Wright tackles the biblical question of what happens after we die and shows how most Christians get it wrong. We do not “go to” heaven; we are resurrected and heaven comes down to earth--a difference that makes all of the difference to how we live on earth. Following N.T. Wright’s resonant exploration of a life of faith in Simply Christian, the award-winning author whom Newsweek calls “the world’s leading New Testament scholar” takes on one of life’s most controversial topics, a matter of life, death, spirituality, and survival for everyone living in the world today.

    

     Warning: This is an independent companion to The Girl on the Train, meant to enhance your experience of the novel. If you have not yet bought Paula Hawkins' novel, make sure to purchase it before buying this unofficial Sidekick. Riding the train on her daily commute, Rachel watches the picture-perfect couple she’s dubbed "Jess and Jason" as they go about their lives. But one day she sees something that changes her perception of the couple forever—and leads her deep into the darker truths that lie beneath the pretty smiles and charming houses of Blenheim Road. First published in the U.K. in 2012, The Girl on the Train is Paula Hawkins' debut novel and has already sold over seven million copies. With this Sidekick, you’ll: • Spend some more time with the characters you've come to know and love • Take a look at the novel’s underlying themes • Learn what you might have missed on your first read of The Girl on the Train • Explore a possible alternate ending and imagine ideas for a sequel • Get a chance to discuss Paula Hawkins’ The Girl on the Train with other readers Sidekicks are entertaining and insightful reading companions, filled with delightful commentary and thought-provoking questions. Readers have raved that they "really put you in touch with the many layers of the novel," "keep you entertained even longer," and are "perfect if you want a vivid understanding of the story." Designed to be read side by side with the novels they complement, they’ll give you even more reasons to love some of today’s best books.

     When Brian Doyle died of brain cancer at the age of sixty, he left behind dozens of books -- fiction and nonfiction, as well as hundreds of essays -- and a cult-like following who regarded his writing on spirituality as one of the best-kept secrets of the 21st century. Though Doyle occasionally wrote about Catholic spirituality, his writing is more broadly about the religion of everyday things. He writes with a delightful sense of wonder about the holiness of small things, and about love in all its forms: spiritual love, brotherly love, romantic love, friendly love, love of nature, and even the love of a nine-foot sturgeon. At a time when our world feels darker than ever, Doyle's essays are a balm for the tired soul. He finds beauty in the quotidian: the awe of a child the first time she hears a river, the whiskers a grieving widow misses seeing in her sink every day -- but through his eyes, nothing is ordinary. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to the glories hidden in people, places and creatures of little or no size or renown, and brought inimitably playful or soaring or aching or heartfelt language to his tellings." In a time when wonder seems to be in short supply, One Long River of Song, Doyle and Duncan invite readers to experience it in the most ordinary of moments, and allow themselves joy in the smallest of things.

    Essays (in translation) by Charles Baudelaire Stéphane Mallarmé, Paul Valéry, & André Breton shed light on Poe’s relevance within European literary tradition.These are the arcana of Edgar Allan Poe: writings on wit, humor, dreams, drunkenness, genius, madness, and apocalypse. Here is the mind of Poe at its most colorful, its most incisive, and its most exceptional.Edgar Allan Poe's dark, melodic poems and tales of terror and detection are known to readers everywhere, but few are familiar with his cogent literary criticism, or his speculative thinking in science, psychology or philosophy. This book is an attempt to present his lesser known, out of print, or hard to find writings in a single volume, with emphasis on the theoretical and esoteric. The second part, "The Friend View," includes seminal essays by Poe's famous admirers in France, clarifying his international literary importance.America has never seen such a personage as Edgar Allan Poe. He is a figure who appears once an epoch, before passing into myth. American critics from Henry James to T. S. Eliot have disparaged and attempted to explain away his influence to no end, save to perpetuate his fame. Even the disdainful Eliot once conceded, "and yet one cannot be sure that one's own writing has not been influence by Poe.""Edgar Allan Poe was and is a turbulence, an anomaly among the major American writers of his period, an anomaly to this day. He both amazed and antagonized his contemporaries, who could not dismiss him from the first rank of writers, though many felt his work to be morally questionable and in dubious taste, and though he scourged them in print regularly in the course of producing a body of criticism that is sometimes flatly vindictive and often brilliant." —Marilynne Robinson, The New York Times Review of BooksEdgar Allan Poe (1809-1849), born in Boston, Massachusetts, was an American poet, writer, editor, and literary critic. He is well known for his haunting poetry and mysterious short stories. Regarded as being a central figure of Romanticism, he is also considered the inventor of detective fiction and the growing science fiction genre. Some of his most famous works include poems such as "The Raven," "Annabel Lee," and "A Dream Within a Dream"; tales such as "The Cask of Amontillado," "The Masque of Red Death," and "The Tell-Tale Heart."

