Perfect for fans of Alvin Schwartz and anyone who relishes a good creepy read-alone or read-aloud story. Features an introduction and commentary by the curators, and illustrations and decorations throughout.

    Two strangers unite in this novel of family secrets. When London journalist Eleanor-Rigby Donovan receives an anonymous letter alluding to a crime committed by her deceased mother, her life is turned upside down. It points her to a bar on the Baltimore Harbor, where she finds a stranger who has received the same mysterious letter about his own mother. Together, Eleanor-Rigby and this young man, George-Harrison Collins, embark on a quest through the shadowy past of the Stanfields, a moneyed Maryland family full of unimaginable secrets. These secrets will transport them back decades, across continents, and to a mysterious crime long buried…until now.

    Miserable at his day job, he decided to take a leap of faith. His path to success was all or nothing, victory or death.He quit his job and dropped out of the white-collar world with all its trappings and amenities. Unemployed, he had to give up his residence. With a sleeping bag and a sackful of clothes he headed to Northwest London's Gladstone Park, settling in among the homeless, transients, dog walkers and the occasional irritated park worker. His only solace, an A4 notepad and a pen.Like the author, the main character Colossus Sosloss also quits his job, becomes homeless and sleeps in the park. Colossus observes the other homeless who reside at the park. Many of them with treatable or controllable mental illness but, in the post-Margaret Thatcher England, such individuals are human refuse. Dumped into society to fend for themselves and spiral downward amongst the neatly-trimmed hedges and glistening, manicured lawn of the sprawling public space.The character's travails are reminiscent of a Lewis Carroll-type adventure with subtle Dickensian undertones. Which include a lost parrot and an unfortunate man named Squirrel. We follow Colossus on his journey to the edge of sanity, with humorous interjections and clever idioms. A hero's quest, that inevitably ends with subterfuge, realization and reflection.Today, no longer homeless, Craig Stone is probably one of the most promising young writers to grace the indie and self-publishing world. Though at 31, Stone is a surprisingly mature author who transcends the generations. His literary work is suitable for the very young and for those who have lived an interesting life.The Squirrel That Dreamt Of Madness is an imaginative tale that can only come from a brilliant, albeit delightfully demented, mind. Stone mixes humour with the cold, stark reality of life. Everything and everyone, is a metaphor for something either sinister or truthful. Gifted students may soon find this book on their required reading list for their advanced High School contemporary literature class.The author does not have a long laundry list of writers who inspired him, though he definitely channels some Steinbeckian qualities (the novel was written during the height of the Great Recession) and J.D. Salinger's, The Catcher in the Rye.Like Hemingway who retreated to the wild and lawless pre-Castro Cuba to pen his magnum opus The Old Man and the Sea, Stone chose to immerse himself in a colder and wetter climate to experience what his character had to endure. The old adage, you write what you know, still rings resonantly true. Stone certainly writes what he knows, and writes it exceptionally well." --http://enovelreviews.com/thesquirrelt...Interview with the BBC: http://bit.ly/BBCComedyCafeInformation on the Dundee Book Prize:http://www.dundeebookprize.com/http://www.deadlinenews.co.uk/?p=51086You can find Craig Stone here:Twitter: https://twitter.com/robolollycopWebsite: www.thoughtscratchings.comA NOTE FROM THE AUTHOR...The simple truth is, I will get nowhere without your help. I need readers to read The Squirrel that Dreamt of Madness, so if you are looking for a book to read, or wanting to try a new author, please try me.It would mean the world if you did.Thank You.Craig.

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    An exhaustive catalogue of sexual aberrations and the first systematic exploration -- a hundred years before Krafft-Ebing and Freud -- of the psychopathology of sex, it is considered Sade's crowning achievement and the cornerstone of his thought. Lost after the storming of the Bastille in 1789, it was later retrieved but remained unpublished until 1935.

    He's smart, successful, happily-married-and has the best of everything. But ambitious business executive Ryan can't stop thinking about the woman he can't have: Olivia. She's his friend, his co-worker...and his best friend Miles's wife. It only takes one irresistible moment, one luscious taste, to ignite their relationship into an insatiable fire... CAN BECOME YOUR WORST NIGHTMARES... But Ryan's erotic fantasies are slowly unraveling his career, marriage, and friendships as he discovers his mind-blowing tryst was nothing more than a treacherous charade. Now his obsession and sexual escapades threaten to ruin all he's worked so hard for, trapping him deeper into a web of illicit desire, deceit, and danger...

