Pause. Fast-forward. Rewind. It has become part of our vocabulary when talking about the momentum of our lives...Since Phillips launched the compact audio cassette at the 1963 Berlin Radio Show, our relationship with music has never been the same. Portable, inexpensive, and durable, the new format was an instant success. By the early 1970s, we were voraciously recording music onto blank cassettes: LPs, concerts, tunes from the radio. It allowed us to listen to music in a new way, privately.Artist and musician Thurston Moore (Sonic Youth) looks back at the plastic gadget that first let us make our own compilations. Mix Tape shares the treasured works (and the stories behind them) of over 50 dedicated home tapers, including Elizabeth Peyton, DJ Spooky, Jim O'Rourke, Allison Anders, and Mike Watt. From the Romantic Tape to the Break-up Tape, the Road Trip Tape to the 'Indoctrination' Tape, the art and text that emerged was of the mix cassette as a new way of resequencing music to make sense of our most stubbornly inexpressible feelings—a way of explaining ourselves to someone we love, or to ourselves. Ask any ex of yours from the early '90s about the amorous mix tapes you once made, and chances are, Sonic Youth appears somewhere among the track listing. So, perhaps it's fitting that Thurston Moore is working on a book that takes a nostalgic look at that most humble vehicle of adolescent expression. Mix Tape: The Art of Cassette Culture explores the sound mixes and art we created in our bedrooms long before iTunes and Photoshop.-- Michael Dougherty, Blackbook Magazine. Fall 2004

    Packed with more than 400 photographs arranged in chronological order, this book covers everything from arson to connibalism, con men, mass murderers, sabotage, victims and vital clues.

    And the past couple of years have shown that this annoying never stops. To give just three examples:After a mid-Atlantic collision between French and British nuclear submarines, France's Minister of Defence seemed to blame the accident on ... shrimps.When French political superstar Dominique Strauss-Kahn was arrested in New York, France's establishment was outraged. It soon emerged that sexual harassment was regarded as a basic human right by the country's male �lite. (This theme provided so much excellent material that I decided to include it in the plot of my soon-to-be published novel, The Merde Factor.)And when David Cameron walked out of a Eurosummit, a French politician accused him of being 'like a man at a wife-swapping party who refuses to bring his own wife.' Yes, a very French image, and it just one of the many anti-Anglais insults that came flying across the Channel.You will find all this, and much more, in Annoying the French Encore! Because, for the French, the merde never ends.Yours historically,Stephen Clarke, Paris, August 2012'Tremendously entertaining' Sunday Times'Relentlessly and energetically rude' Mail on Sunday

    What combination of religious fervor, hatred of people of different faiths, and gall led Europeans of 1100 A.D. to make their way thousands of miles to conquer the Holy Land? Why did they continue for 200 years? How did the Crusades change the world? The intriguing story is peppered with colorful characters. Over the centuries, this well-researched and written book argues, crusaders saw - and participated in - the evolution of warfare and the transformation of society from feudal fiefdoms to nations and empires. The story of the Crusades is a reminder, too, of the horrors wrought in the name of religion. The Crusades are seen by many Christians today as an exercise in fanaticism, an episode in which the teachings of Christ were used to justify the horrors perpetrated on innocents. That judgment is accurate, but not the whole story. The whole story is in these pages.

    Apart from their achievements, they have suffered all through the history right from the days of Moses till the Israel-Palestine issue. This book clearly brings out the life of jews and their battles, sufferings, customs, beliefs, strategies etc.

     They are innocent schoolgirls ranging in age from 14 to 22. Under normal circumstances they should be learning, laughing, and playing. Unfortunately, the year is 1942 and the place is Nazi-occupied Poland. Nothing is normal. On the night of August 11, dressed only in cotton nightgowns, they await their fate at the hands of their Nazi captors. They are no match for the Nazi beast- or are they? Meanwhile, a young Jewish family is caught in a perilous game of cat and mouse with the Nazis in Berlin. How long can they possibly remain among the living? It's getting harder to run, more dangerous to hide. The Nazis are hot on their trail, and time is running out for both the hunters and the hunted. Rhonda is a successful television personality and a well-respected Jewish educator. With her aging mother still suffering scars left by the Holocaust some 70 years later, she decides it's time to go to Germany, where she pitches her way inside the largest Nazi archive the world has never seen in an attempt to discover the truth about what happened to her mother during WWII. Will the secrets she unveils help heal her mother's wounded soul? Or will the answers to her questions change everything she ever thought she knew about her family, her mother, and herself? Inspired by true events, 94 Maidens is an unforgettable story of heroism, resistance, martyrdom, and survival. "Total Inspiration! Never before has an account of the atrocities of Nazi Germany struck such a chord. 94 Maidens will send chills up your spine and bring tears to your eyes, but Rhonda Fink-Whitman's brilliant depiction of valiancy strengthens the inner soul." Lorraine Ranalli, author of Gravy Wars/South Philly Foods, Feuds & Attytudes and host of the Cucina Chatter Radio Network "Chillingly authentic. It's as if Rhonda dipped her paintbrush into a can of history and used her potent words to paint us a picture that is spot on. I would know." David Tuck, Auschwitz survivor, speaker, educator Meet Dave and hear other eyewitness accounts @ www.94maidens.com. "Heartfelt and moving...a great reminder to all of us about our obligation to share and preserve our own family history, the courage of ancestors, and their impact on our world." Tim Chambers, screenwriter, director, and producer of The Mighty Macs "It wasn't my choice to write this story...it was my responsibility." Rhonda Fink-Whitman RHONDA FINK-WHITMAN is a veteran TV and radio personality as well as an award-winning screenwriter, longtime Jewish educator and the daughter of a Holocaust survivor. 94 Maidens is her first novel. She lives in a suburb of Philadelphia with her husband, two children, and two cats. In their free time, for which they thank our troops, Rhonda and her family volunteer for the USO. Visit Rhonda online at www.94Maidens.com, at www.Facebook.com/94Maidens, and on Twitter @94Maidens. Serious filmmakers interested in the screenplay of 94 Maidens can contact the writer at Rhonda@94Maidens.com.

