but a freak accident had sent Holly Howe there to recover in seclusion...and to work at the only job she could find---as a servant at Cliff House. Sitting high above the bay, the gloomy mansion was filled with priceless antiques, a bedridden old woman, and things that go bump in the night.Holly didn't believe in ghosts, but she knew something eerie was happening when the moon was full and the legendary tides came sweeping in from the sea. Who was lurking about the darkened mansion? What was the strange buoy light bobbing off shore? Why was a handsome young craftsman becoming a regular visitor? And why did the ebony eyes of the withered old crone upstairs suddenly stare back at Holly---wide, clear, and luminously gray?

    This talented author has shown an extraordinary range in his work, from westerns to crime stories (both contemporary and historical) to a novel about baseball and more.In The Hot Kid, Elmore "Dutch" Leonard breaks new ground with a fast-paced, multifaceted tale of Prohibition-era crime, told from multiple perspectives that reflect the unexpected shifts of allegiance in this turbulent time. Set against a backdrop of speakeasys and shootouts, fast cars and even faster women, this stirring tale recounts a time when life was cheap on both sides of the law. The story unfolds in Oklahoma, featuring the exploits of four "hot kids" -- young lawman Carl Webster, bad-seed oilman's son Jack Belmont, glamorous gun moll Louly Brown, and true-crime journalist Tony Antonelli. Carl Webster, since his first personal encounter with crime as a teenage witness to a brutal robbery by notorious crook Emmet Long, has sought justice. His keen mind and sharpshooter's eye quickly build him a hot reputation in the U.S. Marshals Service, especially after he declares, "If I have to pull my weapon, I'll shoot to kill" and proves he has what it takes to back up his claim...Jack Belmont has big dreams. His goal is to join the ranks of America's most feared criminals to replace John Dillinger as Public Enemy No. 1. This young outlaw has all the instincts of a cold-blooded killer, plus a powerful thirst for glory. He's got a long way to go to join the ranks of Baby Face Nelson, Pretty Boy Floyd, Clyde Barrow and Bonnie Parker, and Machine-Gun Kelly but he's off to a good enough start that Webster is hot on his trail...Louly Brown started with nothing but she wasn't about to settle for that. Her first claim to fame came when her cousin married Charley "Pretty Boy" Floyd. Later, running off with ex-con Joe Young added spice to her life. But she was smart enough to see that helping Carl Webster put a stop to Joe's crime spree would be a better deal than sharing his fate. After the smoke cleared, Louly really came into her own, selling her story to the papers, then setting her sights on the handsome lawman who'd captured her heart.Tony Antonelli loves the danger and fame that come along with rubbing shoulders with heartless gangsters, dedicated lawmen, gorgeous gun molls, and bloodthirsty vigilantes in the course of his work for True Detective Mystery magazine. Whether he's writing about bank robbers or the Black Hand, the KKK or rum running, or hot young lawmen and cold-blooded killers and their sexy sidekicks, Tony views other people's troubles as more than just bread-and-butter; they provide an adrenaline-charged kick to his own life, as well as vicarious thrills for eager readers.Elmore Leonard hits his target with The Hot Kid, an unforgettable tale of high adventure where the crooks are out to prove that crime really can pay and where federal marshals trade high risks for low salary to bring these wanted felons in "dead or alive."

    A graduate student at Columbia University, he grew up on the streets of New York, usually on the wrong side of the law. Then he met Joe Graham, a one-armed P.I. who introduced him to the Bank, an exclusive New England institution with a sideline in keeping its wealthy clients happy and out of trouble. They pay Neal's college tuition, and Neal gets an education that can't be found in any textbook-- from learning how to trail a suspect to mastering the proper way to search a room.Now it's payback time. The Bank wants Neal to put his skills to work in finding Allie Chase, the rebellious teenage daughter of a prominent senator. The problem: Allie has gone underground in London, and to get her back, Neal has to follow her into the punk scene, a violent netherworld where drugs run rampant and rage is the name of the game. Up against punk junkies, antique book thieves, and murderous betrayal, Neal has his work cut out for him to save Allie-- and get back above ground for good.

    And then -- the madness seized me. When I look back over the months I spent at Sunnyside, I wonder that I survived at all. As it is, I show the wear and tear of my harrowing experiences. I have turned very gray -- Liddy reminded me of it, only yesterday, by saying that a little bluing in the rinse-water would make my hair silvery, instead of a yellowish white. I hate to be reminded of unpleasant things and I snapped her off. "No," I said sharply, "I'm not going to use bluing at my time of life, or starch, either."

    Eberhart has a huge following among mystery buffs. Her adroit style and penchant for chilling atmosphere are evident in The Patient in Room 18, her literary debut of 1929. It introduces the emphatic Nurse Sarah Keate, who helped popularize mystery novels and movies set in hospital wards amid the ominous gleam of medical instruments. Eberhart once said of the redoubtable, red-haired Nurse Keate, “I loved her because she had a good sharp tongue.” The head nurse needs all her wits in The Patient in Room 18, which begins off-duty with an unpleasant dinner party and mixes radium with murder, drawing in the cunning Detective O’Leary, beautiful Maida with the lapis lazuli cufflinks, and sinister Corole.

    Rabbi David Small, the new leader of Barnard's Crossing's Jewish community, can't even enjoy his Sabbath without things getting stirred up in a most unorthodox manner: It seems a young nanny has been found strangled, less than a hundred yards from the Temple's parking lot -- and all the evidence poi

    Quartet novels (which include L.A. Confidential and The Big Nowhere).Dig this: the swinging sax man's doing repos and plotting a kidnapping-of himself; a tommy gun is ripping apart windows, curtains, and bodies in High Darktown; a carhop at Scrivner's is keeping two extremely sweet sugar daddies, Howard Hughes and mobster Mickey Cohen, happy-until the scene turns murderous.This is the hip-hop hard-edged world of L.A. 1950s style: cars with fins, Commies in closets, starmakers with come-ons, ex-cons with guns, and cops with mean streaks as wide as Sunset Strip.James Ellroy's bizarre, stark tales dazzle us with their unexpected humor, raw brutality, and slightly lighter-than-usual noir realism. Hollywood Nocturnes is quintessential Ellroy: bluesy, black, and very, very hot.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    

    But when Mike got a load of the set-up at the Brighton mansion, two things changed his mind: a slimy private secretary named Montrose, and a phony doctor whose theories began where Freud's left off. Both of them were just a little too anxious to convince the stubborn redhead that Phyllis was "a very sick girl." And Mike Shayne was a man who liked to make up his own mind.

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    Emanuel Bauer. Seven weeks later, the girl is stabbed to death on Emanuel's couch--with incriminating fingerprints on the murder weapon. To Kate, the idea of her brilliant friend killing anyone is preposterous, but proving it seems an impossible task. For Janet had no friends, no lover, no family. Why, then, should someone feel compelled to kill her? Kate's analytic techniques leave no stone unturned--not even the one under which a venomous killer once again lies coiled and ready to strike. . . .