The first is “visions.” As the dying lose sight of this world, some people appear to be looking into the world to come.     The second shared experience is getting ready for a “trip.” The phenomenon of preparing oneself for a journey isn’t new or unusual. In fact, during our loved ones’ last hours, they may often think of their impending death as a transition or journey. These trips may seem to us to be all about leaving, but for the dying, they may be more about arriving.     Finally, the third phenomenon is “crowded rooms.” The dying often talk about seeing a room full of people, as they constantly repeat the word crowded. In truth, we never die alone. Just as loving hands greeted us when we were born, so will loving arms embrace us when we die.     In the tapestry of life and death, we may begin to see connections to the past that we missed in life. While death may look like a loss to the living, the last hours of a dying person may be filled with fullness rather than emptiness. In this fascinating book, which includes a new Afterword, Kessler brings us stunning stories from the bedsides of the dying that will educate, enlighten, and comfort us all.

    As 1990 Nobel Laureate Octavio Paz makes clear in his book-length study, Hieroglyphs of Desire (translated by Esther Allen), Villaurrutia is a major poet of desire whose beloved is the death we live each day. His poems define life between the nocturnal and diurnal and have taken on added poignancy as uncanny prophecies of individual lives in the age of the AIDS epidemic.

    Ford, New York Times bestselling author of Somebody's Daughter"Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through."--Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul Baby"From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning."So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it.At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.

    Includes resources for both groups and individuals.

    I’m now tempted to believe that Blake himself has sent us Derrick Austin and his remarkable collection, Trouble the Water. At once gospel and troubadour song, these deeply spiritual and expansively erotic poems are lucid, unflinching, urgent. This is an extraordinary debut." —Mary Szybist, winner of the National Book AwardRich in religious and artistic imagery, Trouble the Water is an intriguing exploration of race, sexuality, and identity, particularly where self-hood is in constant flux. These intimate, sensual poems interweave pop culture and history—moving from the Bible through several artistic eras—to interrogate what it means to be, as Austin says, fully human as a “queer, black body” in 21st century America.

    Through stories, this book helps readers become more comfortable with a faith full of truth and mystery.

    . . . A masterpiece.” —Margaret Atwood“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster WallaceBy now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

    In these pages I’m picking up where I left off. After each day of sharing the instructions you should feel free to question, discuss and/or report what your mind tells you. I’m just planting the seeds. Have fun. —Yoko Ono, from the introduction to AcornIn Acorn, renowned artist and political activist Yoko Ono offers intriguing, enchanting exercises to open our eyes on better ways of relating to ourselves, each other, and the planet we co-habit. Throughout the book are drawings by Yoko, many never before seen.

    20 pages of photos.

    We knew this instinctively as kids, but somehow forgot on the way to adulthood. We got busy and overwhelmed, started valuing things that don't matter, and learned to follow the rules that don't even exist:hate mondaysonly celebrate when the calendar gives you permissiondon't make a messdon't play hookyhide your weirdnesshide your wrinklescare what other people thinkFollowing these so-called rules is a terrific way to stress you out, sap your energy, and ensure a boring life. But there's a better way. In his enlightening book, author and artist Jason Kotecki uncovers some of the most useless rules so you can shift perspective and start seeing the world with wonder once again.It's time to stop living by someone else's rules. Your life is a story, and a short one at that. Make it a good one.

    4 BC–65 AD). He counseled readers to “study death always,” and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca’s remarkable meditations on death and dying. Edited and translated by James Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life’s final rite of passage, and its ability to liberate us from pain, slavery, or political oppression.Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.

    They’ve endured the battle of the medical system as they sought cures for their illnesses, and are now settling in to die. Some reconcile, some don’t. Some are gracious, some not. As Nina Angela McKissock, a highly experienced hospice nurse, goes from home to home and within the residential hospice, she shares her journey of deep joy, humorous events, precious stories, and heartbreaking love.Free of religiosity, dogma, or fear, From Sun to Sun brings readers into McKissock’s world—and imparts the profound lessons she learns as she guides her beloved patients on their final journey.

    In it a young man teaches his entire family “a new way to die” with wit, candor, and, always, remarkable grace. This emotionally riveting account probes the heart without sentimentality or self-pity. As the book opens, Richard Lischer’s son, Adam, calls to tell his father, a professor of divinity at Duke University, that his cancer has returned. Adam is a smart, charismatic young man with a promising law career, and an unlikely candidate for tragedy. That his young wife is pregnant with their first child makes the disease’s return all the more devastating. Despite the crushing magnitude of his diagnosis and the cruel course of the illness, Adam’s growing weakness evokes in him an unexpected strength.  This is the story of one last summer and the young man who lived it as honestly and faithfully as possible. We meet Adam in many phases of his growing up, but always through the narrow lens of his undying hope, when in the final season of his life he becomes his family’s (and his father’s) spiritual leader. Honest in its every dimension, Stations of the Heart is an unforgettable book about life and death and the terrible blessing of saying good-bye.

    The painter Amos Roselli is in love with his life-long friend and model, the beautiful Daphne - and she with him - until one day she is discovered by another man, a powerful and wealthy industrialist. What will happen when Daphne realises she has sacrificed her happiness to a loveless marriage? What will happen when the artist realises he has lost his most cherished source of inspiration? And how will they negotiate the ever-increasing frequency of strange and bizarre events that seem to be driving them relentlessly towards self-destruction. Here, amid the extravagant Neo-Gothic culture of Victorian England, the iconic poem 'The Lady of Shalott' blends with mysterious and ghostly glimpses of Tudor history. Romantic, atmospheric and deeply dark.[image]Video TrailerAlthough it is set in Victorian England the characters are "haunted" by the story of Henry VIII and his second wife, Anne Boleyn, the queen who was executed on false charges of adultery. It is almost as if events are repeating themselves, but how will this story end? Will it be as tragic as Anne Boleyn's? Claire Ridgeway, theanneboleynfiles.com

    We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.