate scene, but there was a restfulness in its melancholy; and the great silence, the suave monotony of color, might have given peace to a heart that was troubled. They could not assuage the torment of the woman who stood alone upon that spot. She did not stir; and, though her gaze was steadfast, she saw nothing. Nature has neither love nor hate, and with indifference smiles upon the light at heart and to the heavy brings a deeper sorrow. It is a great irony that the old Greek, so wise and prudent, who fancied that the gods lived utterly apart from human passions, divinely unconscious in their high palaces of grief and joy, the hope and despair, of the turbulent crowd of men, should have gone down to posterity as the apostle of brutish pleasure. But the silent woman did not look for solace. She had a vehement pride which caused her to seek comfort only in her own heart; and when, against her will, heavy tears rolled down her cheeks, she shook her head impatiently.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Wells' attempt to make sense of World War I. It begins with a lighthearted account of an American visiting England for the first time, but the outbreak of war changes everything. Day by day and month by month, Wells chronicles the unfolding events and public reaction as witnessed by the inhabitants of one house in rural Essex. Each of the characters tries in a different way to keep their bearings in a world suddenly changed beyond recognition. This book was published in 1916 while the war was still in progress, so no clear resolution was possible. Wells did not know how long the war would last or which side would ultimately win, but he hoped that somehow, something good might eventually come of it.

    By presenting a vision of life in which diverse aspects of experience are observed simultaneously, Huxley characterizes the symptoms of "the disease of the modern man" in the manner of a composer--themes and characters are repeated, altered slightly, and played off one another in a tone that is at once critical and sympathetic.First published in 1928, Huxley's satiric view of intellectual life in the '20s is populated with characters based on such celebrities as D.H. Lawrence, Katherine Mansfield, Nancy Cunard, and John Middleton Murry, as well as Huxley himself.

    Journalist Edward Malone, rejected by the woman he loves because he is too prosaic, decides to go in search of adventure and fame to prove himself worthy of her. Soon after, he meets Professor George Challenger, a scientist who claims to have discovered a 'lost world' populated by pterodactyls and other prehistoric monsters.

    Still an adventure novel, this one revolves around the dreams of a young boy, dreams that involve racial memories and the knowledge of his prior existence as a man-like creature named Big Tooth living in prehistoric times. "These are our ancestors, and their history is our history. Remember that as surely as we one day swung down out of the trees and walked upright, just as surely, on a far earlier day, did we crawl up out of the sea and achieve our first adventure on land."

    As the Cazalet households prepare for their summer pilgrimage to the family estate in Sussex, readers meet Edward, in love with but by no means faithful to his wife Villy; Hugh, wounded in the Great War; Rupert, who worships his lovely child-bride Zoe; and Rachel, the spinster sister.

    Lysbeth van Hout speeds happily down the canal, surrounded by the lovely winter landscape of Leyden with its lofty churches of St. Peter and St. Pancras in the near distance, windmills spotting the snow-covered landscape farther away.Then someone stops her -- Martha the Mare, with a harrowing look, to give Lysbeth this warning: "Listen! -- that unless they cast out the cursed Spaniard, a day shall come when the folk of Leyden must perish by thousands of hunger behind those walls!"

    H. Lawrence's death in 1930. Immediately recognized as a masterpiece in which Lawrence had distilled and purified his ideas about sexuality and morality, The Virgin and the Gipsy has become a classic and is one of Lawrence's most electrifying short novels.Set in a small village in the English countryside, this is the story of a secluded, sensitive rector's daughter who yearns for meaning beyond the life to which she seems doomed. When she meets a handsome young gipsy whose life appears different from hers in every way, she is immediately smitten and yet still paralyzed by her own fear and social convention. Not until a natural catastrophe suddenly, miraculously sweeps away the world as she knew it does a new world of passion open for her. Lawrence's spirit is infused by all his tenderness, passion, and knowledge of the human soul.

    From the master of the western comes a novel full of romance and adventure. The story begins: In the early sixties a trail led from the broad Missouri, swirling yellow and turgid between its green-groved borders, for miles and miles out upon the grassy Nebraska plains, turning westward over the undulating prairie, with its swales and billows and long, winding lines of cottonwoods, to a slow, vast heave of rising ground-Wyoming-where the herds of buffalo grazed and the wolf was lord and the campfire of the trapper sent up its curling blue smoke from beside some lonely stream; on and on over the barren lands of eternal monotony, all so gray and wide and solemn and silent under the endless sky; on, ever on, up to the bleak, black hills and into the waterless gullies and through the rocky gorges where the deer browsed and the savage lurked; then slowly rising to the pass between the great bold peaks, and across the windy uplands into Utah, with its verdant valleys, green as emeralds, and its haze-filled canons and wonderful wind-worn cliffs and walls, and its pale salt lakes, veiled in the shadows of stark and lofty rocks, dim, lilac-colored, austere, and isolated. See other titles by this author available from Kessinger Publishing.

    Hilton's classic story of an English schoolmaster.Mr. Chipping, the classics master at Brookfield School since 1870, takes readers on a beguiling journey through the late 19th and early 20th centuries. Sometimes Chips, as he is affectionately known, is an old man who dreams by the fire; then he's a difficult young taskmaster schooling his students, or a middle-aged man encountering the lovely Katherine, whose "new woman" opinions work far-reaching changes in him. As succeeding generations of boys march onward through Chips' mind, Hilton's narrative remains masterful. He seamlessly interweaves a poignant love story with the jokes and eccentricities of English public school life, while also chronicling a new, uncertain world full of conflict and upheaval that extends far beyond the turrets of Brookfield.

    Trollope describes the vacillations of a conscientious father, torn between the desire to marry his daughter to a cousin destined to inherit the family title, and his fear that the cousin, reportedly a scheming wastrel, is unworthy of her.Originally published in Macmillan's Magazine, May-Dec. 1870.

    As a group they are very resourceful, but they do occasionally get a helping hand from a mysterious, unknown benefactor. This book closes the legend of Captain Nemo, the hero from Twenty Thousand Leagus Under the Sea.Excerpt:"It was now two years and a half since the castaways from the balloon had been thrown on Lincoln Island, and during that period there had been no communication between them and their fellow-creatures. Once the reporter had attempted to communicate with the inhabited world by confiding to a bird a letter which contained the secret of their situation, but that was a chance on which it was impossible to reckon seriously. Ayrton, alone, under the circumstances which have been related, had come to join the little colony. Now, suddenly, on this day, the 17th of October, other men had unexpectedly appeared in sight of the island, on that deserted sea!"