Gift notes to flyleaf and very light shelfwear to jacket, tight and unmarked.

    This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

    But he needed to create a new sound, a music that had nothing to do with anyone except himself. The path he chose was difficult and risky. Nevertheless, he persisted. His work now stands with the greatest music of all time, and continues to inspire devotion, adoration, and joy nearly 50 years after his death.           Coltrane was also one of the few musicians whose life, thoughts, and words are as inspiring as his music. This book collects, for the first time, those words.            Coltrane was a gracious interviewee. His responses were thoughtful and measured; he rarely said anything negative about others (though he could be highly self-critical). Interviewers noted how different Coltrane seemed from his music--this quiet man whose music was so volcanic.            Coltrane on Coltrane includes every known Coltrane interview, many in new transcriptions, and several previously unpublished; articles, reminiscences, and liner notes that rely on interviews; and some of Coltrane’s personal writings and correspondence.            John Coltrane never wrote an autobiography. This book is as close to one as possible.

    Alternating between their New York City apartment and a smoke-filled music club, Clifford narrates the story of his broken family and the decline of jazz as popular entertainment. Clifford recalls the key moments in his life, such as the day when he, fresh out of college, picked up his first unemployment check and was congratulated by Gene and his band mates. Gene's music career on the big band circuit ultimately crumbles with the advent of Elvis and rock-n-roll. Terry begs him to get a nine-to-five job to support the family, but Gene refuses to enter the "straight world" of regular paychecks, mortgages and security. For Gene, who knows jazz better than his own son, music is not just a job; it's his life. Their marriage slowly dissolves and young Clifford is witness to it all. As things worsen, Clifford assumes the role of parent and throws the hopeless Gene out of his mother's apartment. When an adult Clifford visits Gene in a rundown jazz club after years of separation, he requests that the old man play his mother's favorite song, the old standard "Why was I Born?" Clifford then asks, "Dad, why was I born?" It becomes Clifford's last, heart-breaking plea for his father's love.

    As she mourns the recent death of her mother, she doesn’t realize that on Christmas Eve she is about to have the most extraordinary day—and night—of her life. After bravely facing down mean-spirited classmates and rejection at school, Madeleine doggedly searches for Philadelphia's legendary jazz club The Cat's Pajamas, where she’s determined to make her on-stage debut. On the same day, her fifth grade teacher Sarina Greene, who’s just moved back to Philly after a divorce, is nervously looking forward to a dinner party that will reunite her with an old high school crush, afraid to hope that sparks might fly again. And across town at The Cat's Pajamas, club owner Lorca discovers that his beloved haunt may have to close forever, unless someone can find a way to quickly raise the $30,000 that would save it. As these three lost souls search for love, music and hope on the snow-covered streets of Philadelphia, together they will discover life’s endless possibilities over the course of one magical night. A vivacious, charming and moving debut, 2 Am At The Cat's Pajamas will capture your heart and have you laughing out loud.

    Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore reinvented rock 'n' roll in the 60s, and their influence can be felt even today. Now, for the first time, the living members of the band are opening up their personal archives to their fans, telling their story in their own words. This book is filled with untold anecdotes and never-before-seen photos from their private collections. Fans can learn first-hand what really went on in America's most enigmatic and mythical band.

    But when Katrina’s waters rise and the city’s broken levees cause devastating floods, Simon disappears.His son, Julian, a celebrated but down-on-his-luck trumpeter, rushes home to the city he left years before to search for a father with whom he’d been on difficult terms over preparing for the hurricane. Julian’s return to New Orleans brings him back in touch with figures from his past, loves and enemies both, and as his search for Simon takes him to the rural plot where Simon grew up, Julian is drawn deep into his troubles. As he comes to grips with his father’s likely fate and struggles to regain his trumpet chops, Julian slowly gains a deeper, richer understanding of both his father and their shared heritage.Wading Home is an important book about one of America’s most important cities, veiled in the form of a captivating page-turner. Lyrical, accessible, compelling, and populated by a broad, fully realized cast of supporting characters, its timeless story tells how this son strives to save his father. Shaken to the core by the devastation of a city, Julian discovers the true meanings of home, family, and history.

    Learning that this is not an isolated incident and realizing that Dhulyn's own unique gift will make them a target, the two take ship for safer climes. Once ashore the partners take on a seemingly simple mission of escorting a young woman to distant relatives. But not even Dhulyn's talent can warn them of the threat that awaits at the far end of their journey.

    In brilliant discussions of Billie Holiday, Thelonious Monk, Coleman Hawkins, Lester Young, Charlie Parker, John Coltrane, Ornette Coleman, Sonny Rollins, Cecil Taylor, Archie Shepp, Don Cherry, and Sun-Ra, he examines each musician’s personality, background, musical ambitions, accomplishments, and disappointments, to illuminate both the context and spirit of jazz.

    The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. We live' as Griffiths says, among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge.

    He could pick up a tune so quickly that it didn’t matter to the Cotton Club boss that he was underage, or to the guys in the band that he was just a white kid. He started out in the slums of LA with nothing, and he ended up on top of the game in the speakeasies and nightclubs of New York. But while talent and drive are all you need to make it in music, they aren’t enough to make it through a life.  Dorothy Baker’s Young Man with a Horn is widely regarded as the first jazz novel, and it pulses with the music that defined an era. Baker took her inspiration from the artistry—though not the life—of legendary horn player Bix Beiderbecke, and the novel went on to be adapted into a successful movie starring Kirk Douglas, Lauren Bacall, and Doris Day.

    But all that glitters is not gold. Nia’s platinum dreams lose their luster when murder hits close to home.Nia’s best friend since their Harvard days, Vanessa King, the first lady of the NBA, has just landed in the city too. She’s looking for a fresh start with her husband, Marcus, the new star point guard for the New York Gladiators, who’s as popular with the ladies as he is with die-hard male hoops fans. Since marrying her college sweetheart, Vanessa has had to learn to deal with life with a professional athlete—the video-vixen groupies, the paparazzi stalkers, the brutal travel schedule, and the unchecked ego of a man the sports world puts on a pedestal.When Laila James, self-proclaimed “Golden Goddess” groupie, sets her sights on Marcus, and a dangerous stalker threatens his family, Vanessa has to pull out all the stops to save her money and her marriage. Thankfully, Nia’s there to help her defend her turf. In the ruthless battle for love and the limelight, all three women soon learn what it takes to stay on top.

    Edgar Pool is "The Horn," the hero, and the man who helps change the face of American music. He becomes the legend whose triumphant and tragic career is reconstructed through the memories of his friends and lovers.

    His business card describes him as the “Vinyl Detective” and some people take this more literally than others. Like the beautiful, mysterious woman who wants to pay him a large sum of money to find a priceless lost recording — on behalf of an extremely wealthy (and rather sinister) shadowy client.  Given that he’s just about to run out of cat biscuits, this gets our hero’s full attention. So begins a painful and dangerous odyssey in search of the rarest jazz record of them all…

    The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music. This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos. Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions.