Whatever our feelings about établissement and French Maoism here at Commune Editions (they aren’t positive), we think the book is incredible, and expect you will too.Get it here: http://communeeditions.com/excess-the...

    Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask--he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.The dinner doesn't go exactly as planned, and suddenly Kian is Hudson's plus one to Georgia's wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can't afford another mistake. If Kian goes, he'll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.But their fake relationship is starting to feel like it might be more than a means to an end, and it's time for both men to fact-check their feelings.

    From the opening "Proem" (prologue poem) he offers in this first book-"I am a Negro: / Black as night is black, / Black the depths of my Africa"-Hughes spoke directly, intimately, and powerfully of the experiences of African Americans, at a time when their voices were newly being heard in our literature. As his Knopf editor Carl Van Vechten wrote in a brief introduction to the original 1926 volume, illuminating the potential of this promising young voice, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race...Always, however, his stanzas are subjective, personal" and, he concludes, they are "the expression [of] an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, sometimes with shocking confidence and clarity: "Bring me all of your / Heart melodies / That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers/ Of the world."

    After her fiancé calls off the wedding not once but twice, Camilla's had enough. In a brazen move, she takes a new position in the windy city of Chicago; leaving her parents, friends, and ex in a bittersweet goodbye. Adapting to her new surroundings isn't easy but as Camilla settles in a chance encounter with an infamous playboy throws her off balance and rattles her world. She hadn't expected to be drawn so meticulously to another but denying the magnetism that lures her is a futile fight. As President of VFC Energy, a fortune 500 company, Hunter Valentine is at the top of his game. The renowned bachelor holds no secrets about his risqué rendezvous, and his allegiance is saved for family only. However, when Hunter spots Camilla Augustina, dining alone at the breakfast hut in his building, he can't explain the adulation that runs through his core and shakes his entire world. Lust never weakened him like this, and the inclination of love at first site was silly. But when Hunter decides to prove the sudden rapture is unreal, he may find himself enamored by love. *Each book in this series can be read as a standalone*

    He'd even been prepared for his father's obnoxious and mildly-offensive jokes. What he couldn't have predicted was the gorgeous Trevor Gutierrez spending the holiday break with his family. With his deep laugh, scruffy exterior, silky voice, and smile that could melt the snow in the front yard, Danny finds it impossible to resist his father's coworker. Luckily, he doesn't have to, because it seems all Trevor wants for Christmas is Danny, and Danny is more than happy to give him that gift. **This short story is 13k words of fluff, smut, and Christmas cheer best read when you need a little something to warm you up during the cold winter nights!**

    In her haunting eighth collection inspired by articles from the weekly “Science” section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.from “On Deceit as Survival”   Yet another species resembles   a female bumble bee,   ending in frustrated trysts—   or appears to be two fractious males   which also attracts—no surprise—   a third curious enough to join the fray.   What to make of highly evolved Beauty   bent on deception as survival—

    These stories range from a transgender woman trying an experimental transition medication to young lovers separated through decades and meeting far in their own future. These are stories of machines and magic, love, and self-love.This collection features prose stories by:Cherie Dimaline "The Girl Who Grew a Galaxy," "Red Rooms"Gwen Benaway "Ceremonies for the Dead"David Robertson "Betty: The Helen Betty Osborne Story," Tales From Big Spirit seriesRichard Van Camp "The Lesser Blessed," "Three Feathers"Mari Kurisato "Celia’s Song," "Bent Box"Nathan Adler "Wrist"Daniel Heath Justice "The Way of Thorn and Thunder: The Kynship Chronicles"Darcie Little Badger "Nkásht íí, The Sea Under Texas"Cleo KeahnaAnd an introduction by Niigaanwewidam James Sinclair "Manitowapow," with a foreword by Grace Dillon "Walking the Clouds".Edited by Hope Nicholson "Moonshot," "The Secret Loves of Geek Girls"

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless Black melancholies and triumphs.

    But when she's hired to find a missing refugee ship, she discovers that this is no ordinary rescue mission, and she must play a role in deciding the fate of the whole universe.

    In this powerful debut, Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power, in a world that refuses Black Queer women permission to define their own lives and boundaries.

    In haiku, tanka, and sensual blues, Sonia Sanchez writes of the many forms love takes: burning, dreamy, disappointed, vulnerable. With words that revel and reveal, she shares love's painful beauty.

    Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who live in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, Dearly blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, the protagonist joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles. But when things go terribly wrong, she must find the truth within herself in order to stop the violence and discover what it really means to grow up and find your family.

    It brings together poems from Knight’s previously published books and a section of new poems.

    In a town like Brimrock, where she’s an outcast, she prefers her book friends to her real-life enemies. They’re a lot less judgmental. The rest of town believes she descends from a family of witches—including her evil witch grandma, Luna. In this case, the truth is stranger than fiction. She is a witch, and she’s cursed for all of eternity. Good thing her to-be-read list is pretty long…Prickly Paranormal Investigator Aiden O’Hare speaks two languages: sarcasm and more sarcasm. He travels the country—and sometimes even the world—investigating strange phenomena with his best friend, Eddie. Their investigations bring them to a cozy New England town called Brimrock, home to fabled evil witch Luna Blackstone. Armed with his dry wit, his bibliophilic love for books, and far too much free time, he’s determined to find out just what happened to Luna…When Aiden meets Selene, he decides he must get to know her. When Selene learns Aiden is in town investigating her grandma, she knows she must stop him. He’s out to expose the truth. She’s out to keep it a secret. Neither expects to fall under each other’s spell, but sometimes love is supernatural.