    For the past ten years he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos-the stock market. As Max verges on a solution, chaos is swallowing the world around him. He is pursued by an aggressive Wall Street firm set on financial domination as well as by a Kabbalah sect intent on unlocking the secrets behind its ancient holy texts. Max races to crack the code, hoping to defy the madness that looms before him. In succeeding, he uncovers a secret everyone is willing to kill for.Also included with the screenplay is a full journal of how Darren Aronofsky made this award-winning film on a minuscule budget of $60,000, providing practical advice and inspiration to film students and offering film buffs rare insight into how an independent film is made.

    ‘I can’t do it!’ I sulked. Mother sighed and shook her head. My heart sank. Of course, I’d seen the mill hundreds of times before, but now it was different – now, I was going in. I’d never seen a place so depressing; I wanted to cry.'With tales from hardworking Audrey and mischievous Maureen to high-spirited Doris and dedicated Marjorie, The Mill Girls is an evocative story of hardship and friendship from when cotton was still king. Through the eyes of these northern mill girls, we are offered a fascinating glimpse into the lives of ordinary women who rallied together, nattered over the beamers and, despite the difficult conditions, weaved, packed and laughed to keep the cotton mills spinning.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    Professionally, Alison Weir, Kate Williams, Sarah Gristwood and Tracy Borman do events and television together, and are known affectionately, as the 'History Girls'. They bring an elan, and a passion for detail and dramatic narrative to all their subjects.Each writer focuses on different areas of interest. Alison Weir deals with the medieval, Tudor and Stuart periods. Kate Williams scrutinises the Georgians and Victorians. Sarah Gristwood takes up the story in 1919, when Princess Patricia of Connaught revived the tradition of royal brides marrying in Westminster Abbey, and goes on to examine the weddings of the Queen Mother (1923), the Queen (1947), and Princess Margaret in 1960. Lastly, Tracy Borman brings the book right up to date, with accounts of the wedding of Prince Charles and Diana Spencer through to the fanfare that will celebrate the nuptials of Kate and William.Every kind of wedding features -- from those attended by great public celebrations, to the many that took place in private chapels, parish churches and even in secret.Fascinating anecdotal details are revealed in the course of this most informative and entertaining overview of royal weddings through history, some amusing, some poignant, some bawdy. The Ring and the Crown places the royal wedding of the heir to the throne in historical perspective, and it does so with carefully selected illustrations that help make the authors' insights come even more vividly alive.

    The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters byPeter and Paul in the New Testament--all forgeries. To cite just a few examples.Forgery and Counterforgery is the first comprehensive study of early Christian pseudepigrapha ever produced in English. In it, Ehrman argues that ancient critics--pagan, Jewish, and Christian--understood false authorial claims to be a form of literary deceit, and thus forgeries. Ehrman considers theextent of the phenomenon, the intention and motivations of ancient Greek, Roman, and Jewish forgers, and reactions to their work once detected. He also assesses the criteria ancient critics applied to expose forgeries and the techniques forgers used to avoid detection. With the wider practices ofthe ancient world as backdrop, Ehrman then focuses on early Christian polemics, as various Christian authors forged documents in order to lend their ideas a veneer of authority in literary battles waged with pagans, Jews, and, most importantly, with one another in internecine disputes over doctrineand practice. In some instances a forger directed his work against views found in another forgery, creating thereby a counter-forgery. Ehrman's evaluation of polemical forgeries starts with those of the New Testament (nearly half of whose books make a false authorial claim) up through thePseudo-Ignatian epistles and the Apostolic Constitutions at the end of the fourth century.Shining light on an important but overlooked feature of the early Christian world, Forgery and Counterforgery explores the possible motivations of the deceivers who produced these writings, situating their practice within ancient Christian discourses on lying and deceit.

    With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

    Love as you have never known it or imagined it to be. Love, the only true force in all creation, the Light out of which all things were made, the cohesive power which holds all things together. Love. Let your soul stand forth and LIVE. For of what profit is it if a man gains the whole world and loses his own soul? Come! Meet me just inside the Door of Everything, in my timeless realm of Being, where all the perfect qualities of your Grand Cosmic Self will intersect and blend into one precious jewel-the precious jewel of Love.

    The ancient manuscript is genuine-so what are Christians to make of the claims therein? Claims such as -Judas was doing what Jesus asked him to do when he betrayed Jesus -Jesus came to offer secret knowledge of how to escape this earthly world, rather than to usher in God's kingdom on earth -Jesus felt no pain on the cross -and more This timely and necessary response to the Gospel of Judas is the authoritative, orthodox word on what it really tells us--and does not tell us--about Jesus, Judas, early Christianity, and Gnosticism. Tom Wright, as both a bishop and an historian, is uniquely qualified to speak on the subject and answers the questions Christians have after encountering this "new gospel."

    But his life is about to change. The sickness is creeping ever closer and the monks must attend to the victims. When Brother Diggory is nominated to tend to those afflicted, he realises he is about to meet the Plague, and that it is more powerful than him. What he doesn't realise is that encountering an illness and understanding it are two quite different things.An uproarious and uplifting novel about sickness and health, the fashions of 14th Century medicine, and how perhaps we're never quite as cutting-edge as we might like to believe.