More and more of us live in gated communities; prison populations have skyrocketed; and issues such as racial profiling, community policing, and "zero-tolerance" policies dominate the headlines. How is it that our response to crime and our sense of criminal justice has come to be so dramatically reconfigured? David Garland charts the changes in crime and criminal justice in America and Britain over the past twenty-five years, showing how they have been shaped by two underlying social forces: the distinctive social organization of late modernity and the neoconservative politics that came to dominate the United States and the United Kingdom in the 1980s.Garland explains how the new policies of crime and punishment, welfare and security—and the changing class, race, and gender relations that underpin them—are linked to the fundamental problems of governing contemporary societies, as states, corporations, and private citizens grapple with a volatile economy and a culture that combines expanded personal freedom with relaxed social controls. It is the risky, unfixed character of modern life that underlies our accelerating concern with control and crime control in particular. It is not just crime that has changed; society has changed as well, and this transformation has reshaped criminological thought, public policy, and the cultural meaning of crime and criminals. David Garland's The Culture of Control offers a brilliant guide to this process and its still-reverberating consequences.

    Service providers, bureaucrats, and employers exhort them to be self-reliant, individualistic, and free, even as the system and the culture constrain them within terms of ethnicity, race, and class. Buddha Is Hiding tells the story of Cambodian Americans experiencing American citizenship from the bottom-up. Based on extensive fieldwork in Oakland and San Francisco, the study puts a human face on how American institutions—of health, welfare, law, police, church, and industry—affect minority citizens as they negotiate American culture and re-interpret the American dream.In her earlier book, Flexible Citizenship, anthropologist Aihwa Ong wrote of elite Asians shuttling across the Pacific. This parallel study tells the very different story of "the other Asians" whose route takes them from refugee camps to California's inner-city and high-tech enclaves. In Buddha Is Hiding we see these refugees becoming new citizen-subjects through a dual process of being-made and self-making, balancing religious salvation and entrepreneurial values as they endure and undermine, absorb and deflect conflicting lessons about welfare, work, medicine, gender, parenting, and mass culture. Trying to hold on to the values of family and home culture, Cambodian Americans nonetheless often feel that "Buddha is hiding." Tracing the entangled paths of poor and rich Asians in the American nation, Ong raises new questions about the form and meaning of citizenship in an era of globalization.

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    Philip Larkin's second collection, The Less Deceived was published by The Marvell Press in 1955, and now appears for the first time in Faber covers.The eye can hardly pick them out From the cold shade they shelter in, Till wind distresses tail and mane; Then one crops grass, and moves about - The other seeming to look on - And stands anonymous again.from 'At Grass'

    Sonia was 11 years old when her family and other Polish Jews were herded into ghettos and forced to live in treacherous conditions that often led to death. Of the 84 members of her family, Sonia and her sister Blanca were the sole survivors. To help cope with her emotions, Sonia turned to writing poetry at an early age. Today she teaches and lectures to adults and children about the Holocaust.

    

    Born in the village of Skhvitori (Imereti region of western Georgia) on June 9, 1840, to a prominent Georgian aristocratic family; his father was Prince Rostom Tsereteli. Following an old family tradition, Akaki Tsereteli spent his childhood years living with a peasant’s family in the village of Savane. He was brought up by peasant nannies, all of which made him feel empathy for the peasants’ life in Georgia. He graduated from the Kutaisi Gymnasium in 1852 and the University of Saint Petersburg Faculty of Oriental Languages in 1863. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Akaki Tsereteli was also active in educational, journalistic and theatrical activities.

    Blood and death attend. But when the war is won, and life stares, hungry, in the parents’ faces, where does that violence, anxiety, and shame go? The poems in Patter re-imagine miscarriages as minstrel shows, magic tricks, and comic strips; set Darth Vader against Oedipus’s dad in competition for “Father of the Year;” and interrogate the poet’s family’s stint on reality TV. In this, his third collection, award-winning poet Douglas Kearney doggedly worries the line between love and hate, showing how it bleeds itself into “fatherhood.”

    Illuminated with the exquisite illustrations of cut-paper artist Pamela Dalton, this picture book offers a stunningly beautiful tribute to nature.

