Poems for the Millennium captures the essence of that change, and unlike any anthology available today, it reveals the revolutionary concepts at the very heart of twentieth-century poetry. International in its coverage, these volumes depart from the established poetic modes that grew out of the nineteenth century and instead bring together the movements that radically altered the ways that art and language express the human condition.The first volume offers three "galleries" of individual poets—figures such as Mallarmé, Stein, Rilke, Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Césaire, and Tsvetayeva. Included, too, are sections dedicated to some of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, Objectivism, and Negritude. The second volume will extend the gathering to the present, forming a synthesizing, global anthology that surpasses other collections in its international scope and experimental range.Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the revolutionary manifestos that have marked the art and poetry of the twentieth century. The result is both an essential source book for experiencing the full range of this century's poetic possibilities and a powerful statement on the future of poetry in the millennium ahead.

    Collecting 119 poems in all, Holocaust Poetry commemorates the sanctity of those who died--both Jews and non-Jews--as a result of this unimaginably horrible crime.Yet Schiff's anthology is also a solemn affirmation of humanity's survival, for it pays homage to the past while also attesting to the often brutal struggles that we as a species still face in this world, day in and day out. Also preserved here are poems written by those who themselves perished in the Shoah, the final testaments and eternal lessons of unknown soldiers, unheralded heroes, unsilenced voices.

    Long ago they took on a language not their own and learned to re-word it into pure magic. Nowhere is this magic more in evidence than in their short stories—stories that combine lyricism, humor and tragedy with rare imagination set in simple backgrounds, largely without props.The seemingly effortless art of the best Irish writers has an appeal that is naive and highly sophisticated at the same time; the disarming simplicity with which the tales are spun being somewhat misleading at the first reading.In this anthology there are gathered, for the first time in America, some of the more representative examples of Irish short fiction. The emphasis is on variety. All are a delight to read. Only 21 of the 44 have previously been published in this country.

    The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet." --Jay Parini"I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time." --Robert Penn Warren

    'I Am the Darker Brother' exposes the quintessential African American, a proud, lonely, vulnerable yet independent human being who has forged out of hardship that combination of endurance, understanding, and spirit called soul.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    For I saw Fionnuala,"The Gem of the Roe," "The Flower of Sweet Strabane,"when a girl reached down into a freezer binto bring up my double scoop of vanilla.-"White Shoulders"Seamus Heaney has called his colleague Paul Muldoon "one of the era's true originals." While Muldoon's previous book, The Annals of Chile, was poetry at an extreme of wordplay and formal complexity, Hay is made up of shorter, clearer lyric poems, retaining all of Muldoon's characteristic combination of wit and profundity but appealing to the reader in new and delightful ways. His eighth book, it is also his most inviting-full of joy in language, fascination with popular culture, and enthusiasm for the writing of poetry itself. This is the first of his books to really capture the effect of America on his poetic sensibility, which is like a magnet for impressions and the miscellany of the culture.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    The Last American Valentine is a unique anthology of non-sappy love poetry and flash fiction. Poet Laureates, rock musicians, actors, famed prose writers and a few talented American barfly's have been handpicked, hunted down and crammed together with an artist the world has never met.

    Come along for the ride as they learn just how powerful and sexy destiny can be: Holiday Wedding: Drew Cannon's attempt at a high-profile holiday doll for his family's company was a bust. To save the company's bottom line, he must team up with the company's marketing director, Lauren Kincaid - the woman who dumped him a year ago. Will working together mend and reunite their broken hearts? Secrets of the Heart: After a bad break up, Isabelle poured her heart into becoming a respected cardiologist. But now her flame, Nick Carter, has reappeared as Prince Nicholas Corsairs, heir to the throne of Wellfleet Isle, and he needs her to care for his ailing father. As If You Never Left Me: Rey and Joely Birch had what they thought was a perfect marriage . . . until it fell apart. Joely picked up the pieces and built a successful retail business. Now Rey is back, determined to win her heart again. But will his carefully laid plans disintegrate when she finds out what really brought him to Colorado? Marrying the Wrong Man: Morgan Parrish's dad planned her marriage to a man destined to be president of the United States, but she fell in love with the town drunk's son, got pregnant, and fled. Now she's back and waitressing at the bistro Charlie Cramer manages. If they give in to the attraction and screw things up again, their daughter will deal with the fallout, or they just might get that American dream after all. Coming Home: No woman ever really forgets her first love. Callie Sorenson's was tall, tanned, and - as her older brother's best friend - completely off limits. But now fate has brought her back home, where Callie quickly realizes that old feelings die hard. Can Danny McCutcheon win over the woman she's become? Love's Replay: Sandra Miller didn't think twice about the opportunity to move to a new city for her career. But the success she needs now comes at a high price: she'll have to partner with David Henderson, the man who said he loved her then crushed her heart. He's making it clear he wants her back, but is the potential personal pain worth the professional gain? Rescuing Dawn: Nurse Dawn Granger has loved and lost and it's a road she's not prepared to travel again - that is until paramedic Andrew Holmes reappears and makes her question feelings she thought long dead. The Bull Rider's Brother: Lizzie Hudson is enjoying rodeo weekend and the start of summer when James Sullivan, the cowboy who got away, walks his Justin Ropers back into her life. Can he learn to redefine family before she gives up on him and marries another? Wynter's Journey: Tragedy tore Wynter and Sam apart before he could tell her how he felt about her. Now fate has dropped her off on his doorstep, widowed, desperately broke, and very pregnant. His sense of honor dictates that he take her in, but soon old feelings resurface. Now the one person he'd wanted to leave behind is the one person he can't let go. Her Soldier's Touch: When U.S. Army Sergeant First Class Colten Taylor returns briefly to Phoenix to bury his brother, he's shocked to see Rachel Madison waiting for him at the airport. He regrets the morning he walked away from her; coming from an abusive home taught Colt to put limits on all his relationships. But now that she has his son in tow, will he keep running? Sensuality Level: Sensual

    The man and woman in these poems are husband and wife, custodians of ordinary, aging human love. They are not figures in a love poem. Time is their essential witness, and not their destroyer. A New York Times Notable Book and a Newsday Favorite Book of 2001.

    And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world.""Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly

    Here, alongside renowned masters, are internationally celebrated poets who have rarely, if ever, been translated into English.

    A revised and expanded edition of the classic groundbreaking anthology of 20th-century American women's poetry, representing more than 100 poets from Amy Lowell to Anne Sexton to Rita Dove.

    The result: "The most creative, generous, and democratic of any of the annual volumes" (Rick Moody).Among its numerous awards, the Pushcart Prize has been chosen for the Poets Writers / Barnes Noble "Writers for Writers" Award and the National Book Critics Circle Lifetime Achievement recognition.