Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award."Coel is by turns casually cruel, hilariously funny, naïve, wise and vulnerable. Her play tackles some difficult themes, including sexual assault, violence, and underachievement across generations…a serious new talent." Londonist"An engrossing, engaging and compelling one-woman show... nothing short of virtuosic." What's On Stage"A promising, resilient artist." Ché Walker

    Songs include: Heaven on Their Minds * Everything's Alright * Hosanna * Pilate's Dream * I Don't Know How to Love Him * The Last Supper * I Only Want to Say (Gethsemane) * King Herod's Song * Superstar.

    It centres on a building tenant who is mistaken for an IRA assassin.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    Breaking Bad star Bryan Cranston played the lead role in the play’s celebrated Broadway performance at the Neil Simon Theatre, for which he was awarded the Tony Award for Best Actor. In this volume, Cranston provides a never-before-published illuminating and personal introduction to the play.All The Way tells the story of the tumultuous first year of the presidency of Lyndon Baines Johnson, thrust into power following Kennedy’s assassination and struggling to hold onto the White House in an election that forces him to make concessions. In 1964, this pivotal year in American history, he passes a landmark civil rights bill, but begins his fateful descent into Vietnam. LBJ is fiercely determined to lift the country out of the ashes and rebuild it into The Great Society—by any means necessary.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    Gale has fashioned a spare but powerful tale that thrusts the indignities of slavery and the stupidity of racism out of the murky 18th century and into the here and now.—Martin Morrow, Calgary Herald

    Taking his inspiration from Dylan Thomas' Under Milk Wood, Louis de Bernières chose to celebrate his ten years of life in the south London suburb, living above a small shop that had been by turns an outlet for oversized naughty clothes for transvestites, a West Indian hairdressers and a junk shop, by writing of the people that he had known and come to love in his time there.Brilliantly capturing the myriad voices of modern Britain, with their different rhythms of speech and accents, their humour and their tragedy, jokes and gossip, de Bernières' tour de force takes us to the heart of a community and its spirit - the lives and loves, the tears and the laughter of its people.

    A former military Major, takes to politics. His motives have far more to do with vanity than patriotism, and his attempts to adapt to a situation he hardly comprehends produce highly comic results. His predicament is complicated by the unexpected arrival of his American wife who discovers two more marriages contracted without her knowledge and her husband beset by political problems.

    

    The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?

    But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.“THE BOOK OF WILL…unequivocally announces Gunderson as a playwright with whom to be reckoned. It is, quite frankly, one of the best plays I have ever seen. It will bring tears of both laughter and sorrow to all but the most jaded audience member’s eyes. It is, in a word, a triumph.” —Boulder Weekly (CO). “[Gunderson] has peopled the stage with lively, historically based characters…She paints a vivid portrait of the times in language sometimes formal, sometimes poetic and often…contemporary…She also gives a real feel for theater life and what it means to be an actor; you sense this is a work of both scholarship and love. …[THE BOOK OF WILL] serves as homage to those who sacrificed to make the first folio happen and to Shakespeare’s magnificent words.” —Westword (Denver, CO).

    As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the "Slasher" unmasked-but not before the audience has been treated to a sidesplitting good time and a generous serving of the author's biting, satiric and refreshingly irreverent wit.