Covers the Scottsboro case since its inception as a 1931 freight car incident, accentuating national and international ramifications.

    In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral life--and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R.D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life. Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.

    Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.

    And in this quiet moment, the conversation turns to past cases they can never forget…a short story in the Murphy and Rossi series

    The film of Another Girl opens on all streaming platforms on September 14, 2021. It stars Sammi Hanratty and Peter Gadiot.

    ❝Until my name is the only thing you remember. ❞ ━━━━━━━━━━━━━━━━━To start over. That's what Alex Rose needed, after that night. That's what drove her out of her home in London, to New York, halfway across the world, to start her second year of college in North Regal University. A whole new world greets her, new people, a gorgeous city, new experiences. Perfect to start over, to forget. To leave the demons of her past far behind. Hunter Triton. The boy with tattoos on his skin, and scars on his heart. Disconnected from reality, wrapped up in his own demons. No one could really figure him out. A silver eyed, cold hearted soccer player who likes to throw punches in his free time isn't one of the things Alex expected to come across. The things that happen when two damaged people with dark pasts, terrible secrets and demons to battle, collide... Will they make or break each other?

    She’s taking him somewhere safe. In the forest ahead lies a house full of children like him—children whose parents have been diagnosed like her. Mentally ill. The Cradle—a government organization hellbent on eradicating the condition—believe they have the ultimate solution. Like any other disease, they seek to quarantine it. Entire families ripped apart and placed in asylums. Total removal from the gene pool, they say. For the future of humanity… Now Emmett can’t decide what’s more frightening: this new home where he’ll supposedly be safe, hidden from The Cradle and its horrific reputation… …or the ideas in his mother’s head which led them there in the first place.

    Hailed by the New Society as the best book on male working class youth, this classic work, first published in 1977, has been translated into several foreign languages and remains the authority in ethnographical studies.

    It’s highly infectious, incredibly lethal, and turns the recently deceased into fast moving zombies with a taste for human flesh. Rookie officer Lacy Sparks is thrust into the action when she is assigned to a federal strike force tasked with preventing the outbreak from becoming a full blown pandemic. It’s a race against the clock as she and her team struggles to survive against the growing forces of the undead.

    Putting people into places and situations unprecedented in history is stirred the imagination while the human experience was expanding and redefining. Yet, space exploration compels humans to confront a hostile environment of cosmic radiations, radical changes in the gravity and magnetic fields, as well as social isolation. Therefore, any space traveller is submitted to relevant health-related threats. In the twenty-first century, human space flight is poised to continue, but it will enjoy the ongoing developments in science and technology. It will become more networked, more global, and more oriented toward primary goals. A novel international human space flight policy could help achieve these objectives by clarifying the rationale, the ethics of acceptable risk, the role of remote presence, and the need for balance between funding and ambition to justify the risk of human lives. In order to address such a challenge, a preliminary careful survey of the available scientific data is mandatory to set forth adequate countermeasures. Envisaged solutions should provide a sound and technically feasible approach for counteracting microgravity and cosmic rays effects, which represent the main health risk for space crews. This objective must necessarily be sustained by national/international space agencies, which would coordinate their common efforts into a defined international spaceflight program.

    I knew he would never stop, so I just had to do what I could to survive." Mandy Thomas was just 18 when she met the man who would change her life forever. She was soon under his spell – and then her real nightmare began. Mandy found herself part of a cruel and violent relationship that she couldn’t escape. Until one day he went too far… You Can’t Run is Mandy’s searingly honest and moving true story.

    While public outrage over sweatshops builds in intensity, this book shows us who these workers really are and how they are leading campaigns to fight for their rights.In-depth, accessible analyses of the immigration, labor, and trade policies, which together have forced these women into the most dangerous, poorly paid jobs, dovetail with vivid portraits of the women themselves. Louie, a longtime writer/activist and well-known figure in feminist, immigrant, and labor circles, is uniquely poised to make her case: that the labor of immigrant women worker-activists not only sustains families and communities, but the vibrant social activism that undergirds democracy itself.With chapters on successful campaigns against Levi-Strauss, Donna Karan, and restaurants in Los Angeles; Koreatown, among others.Miriam Ching Yoon Louie is a longtime writer/activist in campaigns to organize women of color. She is national campaign media director of Fuerza Unida, a board member of the Women of Color Resource Center, and former media director of Asian Immigrant Women Advocates. Her essays and articles on immigrant women and labor issues have been widely anthologized, including in the 1997 collection Dragon Ladies: Asian American Feminists Breathe Fire (South End Press) and she speaks at public events internationally. She is the co-author, with Linda Burnham, of Women’s Education in the Global Economy (Women of Color Resource Center, 2000).

    Bird Lives! will stand for a long time as a major source of information and illumination not only of the great musician with whom it deals but of the entire jazz life in this society."--Ralph Gleason"Inspired by great affection and dedication, Bird Lives! provides a vivid and accurate picture not only of the saxophonist-composer as artist and human being but of his zeitgeist and the musical/social setting that produced him. Parker was an immensely complex personality; saint and satyr, loving father and footloose vagabond, with a limitless appetite for sex, music, food, pills, heroin, liquor, life. A man of vast influence, the most admired and imitated creator of the mid-1940s bop revolution, he was forced to work in dives, reduced to bumming dollars when he should have been respected as a reigning virtuoso. . . . A sensitive, penetrating portrait."--Leonard Feather, Los Angeles Times"One of the very few jazz books that deserve to be called literature . . . perhaps the finest writing on jazz to be found anywhere. . . . Those aware of Parker's genius cannot do without this book."--Grover Sales, Saturday Review

    

    As a matter of fact, it seems that is all she has been in the twenty-plus years she and her husband, Edward, have been married. But the kids are grown and out of the house, and she's ready to live a few dreams of her own. Edward, however, would like to keep things just the way they are, and Denise realizes that if she doesn't do something drastic, then all she will ever be is a mother and wife. When Denise drops the bomb at Thanksgiving dinner that she is leaving Edward and selling the house, everyone is stunned, and her announcement opens the door to Morrison Family Dysfunction 101. Edward moves in with his crazy Aunt Etta, their daughter Christine moves back home when she suspects her husband is cheating on her, and their son Anthony is simply dazed and confused. In the midst of it all, Edward hatches a plan to get his wife back. Not only does he plan to be back at home and in their bed, but he also knows that, come Christmas, he and Denise will be...Rockin' Around That Christmas Tree.