    He invites his congregation to walk out of mass in protest with him. This fails. No one listens to his sermons, and he's too old and far too embarrassed to start over.Three days later Father Pete wakes in a hospital suffering from amnesia after attempting suicide. He finds a notebook he doesn't remember filling, with entries referring to himself as Saint Peter. His entries are so outlandish he knows he's insane, but the other patients begin joining him in prayers. They thank him, claiming he's better therapy than any of the doctors. He can't figure it out. Is he crazy or is it actually his destiny to change the church? The only flock he has now are his fellow patients. Here he begins his journey to retrieve what he has forgotten--those crazy religious beliefs in his notebook entries, which look less and less crazy to him, the details of his attempted suicide, and the real Father Pete.

    And for most of them, there can be no Easter without Lent, the season that leads up to it.A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes approximately fifty readings on Easter and related themes by Thomas à Kempis, Frederick Buechner, Oswald Chambers, Alfred Kazin, Jane Kenyon, Søren Kierkegaard, Thomas Merton, Henri Nouwen, Christina Rossetti, Edith Stein, Walter Wangerin, William Willimon, Philip Yancey, and others.

    Dr. Kruger charts a course from the Trinity to the incarnation to the union of humanity with God in Jesus Christ. In that light he offers a breathtaking interpretation of our human existence as participation in the life of the Father, Son and Spirit. He uncovers the untold dignity of our ordinary humanity--from motherhood to baseball, from relationships and music to golf, gardening and designing lakes. This is a book about who we are and why we are here and what is really happening in our lives. Step by step, Dr. Kruger walks us through the stratagems of evil and the messes we make of our lives. More important, he explains why we hurt, what we are really after and how to get there, and why faith in Jesus Christ is so critical for abundant life. The Great Dance is theology at its very best--steeped in tradition, yet unfamiliar and exciting, even revolutionary; deeply personal and honest, yet universally relevant. Written with pace and poetry and winsome grace, The Great Dance is the voice of the ancient church speaking to us across the ages through the pen of a Southerner who loves life. Baxter Kruger (PhD, Kings College, University of Aberdeen) is a theologian, writer, and fishing lure designer. A native of Prentiss, Mississippi, he has worked as a minister to college students, as a lecturer in theology, and as an associate pastor. He is an avid fisherman and golfer, loves coaching little league baseball and has designed a range of fishing lures called "Dr. K's Klones". He and his wife Beth have three children -- Baxter, Laura and Kathryn.

    Showing us how a single official text was created from the proliferation of different scripts, Beal traces its path as it became embraced as the word of God and Book of books. Among his surprising insights:• Christianity thrived for centuries without any Bible—there was no official canon of scriptures, much less a book big enough to hold them all. Congregations used various collections of scrolls and codices.  • There is no “original” Bible, no single source text behind the thousands of different Bibles on the market today. The farther we go back in the Bible’s history, the more versions we find.  • The idea of the Bible as the literal Word of God is relatively new—only about a century old. Beal’s is an inspiring new take on the Bible. In calling for a fresh understanding of the ways scriptures were used in the past, he offers the chance to rediscover a Bible, and a faith, that is truer to its own history—not a book of answers but a library of questions.

