Dangerous.They suspect you want to steal another baby.All you know is that you must find your own child before he's out of reach forever.And you're a doctor - you would know if you were losing your mind.Right?

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.

    Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.Jane explores the nature of this haunting incident via a collage of poetry, prose, and documentary sources, including newspapers, related "true crime" books, and fragments from Jane’s own diaries written. Each piece in Jane has its own form that serves as an important fissure, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Part elegy, part memoir, detective story, part meditation on violence, and part conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, expands the notion of what poetry can do—what kind of stories it can tell, and how it can tell them.

    . .Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

    Anya Crichton.The only female freelancer in the male-dominated field, pathologist Dr. Anya Crichton will take any work she can find to pay child support and her mortgage, get her new business off the ground, and battle her ex-husband for custody of their three-year-old son. Things turn around rapidly, however, when her expert forensic evidence is instrumental in winning a high-profile case -- and new work offers start pouring in.But Anya's investigation into the drug overdose of a young Lebanese girl is raising troubling questions. Startling coincidences between this sad and tragic death and a series of seemingly unrelated suicides that Anya is also examining at the urging of her friend and colleague, detective sergeant Kate Farrer, suggest that there's a monumental evil at work in the shadows. With each scalpel cut, Anya Crichton's forensic prowess and deductive brilliance are pulling her relentlessly toward a sinister plot and a devastating truth -- and once she enters the lethal darkness, she may never again see the light of day.

    Things started to unravel for Gerard Baden-Clay the night his wife Allison vanished. Within days everything private would become public. Behind the façade of happiness their life together was riven with debt, infidelity, unfulfilled dreams, and bitter jealousy. It began with a phone call to police in Brisbane on April 20, 2012. Gerard wanted to report his wife missing. When officers arrived to investigate, they found the real estate agent neatly dressed for work. Weeping welts on the side of his face were simply shaving cuts, he told them. Police weren’t so sure and opened the book on one of Australia’s biggest-ever missing persons investigations, conducted in the heart of one of Brisbane’s wealthiest suburbs. The Baden-Clays had been married 14 years. They had three young daughters and were prominent figures within their well-heeled community. Gerard was the great grandson of Scouting founder Robert Baden-Powell, president of the local chamber of commerce, and vice-president of the school P & C. His wife Allison was a one-time beauty queen who spoke six languages and was global human resources manager for a travel firm when she gave it all away to marry the man of her dreams. Together they made their home in Brookfield, an idyllic semi-rural suburb, but all was not as it seemed. 10 days after Gerard reported her missing, Allison’s body was discovered on a creek bank 14km from her home. This is the definitive story of a crime that captured the nation—the unbelievable twists, turns, secrets, and lies. Written by the journalist who covered the case from the outset, it weaves together exclusive interviews and police and court records to explain how a father with no criminal history came to be on trial for a brutal murder. It’s a story about love, lust, image, ambition, and marriage, and about every day choices and their consequences.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    And we come together – right there in the darkness. And even though there is no way to be certain of any other thing in the world, I am certain that I would risk anything to keep what is between the two of us. For love, I would risk anything, lose everything.Out of the Silence is a stunning debut novel about three Australian women from very different worlds: Maggie Heffernan, a spirited working-class country girl; Elizabeth Hamilton, whose own disappointment in love has served only to strengthen her humanity; and Vida Goldstein, a charismatic suffragist from Melbourne and the first woman to stand for Parliament in Australia.When Maggie’s life descends into darkness after a terrible betrayal, the three women’s lives collide. Around this tragedy Wendy James has constructed a masterfully drawn and gripping fiction. Based on a true story, it unfolds at the dawn of the twentieth century against the compelling backdrop of the women’s suffrage movement and a world on the brink of enormous change.The novel powerfully evokes the plight of women in the early 1900s – not least their limited options, whatever their class and education. However, at its heart this is a story of love – of love gone wrong; of its compromises and disappointments; but ultimately of its extraordinary transformative power.WINNER OF THE BEST FIRST AUSTRALIAN CRIME NOVEL, NED KELLY CRIME AWARDS 2006SHORTLISTED FOR THE DOBBIE LITERARY AWARD 2006 FOR BEST FIRST NOVEL BY A FEMALE AUTHOR

