While ostensibly purporting to be a history of that much derided (though currently fashionable) four-letter word, 'folk', Electric Eden will be a magnificent survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake, John Martyn and Aphex Twin. For the first time the full story of the extraordinary period of folk rock from the mid 1960s to the mid 1970s will be told in a book with the breadth of a social history touching on sonic worship, pagan architecture, land art, ley lines and ther outer fringes of the avant garde. Electric Eden identifies a particularly English wellspring of imagery and imagination, an undercurrent that has fed into the creative and organic strand of Britain's music over the past century.

    He later said that he had learned more in those two years than in any other equal part of his life. The Ring of Words reveals how his professional work on the Oxford English Dictionary influenced Tolkien's creative use of language in his fictional world. Here three senior editors of the OED offer an intriguing exploration of Tolkien's career as a lexicographer and illuminate his creativity as a word user and word creator. The centerpiece of the book is a wonderful collection of word studies which will delight the heart of Ring fans and word lovers everywhere. The editors look at the origin of such Tolkienesque words as hobbit, mithril, Smeagol, Ent, halfling, and worm (meaning dragon). Readers discover that a word such as mathom (anything a hobbit had no immediate use for, but was unwilling to throw away) was actually common in Old English, but that Mithril, on the other hand, is a complete invention (and the first Elven word to have an entry in the OED). And fans of Harry Potter will be surprised to find that Dumbledore (the name of Hogwart's headmaster) was a word used by Tolkien and many others (it is a dialect word meaning bumblebee). Few novelists have found so much of their creative inspiration in the shapes and histories of words. Presenting archival material not found anywhere else, The Ring of Words offers a fresh and unexplored angle on the literary achievements of one of the world's most famous and best-loved writers.

    But how many of us can place that event in the context of the entire dramatic year in which it took place? From the death of Edward the Confessor in early January to the Christmas coronation of Duke William of Normandy, there is an almost uncanny symmetry, as well as a relentlessly exciting surge, of events leading to and from Hastings.

    Tolkien is "the most influential author of the century," and The Lord of the Rings is "the book of the century." In support of these claims, the prominent medievalist and scholar of fantasy Professor Tom Shippey now presents us with a fascinating companion to the works of J.R.R. Tolkien, focusing in particular on The Hobbit, The Lord of the Rings, and The Silmarillion. The core of the book examines The Lord of the Rings as a linguistic and cultural map and as a response to the meaning of myth. It presents a unique argument to explain the nature of evil and also gives the reader a compelling insight into the unparalleled level of skill necessary to construct such a rich and complex story. Shippey also examines The Hobbit, explaining the hobbits' anachronistic relationship to the heroic world of Middle-earth, and shows the fundamental importance of The Silmarillion to the canon of Tolkien's work. He offers as well an illuminating look at other, lesser-known works in their connection to Tolkien's life.

    Join the author, Jennifer Forest, as she takes you on an easy to read, non-academic tour of a Regency house.Jane Austen did not place her stories in palaces or on the battlefields, but in that one building so important, then and now: the home. The house, and lack of a home are key to Jane Austen’s novels. Marriage was more than just a romantic alliance for Elizabeth Bennet or Elinor Dashwood. It also meant a home of their own, and a valued role as mistress of the house and estate.But to get that home, to secure that marriage, Jane Austen’s women had to walk a tightrope of social expectation, field off competitors and rise above their embarrassing family situation, all while remaining true to themselves. Behind Jane Austen's Door takes you on a tour of a Regency house, room by room, to explore these delicate challenges and the beautiful lives of Jane Austen's women.

    Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted?Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

    Mary T. Newport has demonstrated through her care for her husband that there is hope, relief, and perhaps a cure.

    And now, Matthew Sweet's West End Front is just as teeming with the incredible cast of characters from this unique period of London's history.Meet the girl from MI5 who had the gravy browning licked from her legs by Dylan Thomas; the barman who was appointed the keeper of Winston Churchill's private bottle of whisky; the East End Communist who marched with his comrades into the air-raid shelter of the Savoy; the throneless prince born in a suite at Claridge's declared Yugoslav territory for one night only. Matthew Sweet has interviewed them all for this account of the extraordinary events that unfolded under the reinforced ceilings of London's grand hotels.Using the memories of first-hand witnesses, the contents of newly declassified government files and a wealth of previously unpublished letters, memoirs and photographs, he has reconstructed a lost world of scandal, intrigue and fortitude.

