Dehaene's research will fascinate not only readers interested in science and culture, but also educators concerned with debates on how we learn to read, and who wrestle with pathologies such as dyslexia. Like Steven Pinker, Dehaene argues that the mind is not a blank slate: Writing systems across all cultures rely on the same brain circuits, and reading is only possible insofar as it fits within the limits of a primate brain. Setting cutting-edge science in the context of cultural debate, Reading in the Brain is an unparalleled guide to a uniquely human ability.

    For more than forty years, Bloom has transformed college students into lifelong readers with his unrivaled love for literature. Now, at a time when faster and easier electronic media threatens to eclipse the practice of reading, Bloom draws on his experience as critic, teacher, and prolific reader to plumb the great books for their sustaining wisdom. Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book.

    As a ragged impoverished boy, he had been one with the villagers. Now, as the new Earl, he's met with hostility and resentment, especially from his childhood sweetheart, Marged Evans. To make things right with his people (and to win back Marged), he masquerades as a "Rebecca," one of the bewigged, white-cloaked leaders of the 1842 riots against Welsh toll roads. Disguised as a man, Marged rides as one of Rebecca's "daughters," and, as to be expected, falls in love with the man behind the mask.

    . . Urgent you penetrate icefield for possible rendezvous. Maximum risk must be accepted. Repeat. Must be accepted.'"In the weird world where huge ice islands rotate round the North Pole, Soviet submarines still prowl beneath the icecap. Top Russian oceanographer Michael Gorov, early believer in world peace, flees from his Soviet base to hand the West secrets which would neutralize the East's potential stranglehold.His escape route is across the grimmest terrain on earth - the empty wastes of the frozen Arctic.Keith Beaumont, Polar veteran, is sent to bring Gorov in to safety. Moscow sends master polar strategist, Colonel Igor Papanin to seize him first. Exposed to traitors and worsening weather, Beaumont struggles to outwit a whole Soviet fleet to save Gorov - to help him to reach the Western base. Target 5.Colin Forbes 'has no equal' "Sunday Mirror"

    Harry Blamires helps readers to negotiate their way through this formidable, remarkable novel and gain an understanding of it which, without help, it might have take several readings to achieve. The New Bloomsday Book is a crystal clear, page-by-page, line-by-line running commentary on the plot of Ulysses which illuminates symbolic themes and structures along the way. It is a highly accessible, indispensible guide for anyone reading Joyce's masterpiece for the first time.

    When Rufus' growing reputation as an animal trainer and his friendship with Cupido, one of Rome's greatest gladiators, attract the cruel gaze of the Emperor, Rufus is bought from his master and taken to the imperial palace as the keeper of the imperial elephant. Rufus soon sees that life here is dictated by Caligula’s ever shifting moods—he is as generous as he is cruel and he is a megalomaniac who declares himself a living god who simultaneously lives in constant fear of the plots against his life. Caligula's paranoia is not misplaced, and Rufus and Cupido find themselves unwittingly placed at the center of a conspiracy to assassinate the Emperor.

    Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    Though Xander, Will and Kit may not be legitimate in the eyes of the aristocracy, their mother made sure that they each received a gentleman's education and knew how to make their way in the world...Despite being knighted for saving the Prince Regent's life, Sir Alexander Jones will never truly be accepted by the nobility. But if he's to find his long lost brother, Xander must win the first willing heiress he can find— and obtain the funds he needs to search London's darkest corners.Slandered and denied her rightful inheritance by the machinations of her unscrupulous uncle, Cleo Spencer has been living on a farm with only a meager stipend to support her and her brother. Only by marrying can Cleo access her funds and provide her younger brother the life he deserves.

    But when the beautiful lawyer lands in the middle of his investigation, she also lands at the top of a powerful man's hit list. Out of luck and out of time, Dylan only has one chance to save her, and he only has one plan - kidnap the beauty. Frightened senseless, Johanna is shocked when she recognizes her captor, the bad boy bodyguard who had once worked for her powerful boss. She had been dangerously attracted to him, and now she's in his clutches and at his mercy. But with the night heating up and the hitmen closing in, passion will have to take a back seat to survival...or will it? With these two, the only safe bet is on scorching desire and endless love!

    With brilliant wit, idiosyncratic intelligence, and a bold grasp of intricate political realities, the celebrated author of Flaubert's Parrot turns his satiric glance homeward to England, in a sparkling collection of essays that illustrates the infinite variety of contemporary London life.

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."

    Not only are there frequent references to specific works of art, but certain characters are also evoked by comparison to particular paintings. Bloch’s appearance as a boy is likened to the portrait of Mehmet II by Gentile Bellini; Odette de Crécy strikes Swann by her resemblance to a figure in a Botticelli fresco. Even the lesser figure of a certain Mme. Blattin becomes the subject of Proustian mischief by being described as “exactly the portrait of Savonarola by Fra Bartolomeo.” Eric Karpeles has identified and located the many paintings to which Proust makes reference and sets them alongside the relevant text from the novel; in other cases, where only a painter’s name is mentioned to indicate a certain style or appearance, Karpeles has chosen a representative work to illustrate the impression that Proust sought to evoke.With some 200 paintings beautifully reproduced in full color and texts drawn from the Moncrieff/Kilmartin/Enright translation, as well as concise commentaries on the evolving narrative, this book is an essential addition to the libraries of Proustians everywhere. The book also includes an authoritative introduction and a comprehensive index of artists and paintings mentioned in the novel.

    Keeping it teachable and flexible, the material allows for full and innocent immersion as well as raising inductive questions to develop critical and analytical skills. Students will be led to understand poetry as a means of imaginatively extending their own experience and indeed, probing the possibilities of the self. This latest incarnation of the landmark text facilitates a thorough study of poetry.

    But when two bumbling crooks stumble into her branch (barely disguised in Yoda and Sponge Bob masks) and hold up the place, she sees a chance to do something she's never thought possible: get revenge. She takes advantage of the melee to pull a heist of her own, seizing info from a security box that will exonerate her uncle.Sent to investigate a bank robbery in small town Wisconsin, Special Agent John MacKinnon discovers the robbers were two not-quite-so-bright thugs and one woman. Now, Turner is on the run. With SA MacKinnon on her trail, she's breaking into the bank president Calvin's house, kidnapping his Great Dane, and for the first time in her life, setting out to break a few rules. But when Calvin hires a hit-man, MacKinnon will have to decide between his career--and saving Turner.