In it, the author presents the philosophy and principles of Suzuki's teaching methods. Through the examples from his own life and teaching, Suzuki establishes his case for early childhood education and the high potential of every human being---not just those seemingly gifted.

    He begins with an "imaginary conversation" with George Washington entitled "The Muzak Muse," in which he argues the values of actively listening to music by learning how to read notes, as opposed to simply hearing music in a concert hall. The book also features the reproduction of five television scripts from Bernstein on the influence of jazz, the timeless appeal of Mozart, musical romanticism, and the complexities of rhythmic innovation. Also included are Bernstein's analyses of symphonies by Dvorak, Tchaikovsky, Beethoven, and Brahms, a rare reproduction of a 1957 lecture on the nature of composing, and a report on the musical scene written for New York Times after his sabbatical leave from directorship of the New York Philharmonic during the 1964-65 season.

    In brilliant discussions of Billie Holiday, Thelonious Monk, Coleman Hawkins, Lester Young, Charlie Parker, John Coltrane, Ornette Coleman, Sonny Rollins, Cecil Taylor, Archie Shepp, Don Cherry, and Sun-Ra, he examines each musician’s personality, background, musical ambitions, accomplishments, and disappointments, to illuminate both the context and spirit of jazz.

    Photographs are included.

    Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.

    The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (1753–54), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography.

    From selecting a recorder to making it sing, from practicing effectively to playing ensemble and enriching your repertoire, here is everything you need. To use this book is to have a uniquely gifted teacher at your side, encouraging you, providing you with specific help, and delighting you with his lively knowledge of the art of making music.

    Piano performance pieces by Bastien and Bastien covering the Baroque, Classical Romantic and Contemporary composers.

    

    The music was fast, complicated, impossible to play for many of the older musicians -- but it soon became the lingua franca of jazz music. They called it bebop, and as the years went by, it became even more popular. Today it reigns as perhaps the best-loved style of jazz ever created. Ira Gitler conveys the excitement of this musical birth as only someone who was there can. In The Masters of Bebop, Gitler traces the advent of what was a revolution in sound. He profiles the leading players -- Charlie Parker, Dizzy Gillepie, Max Roach -- but also studies the style and music of the first disciples, such as Dexter Gordon and J. J. Johnson, to reveal bebop's pervasive influence throughout American culture. Revised with an updated discography -- and with a new chapter covering bebop right up through the end of the twentieth century -- The Masters of Bebop is the essential listener's handbook.

    Childhood, early music training, years in London; composition of Messiah, other oratorios and operas; analysis of Handel's musical style and individual works, much more. Includes 35 illustrations, Introduction, Bibliographical Note, Indexes.

    book Whitman Small World Glockenspiel

    The book is illustrated in color and includes the words for all of the songs plus verses.

    .Hardback,Ex-Library,with usual stamps markings, ,in fair to good all-round condition, ,708pages.

    It is not an analysis of the various methods employed by luthiers. It is, however, a thorough workbook on guitar-making.. The author leads the reader, step-by-step, through text and photographs, into the subtle art of the luthier in understandable and practical form. Practically every page is illustrated with diagrams and photographs.