    But she knows who you are…Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick.When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible—does she already know what Suzi did?Meanwhile, Elle spends her days in her perfect home, fixated on keeping up appearances. But when her husband betrays her, it unravels a secret going all the way back to her childhood. She’ll do whatever it takes to hold on to him, even if that means murder. After all, she’s done it before…Caught up in their own secrets and lies, these strangers will soon realise they have more in common than they could ever have imagined. When a shocking event brings them together, their lives will never be the same again.

    Like Helen Garner, she has a steady, careful eye, and uses it to bring back news of glorious, rackety life.’Susan JohnsonMe: ‘Are you going to be a good boy this year?’Boomer: ‘Uh huh. I have no interest in toilet humour.’Me: ‘You don’t?’Boomer: ‘No. No interest at all. I mean, I think “it’s funny”when, in The Bad Book, Terence takes off all his clothes.And when Horrid Henry shows his undies. But I wouldthink to myself, “That is something I should not do”.’Between juggling work, joint custody and the ordinary demands of motherhood, Jo tries to work out why her son Leo (aka Boomer) is finding it hard to fit in. His wit wins him friends, but the rituals of friendship—like learning to compromise—are proving challenging. Is it because he’s an only child? Could he be gifted?When Leo is diagnosed with Asperger’s Syndrome, Jo fears what it means—and sees herself, and her family, through new eyes. Trapped in a cycle of doubt and discovery, she wonders how you can stay true to who you are and fit in. What the hell is ‘normal’ anyway?This is the bittersweet story of a twenty-first-century family, and why being different isn’t a disability—it just takes some getting used to.

    But her world changed forever when her troubled ex-partner, Greg Anderson, killed Luke in an horrendous attack at the local cricket ground in February that year. Rosie had suffered years of family violence, and had intervention orders in place in an effort to protect herself and her son. She believes the killing was Greg's final act of power and control over her. But Rosie would not be silenced. Since the events of last February, she has become an outspoken crusader against family violence, winning hearts and minds all over Australia with her compassion and her courage. In January 2015, she was named Australian of the Year.

    This B format edition is fully updated, bringing all the cases covered up to the minute.They used to be known as mass murderers, spree killers or repeat offenders. Now the world knows them as serial killers - murderers that kill on compulsion again and again until they are finally brought to justice.Australia's dark history of homicide has its own chamber of horrors; a rollcall that includes some of the most unique cases of serial murder in the world.A recognised authority on Australia's most notorious criminals, Paul B. Kidd covers in unwavering detail 33 true stories of serial murder. In this gallery of infamy are world-renowned serial killers, the likes of the Night Caller, the Mutilator and the Granny Killer; serial poisoners such as the 'Rough on Rats' Killer; and serial child killers such as the Angel of Death and the Carbon Copy Killer.Sixteen years in the researching, this comprehensive and ambitious work includes psychological opinions, courtroom trials, detailed confessions, and exclusive prison interviews with three of Australia's most infamous serial killers.But be warned: the murders in this book are horrifying, graphic and unforgettable - it is not for the faint-hearted.

    government. You have to remember because Harvard doesn't let you forget.1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.   Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

    Confronting, revealing and candid, the book traces his life from adoption towards the end of World War II, to a most unusual childhood on Sydney's North Shore, to his fascination with Russia and his time spent studying in Cold War Moscow, and to his years spent criss-crossing the globe from Kashmir to Peru on various study trips. But a life that might have been exciting to others, to Robert was empty at its core. Constantly haunting him was the realisation that there was a "shaft of silence" running through his being - the question of who his natural mother was and what his origins were. A story of coming to terms with a new identity.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.