This is the first history of ancient Egypt for 25 years Brings together the very latest textual and archaeological evidence The index, bibliography and appendices make this an invaluable reference tool New guide to further reading in English especially commissioned for the paperback edition

     For the Third Edition, Professor Allen has provided new translations of Socrates' speech in the Symposium and of the first five chapters of Aristotle's Categories, as well as new selections bearing on Aristotle's Theory of Infinity, Continuity, and Discreteness. The book also contains a general introduction which sets forth Professor Allen's distinctive and now widely accepted interpretation of the development of Greek philosophy and science, along with selective bibliography, and lists of suggested readings.

    He explains how a range of thinkers have approached the subject -- including Anselm, Aquinas, Descartes, Leibniz, Hume, and Kant -- and also discusses how contemporary author now engage with the issues involved. Completely revised to cover the latest developments in the field, the new edition of this established textbook will prove the ideal introduction for all students of the philosophy of religion.

    He shows how contact with the East catalyzed the transformation of art and religion, analyzes the invention of the alphabet and the conceptual changes it brought, describes the expansions of Greece in trade and colonization, and investigates the relationship between military technology and political progress in the overthrow of aristocratic governments.

     Provides in-depth and cutting-edge treatment of natural theology's main arguments Includes contributions from first-rate philosophers well known for their work on the relevant topics Updates relevant arguments in light of the most current, state-of-the-art philosophical and scientific discussions Stands in useful contrast and opposition to the arguments of the 'new atheists'

    Now, Margaret George, the highly acclaimed bestselling historical novelist, has turned her intelligent, perceptive eye to the myth that is Helen of Troy.Margaret George breathes new life into the great Homeric tale by having Helen narrate her own story. Through her eyes and in her voice, we experience the young Helen's discovery of her divine origin and her terrifying beauty. While hardly more than a girl, Helen married the remote Spartan king Menelaus and bore him a daughter. By the age of twenty, the world's most beautiful woman was resigned to a passionless marriage until she encountered the handsome Trojan prince Paris. And once the lovers flee to Troy, war, murder, and tragedy become inevitable. In Helen of Troy, Margaret George has captured a timeless legend in a mesmerizing tale of a woman whose life was destined to create strife and destroy civilizations.

    He takes seriously Hegel's claim that art has exhausted its spiritual vocation, that it is no longer through art that Spirit principally comes to knowledge of itself. He argues, however, that Hegel by no means proclaimed the "death of art" (as many still imagine) but proclaimed rather the indefinite continuation of art in what Hegel called a "self-annulling" mode.With astonishing breadth and originality, the author probes the meaning, aesthetics, and historical consequences of that self-annulment. In essence, he argues that the birth of modern aesthetics is the result of a series of schisms—between artist and spectator, genius and taste, and form and matter, for example—that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony.Through this concept of self-annulment, the author offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger, and he opens up original perspectives on such phenomena as the rise of the modern museum, the link between art and terror, the natural affinity between "good taste" and its perversion, and kitsch as the inevitable destiny of art in the modern era. The final chapter offers a dazzling interpretation of Dürer's Melancholia in the terms that the book has articulated as its own.The Man Without Content will naturally interest those who already prize Agamben's work, but it will also make his name relevant to a whole new audience—those involved with art, art history, the history of aesthetics, and popular culture.

    It 2 would seem that my protest against this conception has been oflittle avail; and the added explanations, which sharply pinpointed at least some chief points of difference, either have not been understood or have been heedlessly pushed aside. Thus the replies directed against my criticism of psychological method are also quite negative because they miss the straightforward sense of my presentation. My criticism of psychological method did not at all deny the value of modern psychology, did not at all disparage the experimental work done by eminent men. Rather it laid bare certain, in the literal sense, radical defects of method upon the removal of which, in my opinion, must depend an elevation of psychology to a higher scientific level and an extraordinary amplification ofits field of work. Later an occasion will be found to say a few words about the unnecessary defences of psychology against my supposed "attacks."

    Passages from Antiquity to Feudalism, the companion volume to Perry Anderson’s highly acclaimed and influential Lineages of the Absolutist State, is a sustained exercise in historical sociology to root the development of absolutism in the diverse routes taken from the slave-based societies of Ancient Greece and Rome to fully-fledged feudalism. In the course of this study Anderson vindicates and refines the explanatory power of a Marxist conception of history, whilst casting a fascinating light on Greece, Rome, the Germanic invasion, nomadic society, and the different patterns of the evolution of feudalism in Northern, Mediterranean, Eastern and Western Europe.

    It offers fascinating descriptions of the geography, climate and peoples of the country, and a succinct account of the early stages of the Roman occupation, nearly fatally undermined by Boudicca's revolt in AD 61 but consolidated by campaigns that took Agricola as far as Anglesey and northern Scotland. The warlike German tribes are the focus of Tacitus' attention in the Germania, which, like the Agricola, often compares the behaviour of 'barbarian' peoples favourably with the decadence and corruption of Imperial Rome.

    An extensively illustrated general account of Greece in the 14th and 13th centuries B.C., as reconstructed from contemporary documents and archives by a leading world authority who presents a vivid picture of a long-obscure era.

    Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army.Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .“A novel that is intricate and arresting and, once begun, almost impossible to put down.”—Daily News “A timeless epic of man and war . . . Pressfield has created a new classic deserving a place beside the very best of the old.”—Stephen Coonts

    Bush called the "first war of the twenty-first century" actually began more than 2,300 years ago when Alexander the Great led his army into what is now a sprawling ruin in northern Afghanistan. Accounts of Alexander's invasion of ancient Bactria read eerily like news from our own day. In this vivid, meticulously researched, and elegantly narrated book, Frank L. Holt follows Alexander's historical, archaeological, and numismatic legacy back and forth between ancient Bactria and modern Afghanistan. Recounting the plight of the most powerful leader of the time as he led the most sophisticated army of its day into the treacherous world of tribal warlords, Holt describes those grueling campaigns and the impact they had on Alexander, his generals, their troops, and the world. Into the Land of Bones also examines the conflict from the point of view of the local warlords who pushed the invading Greeks to the limits of their endurance—and sometimes beyond, into mania and mutiny. The lively narrative situates the current war in Afghanistan in a broader historical perspective. Holt explains how the three modern superpowers that have invaded Afghanistan—Britain in the nineteenth century, the Soviets in the twentieth, and the United States in the twenty-first—are continuing the struggle that Alexander began centuries ago. That this legacy continues to play itself out today is a testament to the timeliness of Holt's fascinating and original account.

    He shows our culture to be a continuing source of moral knowledge, and rebuts the fashionable sarcasm which sees it as nothing more than the useless legacy of dead white European males. He is robust in defence of traditional architecture and figurative painting, critical of the fashionable relativists and urgent in his plea for our civilization, which more than ever stands in need of the self-knowledge and self-confidence that are the gift of serious culture.