    To remedy this, and to satisfy her own curiosity about the lives of our ancestors, Liza Picard immersed herself in contemporary sources - diaries and journals, almanacs and newspapers, government papers and reports, advice books and memoirs - to examine the substance of life in mid-18th century London. The fascinating result of her research, Dr. Johnson's London introduces the reader to every facet of that period: from houses and gardens to transport and traffic; from occupations and work to pleasure and amusements; from health and medicine to sex, food, and fashion. Stops along the way focus on education, etiquette, public executions as popular entertainment, and a melange of other historical curiosities.This book spans the period from 1740 to 1770-very much the city of Dr. Johnson, who published his great Dictionary in 1755. It starts when the gin craze was gaining ground and ends just before America ceased being a colony. In its enthralling review of an exhilarating era, Dr. Johnson's London brilliantly records the strangeness and individuality of the past--and continually reminds us of parallels with the present day.

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    It is an extraordinary story, told with unique insight and authority by an author who knew the prince for more than forty years.Philip - elusive, complex, controversial, challenging, often humorous, sometimes irascible - is the man Elizabeth II once described as her 'constant strength and guide'. Who was he? What was he really like? What is the truth about those 'gaffes' and the rumours of affairs? This is the final portrait of an unexpected and often much-misunderstood figure. It is also the portrait of a remarkable marriage that endured for more than seventy years.Philip and Elizabeth were both royal by birth, both great-great-grandchildren of Queen Victoria, but, in temperament and upbringing, they were two very different people. The Queen's childhood was loving and secure, the Duke's was turbulent; his grandfather assassinated, his father arrested, his family exiled, his parents separated when he was only ten. Elizabeth and Philip met as cousins in the 1930s. They married in 1947, aged twenty-one and twenty-six.Philip: The Final Portrait tells the story of two contrasting lives, assesses the Duke of Edinburgh's character and achievement, and explores the nature of his relationships with his wife, his children and their families - and with the press and public and those at court who were suspicious of him in the early days. This is a powerful, revealing and, ultimately, moving account of a long life and a remarkable royal partnership.

    Its great stones were raised more than 4,000 years ago as a temple to the sun; its banks and ditches are older still. This new guide includes a tour and history of the site and its remarkable landscape, together with full-colour maps, plans, reconstruction drawings and historic photographs.

    HOLIDAYMAKER FIGHTS OFF AFRICAN LION IN WELSH HOTEL ROOMMAN SWALLOWS MOUSE AND DIESWIFE DRIVEN MAD BY HUSBAND TICKLING FEETPALLBEARER KILLED BY COFFIN IN GRAVEYARDLIBERALS EAT DOGFrom the newspaper archives of the British Library, Jeremy Clay has unearthed the long-lost stories that enthralled and appalled Victorian Britain.Within these pages are the riotous farces and tragedies of 19th-century life, a time when life was hard, pleasures short-lived, and gloating over other people’s misfortune a thoroughly acceptable form of entertainment.Deliciously appalling and deliriously funny, The Burglar Caught by a Skeleton will have you, one way or another, in tears …

    In 1815, the deposed emperor Napoleon returned to France and threatened the already devastated and exhausted continent with yet another war. Near the small Belgian municipality of Waterloo, two large, hastily mobilized armies faced each other to decide the future of Europe-Napoleon's forces on one side, and the Duke of Wellington on the other. With so much at stake, neither commander could have predicted that the battle would be decided by the Second Light Battalion, King's German Legion, which was given the deceptively simple task of defending the Haye Sainte farmhouse, a crucial crossroads on the way to Brussels. In The Longest Afternoon, Brendan Simms captures the chaos of Waterloo in a minute-by-minute account that reveals how these 400-odd riflemen successfully beat back wave after wave of French infantry. The battalion suffered terrible casualties, but their fighting spirit and refusal to retreat ultimately decided the most influential battle in European history.

    It tells the story of one man drifting through America, east coast to west, main stem to side street, endlessly searching for "three hots and a flop"--food and a place to sleep. Kromer scans, in first-person voice, the scattered events, the stultifying sameness, of "life on the vag"--the encounters with cops, the window panes that separate hunger and a "feed," the bartering with prostitutes and homosexuals.In "Michael Kohler," Kromer's unfinished novel, the harsh existence of coal miners in Pennsylvania is told in a committed, political voice that reveals Kromer's developing affinity with leftist writers including Lincoln Steffens and Theodore Dreiser. An exploration of Kromer's proletarian roots, "Michael Kohler" was to be a political novel, a story of labor unions and the injustices of big management. Kromer's other work ranges from his college days, when he wrote a sarcastic expose of the bums in his hometown titled "Pity the Poor Panhandler: $2 an Hour Is All He Gets," to the sensitive pieces of his later life--short stories, articles, and book reviews written more out of an aching understanding of suffering than from the slick formulas of politics.Waiting for Nothing remains, however, Kromer's most powerful achievement, a work Steffens called "realism to the nth degree." Collected here as the major part of Kromer's oeuvre, Waiting for Nothing traces the author's personal struggle to preserve human virtues and emotions in the face of a brutal and dehumanizing society.