it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    It inspired authors as Orison Swett Marden, William Walker Atkinson, Christian D.Larson and others, that inspired by "Master Mulford", continued in the search for the inner forces that are part of every single human being, and which, well used, can take us to success, prosperity and happiness. This collection includes all six volumes, each volume originally a book itself. You will find in it phrases, advice and wisdom that is the base for all modern writers. Mulford is the source of sources.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.

    It makes her miss the simplicity of being a teenager, when she was surrounded by her amazing friends, The Fabulous Four, and she was madly in love with her Dad's right hand man, Justin Barnes. His sexy smiles and deep brown eyes had made her heart race in a way she's never felt before or since. When the Fabulous Four unexpectedly show up on her doorstep to support her through this complicated time, things seem to be looking up for Amanda. But that's not the only surprise visit in store for her...Justin Barnes left Hope Falls ten years ago, in the dead of night, and didn't think he'd ever set foot there again. That was just fine with him, except for one little complication: Amanda Jacobs. He had fallen in love with her unruly blonde curls and sparkling sapphire eyes, but she had been a teenager then, five years younger than he - too young for him to act on his attraction. Still, he'd missed her every single day of those ten years. When Justin receives a phone call that his former mentor has passed away, he knows he has to return to Hope Falls. Justin just has one question - will the girl that once adored him have grown into a woman that can't stand him? Or will she still be the only thing in the world that feels like home?

    in 1928, and containing woodcuts by J. J. Lankes.The title of the poem that the volume is named by is very significant. Where the poem takes place (Derry, New Hampshire), due to its location near the coast, all rivers flow towards the ocean except for West Running Brook (a real brook), which goes westward making itself unique. In the same way, the poet trusts himself to go by contraries.Because of this book, Robert Frost is called "Home-Spun Philosopher".

    Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. This volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

    May they find every word they were looking for.***I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.  Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words.So I’m going to try to say to you here, what I wish you’d say to me too. Please.Listen. We can change things. Here.

    In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce "moves to fierce urban rhythms, both cool and hot," writes Jessica Hagedorn. "A rush of intense visual images and electric word music."

    Escape—in the form of stowing away on a ship—only deepens his exposure to the squalor and brutality that men are capable of, and when he arrives in Alexandria he learns there are some things that one can't run away from. Narrated in unflinching language that is both visceral and acute in its observational power, Boy is a shocking book that stays in the mind long after it is read. Unfairly neglected during his lifetime, only recently has this original, uncompromising novelist started to be reappraised as among the finest novelists writing in English in the 20th century.

    Shapiro finds in them not the expected alienation but rather an odd, companionable solitude rising up from the quiet emptiness.In other poems, Shapiro writes movingly of his 1950s and 60s childhood in Brookline, Massachusetts, with special focus on the house he grew up in. These meditations, always inflected with Shapiro’s quick wit and humor, lead to recollections of tragic and haunting events such as the Cuban missile crisis and the assassination of JFK. While Night of the Republic is Shapiro’s most ambitious work to date, it is also his most timely and urgent for the acute way it illuminates the mingling of private obsessions with public space.

    But this year, as winter approaches, Wilkie is increasingly depressed and withdrawn. At her wit's end, Jenny persuades him to visit Key West, the Last Resort. Within weeks of their arrival Jenny not only has a part-time job but is becoming involved with assorted local characters, including Gerry, an ex-beatnik poet, and Lee, the dramatically attractive manager of a women-only guesthouse. Wilkie, meanwhile, is planning his own "accidental" death by drowning--a task that turns out to be more difficult than he thought--and trying to avoid the attentions of a breathless young female fan.

    Her voice came back, whispering at first, then screaming. Ceremony for the Choking Ghost contains the sound of that voice returning, bringing poems about grief and its effect on the body, the body politic, memory and, of course, poems about love. From the intensely personal, "How My Family Grieved," to the political, "What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)," Finneyfrock engages the reader with the chiseled images of a precise storyteller.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015