But he soon finds himself struggling to keep the peace between three feisty fellow judges who have very different views about how to do their job, and about how Charlie should do his.And as if that’s not enough, there’s the endless battle against the ‘Grey Smoothies’, the humourless grey-suited civil servants who seem determined to drown Charlie in paperwork and strip the court of its last vestiges of civilisation.No hope of a quiet life then for Charlie, and there are times when his real job – trying the challenging criminal cases that come before him – actually seems like light relief. If you like Rumpole of the Bailey, you'll love Walden of Bermondsey Praise for Walden of Bermondsey 'No one writes with more wit, warmth and insight about the law and its practitioners than Peter Murphy. He has no equal since the great John 'Rumpole' Mortimer' - David Ambrose'Though his exasperation is sometimes palpable, what triumphs over everything is his sense of humour. And it is the humour that makes Walden of Bermondsey such a delightful read. Think of him as what Rumpole would be like if he ever became a judge, and you get some idea of his self-deprecating wit and indomitable stoicism. Add a dash of Henry Cecil for his situation and AP Herbert for the fun he has with the law, and you get a sense of Peter's literary precedents' - Paul Magrath

    By a freakish stroke of good fortune, Win Yah dodges the bullet that would have exploded his skull. Wounded by a mine, Eli is captured, brutally beaten and taken into the forest to be executed. Gabriel must find her, evade recapture by the warlord’s heavily-armed gang, and get her to safety. Only then can he return to finish what Eli started. This 25,000 word novella from best-selling thriller author Andy Maslen kicks off with high-powered action and doesn’t let up until the final page. Mines litter the forest - and the plot - causing trouble for everyone who wanders off the path. How you’re helping Cambodia’s poorest children get a decent start in life Andy wrote Minefield after visiting a rural school in northern Cambodia, whose grounds were carved out of a minefield. He is donating all royalties from the book to the Ponheary Ly Foundation (PLF). The PLF was set up by Ponheary Ly, herself a survivor of the Cambodian genocide. It gives vulnerable children an education, as well as a full belly and a real chance of making the most of their potential.

    Always intellectually playful, but also very moving and funny, Smith explores the ways and whys of storytelling.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    Some of her most acclaimed work is set there. Collected in this volume are "The Light in the Piazza, " which is her signature piece, and six other Italian tales in which her American characters encounter and respond to the mysteries of Italian mores. Her plots are so alluring and enigmantic that the great Boccaccio would have been charmed by their delightful ironies and their sinister contrasts of dark and light. Elizabeth's Spencer's exceptional artisty has merited renown for her as one of America's best writers of short stories.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    These stories crackle with humor, intelligence and style and add up to an outrageously funny, unforgettable debut.Sam the cat --Not this --The royal palms --Linda's daddy's loaded --There should be a name for it --Issues I dealt with in therapy --European wedding

    An actor, phased out of Hollywood for his Communist ties during McCarthyism, tries to share a meaningful moment with his son. An Israeli soldier comes of age when his brother is maimed on their communal farm. A gallerist, swept up by the 1970s dissident art movement, begins smuggling paintings out of Moscow and curating underground shows in her Jerusalem home. This is a rare collection as accomplished at capturing our soaring triumphs as it is our crippling defeats--a hopeful reminder that we are all closer and more capable than we sometimes feel.

    The stories are gorgeous in themselves, but the way they speak to each other is truly extraordinary.”—Elizabeth McCracken, author of An Exact Replica of a Figment of My Imagination From the author of the acclaimed memoir The Suicide Index, a virtuosic collection of stories, each a stirring parable of the power of love and the impossibility of understanding, much less controlling, it. In these seven beautifully wrought variations on a theme, a series of characters trace and retrace eternal yet ever-changing patterns of love and longing, connection and loss. The stories range over centuries and continents—from eighteenth-century Vienna, where Mozart and his librettist Da Ponte are collaborating on their operas, to America in the 1940s, where a love triangle unfolds among a doctor, a journalist, and the president’s wife. A race-car driver’s widow, a nursing-home resident and her daughter, a paralyzed dancer married to a famous choreographer—all feel the overwhelming force of passion and renunciation. With uncanny emotional exactitude, Wickersham shows how we never really know what’s in someone else’s heart, or in our own; how we continually try to explain others and to console ourselves; and how love, like storytelling, is ultimately a work of the imagination.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    In dystopias that are exaggerated versions of the world in which we live, these characters strive for intimacy and struggle to resolve their fraught relationships with each other, with themselves, and with their place in the natural world. We meet a wealthy woman who purchases a high-tech sex toy in the shape of a man, a rowdy, moody crew of college students who resolve the energy crisis, and orphaned twin sisters who work as futuristic strippers--and we see that no one is quite who they appear.

    Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world’s violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she’s hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.

    Miyake is an older man with an obsession in building the perfect bonfire. He befriends Junko, a young woman who lives with her boyfriend Keisuke and is estranged from her family. Whenever Miyake is going to light a bonfire, he calls Junko to come down and watch it burn; and the two of them have an unusual connection. Junko’s boyfriend, Keisuke, is a musician who lives in the here and now and has difficulty understanding Miyake and Junko’s relationship.Much of the story revolves around a philosophical discussion between Miyake and Junko. It is important to understand that Murakami wrote this story shortly after the Kobe earthquake; and the themes of death, an uncertain future and the larger meaning of life resonate throughout the prose.