    But in The Character of Virtue theologian and ethicist Stanley Hauerwas offers his real-life godson something far more precious than toys or trinkets—the gift of hard-won wisdom on life and the process of maturing. In each of sixteen letters—sent on the occasion of Laurence Wells’s baptism and every year thereafter—Hauerwas contemplates a specific virtue and its meaning for a child growing year by year into the Christian faith. Writing on kindness, courage, humility, joy, and more, Hauerwas distills centuries of religious thinking and decades of self-reflection into heartfelt personal epistles that are both timely and timeless.An introduction by Samuel Wells—Laurence’s father and Hauerwas’s friend—tells the story behind these letters and offers sage insight into what a godparent is and can be.

    The scholars of Muslims, Christians, Arya Samaj and other religions were invited to represent their religions at the conference of Great Religion. They were required to write on the following five topics on the basis of their Holy Books.1. The physical, moral and spiritual states of man2. What is the state of man after death?3. The object of man's life and the means of its attainment,4. The operation of the practical ordinances of the Law in this life and the next 5. Sources of Divine knowledge.Allah revealed to the Promised Messiah(as) that his essay will be declared supreme over all other essays. And so it was. For instance the Civil and Military Gazette, Lahore, wrote that Hadrat Ahmad's essay was the only one worth mentioning and the only one paper which was commended highly. The essay has been published in several languages in different countries.It is the best and most comprehensive introduction to Islam within the scope of the above five questions. The book was translated into English by Sir Muhammad Zafrulla Khan Sahib.

    Kaitlyn Schiess grew up in this landscape, and understands it from the inside.Spiritual formation, and particularly a focus on formative practices, are experiencing a renaissance in Christian thinking―but these ideas are not often applied to the political sphere. In The Liturgy of Politics, Schiess shows that the church's politics are shaped by its habits and practices even when it's unaware of them. Schiess insists that the way out of our political morass is first to recognize the formative power of the political forces all around us, and then to recover historic Christian practices that shape us according to the truth of the gospel.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    Psychology is the only branch of learning in which I am particularly versed. To the psychologist the religious propensities of man must be at least as interesting as any other of the facts pertaining to his mental constitution. It would seem, therefore, as a psychologist, the natural thing for me would be to invite you to a descriptive survey of those religious propensities." When William James went to the University of Edinburgh in 1901 to deliver a series of lectures on "natural religion," he defined religion as "the feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to whatever they may consider the divine." Considering religion, then, not as it is defined by--or takes place in--the churches, but as it is felt in everyday life, he undertook a project that, upon completion, stands not only as one of the most important texts on psychology ever written, not only as a vitally serious contemplation of spirituality, but for many critics one of the best works of nonfiction written in the 20th century. Reading The Varieties of Religious Experience, it is easy to see why. Applying his analytic clarity to religious accounts from a variety of sources, James elaborates a pluralistic framework in which "the divine can mean no single quality, it must mean a group of qualities, by being champions of which in alternation, different men may all find worthy missions." It's an intellectual call for serious religious tolerance--indeed, respect--the vitality of which has not diminished through the subsequent decades.

    But the truth is different: literature and art are pathways of feeling, and our encounter with them is social, inscribing us in a larger community.... Through art we discover that we are not alone.”So writes the esteemed Brown University professor Arnold Weinstein in this brilliant, radical exploration of Western literature. In the tradition of Harold Bloom and Jacques Barzun, Weinstein guides us through great works of art, to reveal how literature constitutes nothing less than a feast for the heart. Our encounter with literature and art can be a unique form of human connection, an entry into the storehouse of feeling.Writing about works by Sophocles, Shakespeare, Dickens, Charlotte Brontë, Munch, Proust, O’Neill, Burroughs, DeLillo, Tony Kushner, Toni Morrison, and others, Weinstein explores how writers and artists give us a vision of what human life is really all about. Reading is an affair of the heart as well as of the mind, deepening our sense of the fundamental forces and emotions that govern our lives, including fear, pain, illness, loss, depression, death, and love.Provocative, beautifully written, essential, A Scream Goes Through the House traces the human cry that echoes in literature through the ages, demonstrating how intense feelings are heard and shared. With intellectual insight and emotional acumen, Weinstein reveals how the scream that resounds through the house of literature, history, the body, and the family shows us who we really are and joins us together in a vast and timeless community.From the Hardcover edition.