The material was recorded while he was on Iora, a technically advanced world as the holocaust virus struck it. She is to review all materials and create a report that includes insights into the young pilot's personality, strategic information about Iora and any other details that could help Haven Fleet. Before long, Alice becomes personally invested in the plight of her subject, and makes discoveries that could change her forever. Meanwhile, a permanent government is taking hold in Haven Shore, and the Fleet is undergoing one last shakeup that could break the Apex class apart. All the while Alice is left to wonder where her father and his ship, the Revenge have gone while they wait for the rest of their active fleet to return from the Iron Head Nebula. The Spinward Fringe saga continues in Carnie's Tale, the connective tissue between Spinward Fringe Broadcast 10: Freeground and Spinward Fringe Broadcast 11: Revenge, telling Alice's story between those books from a more personal perspective. Version 2.

    

    Before Poirot can begin to assess the clues, a second corpse is found, murdered in the same way as his client. &A crime novel in which two desperate youngsters, short of money and restless for excitement, place an advertisement saying they are willing to do anything and to travel anywhere, but their first assignment for a sinister client plunges them into more danger than they could have imagined.

    Now, at 53, he is a fixture. But he is beginning to fear death, alone and vulnerable in the alien tropics. And Jack still dreams of success. How can he convert his "perfect dream of magic" into reality, away from the seamy waterfront that has become his home? A funny and sophisticated novel from an acclaimed and popular writer.

    Supernatural detective Jack Nightingale is called in to investigate a young girl who appears to be possessed by an evil spirit.

    A young investigator with a secret informant. The electrifying new thriller.Lacy Stoltz never expected to be in the firing line. Investigating judicial misconduct by Florida's one thousand judges, her cases so far have been relatively unexciting. That's until she meets Greg Myers, an indicted lawyer with an assumed name, who has an extraordinary tale to tell.Myers is representing a whistle blower who knows of a judge involved in organised crime. Along with her gangster associates this judge has facilitated the building of a casino on an Indian reservation. At least two people who opposed the scheme are dead. Since the casino was built, the judge has made several fortunes off undeclared winnings. She owns property around the world, hires private jets to take her where she wishes, and her secret vaults are overflowing with rare books, art and jewels.No one has a clue what she's been doing - until now.Under Florida law, those who help the state recover illegally acquired assets stand to gain a large percentage of them. Myers and his whistle blower friend could make millions.But first they need Lacy to start an investigation. Is she ready to pit herself against the most corrupt judge in American history, a judge whose associates think nothing of murder?

    This edition brings together some of the best horror writers from the last few decades. Featuring stories from Ray Garton, Kelley Armstrong, Simon Clark, Gord Rollo, Chad Lutzke, Mike Duke, Christina Bergling, David Owain Hughes, P. Mattern & Kevin J. Kennedy.

    Though already a widely acclaimed novelist, the author of such modern classics as "The Orchard Keeper" and "Child of God," McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished "The Gardener's Son," a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, "The Gardener's Son" recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.Set in Graniteville, South Carolina, "The Gardener's Son" is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family. Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

    It it impossible is to resist quoting passages from this novel, given the author’s brilliant insights into character, wonderful literary flourishes and stunning demonstration of what is meant by inspired writing." - Humber School for Writers. A savage, brilliant, hilarious attack on modern hypocrisy, "The God of Atheists" follows the downfall of three men who wake up one morning and decide to take what they have not earned. Al, a down-and-out music producer, bullies his handsome son into forming a boy-band. Alder, an obscure academic, steals a brilliant idea from a grad student. As they exploit the talents of the naïve youths around them, their fame and wealth increase – but they become more and more terrified of exposure and destruction...

    It includes Urth humor and a lexicon of the words he used (every one of which is/was an actual word used at one time--a well known trait of Gene.) A must have, though a hard find, for any Gene Wolfe fan. And if you're not a fan, go be one, okay? It's way worth it.

    Scott Fitzgerald’s ongoing lush fantasies about the extremes of wealth with his much more somber understanding of what underpins it.  Loosely inspired by a summer he spent as a teenager working on a ranch in Montana, The Diamond as Big as the Ritz is Fitzgerald’s hallucinatory paean to the American West and all its promises.It’s the story of John T. Unger, a young Southerner who goes to Montana for summer vacation with a wealthy college classmate. But the classmate’s family proves to be much more than simply wealthy: They own a mountain made entirely of one solid diamond. And they’ve gone to dreadful lengths to conceal their secret … meaning John could be in danger.But the family also has a daughter, lovely Kismine, and with her help, John may yet escape the fate her family has meted out to all their other guests so far …

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    The Tafoyas include a physician philosopher, a radical daughter with a degree from Bryn Mawr, a clumsy, stupid son, and a governor of New Mexico. From these elements Bradford creates a story as funny and tender as RED SKY AT MORNING, also set in New Mexico, also well worth reading.

    

    This world of total human experience is the world that is (or at least ought to be) reflected and molded by the arts, above all by the art of literature. "What is the function of literature," Mr. Huxley asks, "what its psychology, what the nature of literary language? And how do its function, psychology and language differ from those of science? What in the past has been the relationship between literature and science? What is it now? What might it be in the future? And what would it be profitable, artistically speaking, for a twentieth-century man of letters to do about twentieth-century science?"Ours is the Age of Science; but from a study of the best contemporary literature one would find it difficult to infer this most obvious of facts. Contemporary poetry, drama and fiction contain remarkably few references to contemporary science—few references even to the metaphysical and ethical problems which contemporary science has raised. That this state of affairs should somehow be remedied is the theme of every recent discussion of "the Two Cultures." unfortunately most of these discussions have been carried on in abstract terms and with almost no citations of case histories, no references to the concrete problems of literary and scientific writing, no illustrative examples. Mr. Huxley has approached the subject in a different way. He deals with specific questions in the fields of immediate experience, of conceptualization, of philosophical interpretation and of verbal expression; and he illustrates these wide-ranging themes with copious quotations, drawn from a great variety of sources. He analyzes the nature of literary language and contrasts its many-meaninged richness with the simplified and jargonized language of science. He shows how the poets of earlier centuries made use of the scientific knowledge available to them. He gives examples of the ways in which modern science has modified and added to the traditional raw materials of literature. And he concludes with a speculative discussion of the ways in which future men of letters may work up the raw materials of brand new fact and revolutionary hypothesis provided by science, transfiguring them into a new kind of literature, capable of expression and at the same time coordinating and giving significance to the totality of an ever-widening human experience.