In The Jewish Annotated New Testament, eminent experts under the general editorship of Amy-Jill Levine and Marc Z. Brettler put these writings back into the context of their original authors and audiences. And they explain how these writings have affected the relations of Jews and Christians over the past two thousand years. An international team of scholars introduces and annotates the Gospels, Acts, Letters, and Revelation from Jewish perspectives, in the New Revised Standard Version translation. They show how Jewish practices and writings, particularly the Greek translation of the Hebrew Bible, influenced the New Testament writers. From this perspective, readers gain new insight into the New Testament's meaning and significance. In addition, thirty essays on historical and religious topics--Divine Beings, Jesus in Jewish thought, Parables and Midrash, Mysticism, Jewish Family Life, Messianic Movements, Dead Sea Scrolls, questions of the New Testament and anti-Judaism, and others--bring the Jewish context of the New Testament to the fore, enabling all readers to see these writings both in their original contexts and in the history of interpretation. For readers unfamiliar with Christian language and customs, there are explanations of such matters as the Eucharist, the significance of baptism, and "original sin." For non-Jewish readers interested in the Jewish roots of Christianity and for Jewish readers who want a New Testament that neither proselytizes for Christianity nor denigrates Judaism, The Jewish Annotated New Testament is an essential volume that places these writings in a context that will enlighten students, professionals, and general readers.

    The doctrine of sanctification was one of the main fissures separating Luther from the Catholic Church. Even today different groups of Protestants disagree on how we draw closer to God. What distinguishes the different poisitions and what exactly is at stake in these recurring debates? To answer these questions Donald L. Alexander, professor of biblical theology at Bethel College, has brought together five scholars that represent each of the main historical Protestant traditions: Gerhard O. Forde on the Lutheran vew Sinclair B. Ferguson on the Reformed view Laurence W. Wood on the Wesleyan view Russell P. Spittler on the Pentecostal view E. Glenn Hinson on the Contemplative view With an introduction by Alexander and responses to each of the main essays by the other contributors, this book provides a helpful and stimulating introduction to an important doctrine of the church.

    In addition to inspiring the public prayer of the church, the Psalms are an indispensable part of the private devotions of all who seek a closer relationship with God. Most important, however, the Psalms point toward the ultimate liberation of humanity from sin, death and despair through Jesus Christ. Father Pat Reardon, drawing on his long experience as an Episcopal minister, and then as a priest in the Orthodox Church (Antiochene), has produced a work of depth and devotion. He tightly understands that one cannot truly probe the deep meaning of the Psalms unless one understands them in the light of the redemption brought by Christ. Fr. Reardon beautifully relates each Psalm to its place within the Divine Liturgy and shows us how they reveal Our Lord to us, if we prayerfully study the Psalm text.

    These concrete pictures with their hidden force have struck sharp and lasting impressions on our minds. Their imprint has etched itself on the language and grammar of Christian faith and Western culture. Why then do traditional Bible dictionaries and reference works offer so little help to explorers of the Bible's galaxy of verbal pictures? They excel in describing the climate, borders and location of Galilee or Sinai. But they are often blind to the artistic expressions and deaf to the musical meanings that echo from within the world of the biblical text. The Dictionary of Biblical Imagery is the first contemporary reference work dedicated to exploring the images, symbols, motifs, metaphors and literary patterns found in the Bible. More than that, it examines the Bible's universal archetypes or master images--including the plot motifs and character types that recur throughout life, literature and the Bible. This unique dictionary explores the dazzling variety in which the Word of God comes dressed in clothes of everyday life. It traces the trail of images from Eden to the New Jerusalem. It captures the plotted patterns of biblical narrative. It surveys the imaged texture of each book of the Bible. In short, The Dictionary of Biblical Imagery is an inviting, enlightening and indispensable companion to the reading, study, contemplation and enjoyment of the Bible.

    Incredible events, amazing love stories, larger-than-life personalities, and deep theological themes are just some of the treasures found in Joshua, Judges, Ruth, 1 & 2 Samuel, 1 & 2 Kings, 1 & 2 Chronicles, Ezra, Nehemiah, Esther.These books tell the story of the nation of Israel and the God who loves her, punishes her, and always brings this recalcitrant people back to Himself. It is really the story of all of us.David M. Howard Jr. provides an in-depth introduction to the Old Testament historical books, focusing first on the overarching themes of historical narrative in general. He then turns his attention to each book, considering topics like:Authorship and datePlace in the canonHistorical and cultural contextTheology of the bookSpecial issues pertaining to the bookFrom the conquest of Canaan to the fall of Jerusalem, from war to peace and back to war, from kings and queens to farmers and housewives—David Howard covers it all in this invaluable introduction to the Old Testament historical books.

    Contributors include: Craig Blomberg with the historical-critical/grammatical approach, Richard Gaffin with the redemptive-historical approach, Scott Spencer with the literary/postmodern approach, Robert Wall with the canonical approach and Merold Westphal with the philosophical/theological approach.

    For more than two decades, Stuart has been providing a reliable step-by-step guide on how to write an exegetical paper on the Old Testament. Now a new generation of students has an indispensable tool for serious biblical study.

    John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators." ~ G.K. Chesterton The book of Revelation was written to do just that: reveal. But most commentaries nowadays either engage in bizarre speculations about the future, or they keep an embarrassed distance from all the apocalyptic events that the apostle John says will “shortly take place.” In this commentary, Douglas Wilson provides a passage-by-passage walkthrough of the entire book, showing how John’s most notorious prophecies concern the Fall of Jerusalem in A.D. 70. Explaining symbols and characters as he goes, Wilson shows from the text that not only is this book not an elaborate code, but that Revelation is not even ultimately concerned with the end of the world as we know it. Revelation is about the triumph of the Church, which always happens when the Man comes around.

    Its portable size in no way compromises the readability of both text and critical apparatus, which retains a bold, clear font.