Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

    This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    Dreams! in their vivid colouring of life-As in that fleeting, shadowy, misty strifeOf semblance with reality which brings To the delirious eye more lovely things Of Paradise and Love-and all our own! Than young Hope in his sunniest hour hath known. [1827, 1828]SPIRITS OF THE DEADThy soul shall find itself alone'Mid dark thoughts of the graytomb-stone--Not one, of all the crowd, to pryInto thine hour of secrecy: IIBe silent in that solitude, Which is not loneliness-for thenThe spirits of the dead who stoodIn life before thee are -againIn death around thee-and their will Shall overshadow thee: be still. IIIThe night-tho' clear--shall frownAnd the stars shall look not down, From their high thrones in the heaven, With light like Hope to mortals givenBut their red orbs, without beam, To thy weariness shall seem As a burning and a fever Which would cling to thee for ever. IVNow are thoughts thou shalt not banishNow are visions ne'er to vanishFrom thy spirit shall they pass No more-like dew-drop from the grass. VThe breeze---the breath of God-is still-And the mist upon the hillShadowy-shadowy-yet unbroken, Is a symbol and a token-How it hangs upon the trees, A mystery of mysteries!--[1827, 1839]EVENING STAR'Twas noontide of summer, And mid-time of night; And stars, in their orbits, Shone pale, thro' the lightOf the brighter, cold moon, 'Mid planets her slaves, Herself in the HeavensHer beam on the waves.On her cold smile; Too cold-too cold for me-There pass'd, as a shroud, A fleecy cloud, And I turn'd away to thee, Proud Evening Star, In thy glory afar, And dearer thy beam shall be; For joy to my heartIs the proud partThou bearest in Heav'n at night, And more I admireThy distant fire, Than that colder, lowly light.[1827]

    Combining the freshly edited texts of the Oxford Edition with lively introductions, this contemporary Shakespeare enables readers to see and read Shakespeare afresh.

    Each volume includes a critical introduction biography of the author, discussions of dates and sources, textual details, a bibliography and information about the staging of the plav. New Mermaids include plays by Beaumont, Behn, Boucicault, Chapman, Congreve, Dekker, Dryden, Etherege, Farquhar, Ford, Goldsmith, Hevwood, Jonson, Kyd, Marlowe, Marston, Massinger, Middleton, Peele, Rowley, Sheridan, Synge, Tourneur, Vanbrugh, Webster, Wilde, and Wvcherley.

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."

    With these metaphors in place, he makes clear his difficult poetic task: to delve into the past, both personal and historic, while remaining ever mindful of the potentially fatal power of language.Born and raised in Northern Ireland, where any hint of Gaelic tradition in one's speech was considered a political act, Heaney is all too aware of the dire consequences of speaking one's mind. Indeed, during times of crisis, he has been expected to appear on television and dispense political wisdom. Most often, however, he stays out of the fray and opts for a supreme sense of empathy to guide his words. As excavator--of earth, of his beloved Gaelic, of his own life--Heaney is unmatched. In "Bone Dreams", the archaeologist's task is synonymous with reaching for a cultural past: I push back through dictions, Elizabethan canopies, Norman devices, the erotic mayflowers of Provence and the ivied Latins of churchmen to the scop's twang, the iron flash of consonants cleaving the line.And in early poems like "Blackberry Picking", Heaney's images--deftly, delightfully--carry us back to childhood fields: At first, just one, a glossy purple clot Among others, red, green, hard as a knot. You ate that first one and its flesh was sweet Like thickened wine: summer's blood was in it Leaving stains upon the tongue and lust for Picking. Then red ones inked up and that hunger Sent us out with milk cans, pea tins, jam pots Where briars scratched and wet grass bleached our boots. Round hayfields, cornfields and potato drills We trekked and picked until the cans were full... Opened Ground is a pleasure and a triumph. These three decades of work confirm Heaney as one of the most important poets of his time. --Martha Silano

    Sabina's life changes drastically when she moves to beautiful Florence, where a new humanistic movement is at its artistic peak. She eventually befriends the powerful and intriguing Lorenzo de’ Medici, and begins to frequent the dazzling Medici court where she not only meets talented artists like Botticelli, but also Massimo Reni, whose charms and devilish good looks are hard to resist. This exciting story covers the most incredible period of Florentine history: from the lavish lifestyle of the Renaissance, to the fanatical rule of Savonarola, and finally the strategic restoration of Medici power via Grand Duke Cosimo I, this carefully researched novel will leave you breathless and wanting more.

    In these pages, you will find the most provocative, compelling, tragic, and triumphant moments in sports from 2007, captured by the knights of the keyboard who make sports come alive for us day after day, week after week, year after year. Here you’ll find Paul Solotaroff’s excellent and uncompromising take on the neglect that a growing number of crippled NFL players continually face from the NFL players’ union. Jeanne Marie Laskas’s “G-L-O-R-Y!” offers a rousing inside look at the pregame rituals of the Cincinnati Bengals cheerleaders. A riveting online diary by Wright Thompson reveals a bleak and merciless landscape in China, which that country’s government would rather not have the world see during preparations for the Olympics. Nack finds a place for the fascinating offbeat story as well as the sensational. Alongside Eli Saslow’s captivating article about an obscure seventeenth-century sport, similar to a giant rugby scrum, carried out in the streets of Kirkwall, Scotland, stands Franz Lidz’s “scoop of the year,” a controversial and rare look into the life of George Steinbrenner, baseball’s largest but recently most enigmatic figure. This year’s collection marks another wonderful addition to “one of the most consistently satisfying titles in the Best American series” (Booklist).Contributors include Scott Price, Rick Bragg, Gary Smith, J.R. Moehringer, and others.

    This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.

    Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    The "Handmaid's Tale" by Margaret Atwood (York Notes Advanced - NOT THE NOVEL)

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.