    Within these notebooks, Roethke allowed his mind to rove freely, moment by moment, moving from the practical to the transcendental, from the halting to the sublime.Fellow poet and colleague David Wagoner distilled these notebooks—twelve linear feet of bookshelf—into an energetic, wise, and rollicking collection that shows Roethke to be one of the truly phenomenal creative sources in American poetry.From “A Psychic Janitor”: I’m sick of fumbling, furtive, disorganized minds like bad lawyers trying to make too many points that this is an age of criticism: and these, mind you, tin-eared punks who couldn’t tell a poem from an old boot if a gun were put to their heads . . .Cover art by United States Poet Laureate Ted Kooser.

    In desperation, he agreed to smuggle cocaine out of Venezuela. Almost inevitably, he and his girlfriend, Sam, were caught.The price they paid was a ten-year sentence in the hell of the overcrowded Venezuelan prison system, notorious for official corruption and abuse, and rife with weapons and gangs. At one point, Frank was held in the remote El Dorado prison, better known for being the one-time home of Henri Charrière, or Papillon. He witnessed countless murders as gang leaders fought for power, and he had to become as ruthless as his fellow inmates in order to survive. In an attempt to dull the reality of the horrendous conditions, he succumbed to drugs.After enduring years of systematic beatings by the guards and attempts on his life by inmates, Frank suffered more than one breakdown. He lost over four stone and was riddled with disease, but somehow he found the strength within himself to survive and was eventually released in 2004 after serving over seven years of his sentence. During the long walk back from hell, Frank decided to tell his story.

    Those two--the legend-inspiring pirate queens Anne Bonney and Mary Reade--fought bravely but called in vain for their shipmates, who sported and drank below deck. Jane Yolen's stirring ballad immortalizes these two daring women and offers readers an intriguing look at life on the high seas.

    Denise Duhamel has apparently obsessed for months about the Barbie doll phenomenon: all the poems have to do with the "what if " of Barbie attempting to fit into the real world. For example, what if Barbie were codependent? What if Barbie were in therapy? What if she were a religious fanatic? Do you know why Barbie and Ken don't dress in underwear? Why Barbie joined a 12 Step Program? How can you sleep nights without delving into the mysteries of this pop culture darling with the plastic eyelashes?

    Although the occasional newspaper headline alerts us to genocide, AIDS, malaria, or civil war in Africa, most of us know very little about the continent. However we still carry strong mental images of Africa, which are reflected in American advertising, movies, amusement parks, cartoons, and many other corners of our society.Few think to question these perceptions or how they came to be so deeply lodged in the collective American consciousness. Curtis Keim’s Mistaking Africa looks at the historical evolution of this mindset and examines the role that popular media play in the creation of our mental images of Africa. Keim addresses the most prevalent myths and preconceptions and demonstrates how these prevent a true understanding of the enormously diverse peoples and cultures of Africa. Updated throughout, the second edition includes an entirely revised chapter on Africa in images, which analyzes portrayals of Africa in popular media, including print advertising by corporations such as Dow Chemical, ExxonMobil, IBM, Vogue magazine, Honda, and Snapple. New to the second edition as well is an appendix on learning more about Africa.ContentsPart One: Introduction1. Changing Our Mind about Africa2. How We LearnPart Two: Evolutionism3. The Origins of “Darkest Africa”4. “Our Living Ancestors”: Twentieth-Century Evolutionism5. Real Africa, Wise Africa6. We Should Help ThemPart Three: Further Misperceptions7. Cannibalism: No Accounting for Taste8. Africans Live in Tribes, Don’t They?9. Safari: Beyond Our Wildest Dreams10. Africa in ImagesPart Four: New Directions11. Race and Culture: The Same and the Other12. From Imagination to DialogueAppendix: Learning More

    In the brief years between the twentieth centurys two cataclysmic world wars, the modern metropolis was invented in Berlin. Life in Berlin was a cabaret, and Marlene Dietrich, Thomas Mann, Alfred Einstein, or Joseph Goebbels might be seated at the next table. The avant-garde thrived there. The mass media magnified the impact of everything from fads to political ideas. Subcultures and club cultures nurtured gender-bending fashions and lifestyles. Architects and designers struggled to free themselves from the past. In the background beat the new rhythms of urban experience: the coming and going of the latest planes and trains and automobiles, the clacking of typewriters in vast offices, the jazz band that never sleeps. Berlin: The Twenties is a book for history buffs, travelers, and lovers of modern art and design.