    Suddenly a series of bizarre crimes hits Ruth's Jewish community in New Orleans, reigniting the flames of age-old hatred. A page-turning story of bitter prejudice and the hope of reconciliation.

    He took my intelligence without paying for it. And thought he could get away with it. Think again. Now I’ll take something from him—something irreplaceable. His sister. Collateral. But even when Joseph doubles the amount of money he owes me, I don’t give her up. Nope. I have an image to maintain. So I keep her. And I’m not giving her up. The Scotch Queen I wasn't sure what changed my mind about giving London to Bones, but something did. Now London is officially mine. She's sassy, feisty, and she still tells me off when I have her under my thumb. I love it. Now I have a deal with the Barsetti brothers, Josephine is still pining for me, and revenge is heavy on my mind. I'm not sure what to do with London now that I'm not gonna kill her. But I'm certainly not going to fall in love with her. The Scotch Royals London is a lot more useful than I anticipated. She gets me what I need like a pro. With her by my side, I feel like I can do anything. My need for revenge is dimmed. My anger is contained. But her brother is still a problem. She wants me to let him go. I'm not sure if I can.

      “An epic saga that sweeps you into the life of a remarkable woman,” Ann Moore’s trilogy of breathtaking historical novels covers Gracelin O’Malley’s life from the 1845 Famine and the Young Ireland movement to the mass emigration to America, culminating in the wild frontier of 1850s California (Romantic Times). Through it all, Gracelin’s indomitable spirit and Moore’s “vivid historical detail” prove most hauntingly memorable (Kirkus Reviews).  Gracelin O’Malley: As the potato famine devastates Ireland, Gracelin openly defies her English husband by feeding the desperate souls who come to their door, and secretly sides with the rebels who call themselves the Young Irelanders—including her beloved brother, Sean—as they fight to free their homeland from the yoke of English rule.   “Lyrical, pitch-perfect prose . . . Historical fiction at its finest.” —Publishers Weekly  Leaving Ireland: Forced to flee Ireland, Gracelin takes her young daughter with her on an arduous transatlantic voyage to New York City. As she tries to make a new life for herself and her daughter, she reunites with her brother and befriends a runaway slave, getting swept up into the volatile abolitionist movement.   “Moore blends romance and adventure. . . . Strong and likable characters and a well-paced story will make readers look forward to Gracelin’s next appearance.” —Booklist  ’Til Morning Light: With her two children, Gracelin travels to post–Gold Rush San Francisco to meet the sea captain who has proposed to her. But when she arrives, he is nowhere to be found. Although destitute in a dangerous city, Gracelin vows to make a secure life for her children and find her brother.   “Readers who have been following the story of Gracelin O’Malley will be thrilled with the concluding volume in Moore’s trilogy.” —Booklist

    In his preface, Andre Maurois writes: "Borges is a great writer who has composed only little essays or short narratives. Yet they suffice for us to call him great because of their wonderful intelligence, their wealth of invention, and their tight, almost mathematical style."Labyrinths is a representative selection of Borges' writing, some forty pieces drawn from various books of his published over the years. The translations are by Harriet de Onis, Anthony Kerrigan, and others, including the editors, who have provided a biographical and critical introduction, as well as an extensive bibliography.

    3 Vols.

    Soccer mom Yvette Palmer lives an ordinary life in San Antonio, Texas when a box is delivered to her by mistake, and in taking it to its rightful owner—a crotchety neighbor named Mona who shares her back fence—is drawn into a strange and haunting tale.Mona’s ratty robe, mood swings, and secretive behavior all raise red flags, and Yvette is sure someone else is living there despit Mona’s claim to live alone, but Yvette is unable to break away as she listens to how Mona transformed from a young college woman about to be married to the odd, reclusive, ghost of a woman she is now.As Yvette listens to her neighbor's tale, she discovers a shocking connection, but doesn't know whether Mona's come to help or to harm her and her family.

    If she can convince one person - and she has chosen him - that she is telling the truth, she can stay when they come back for her. And she exposes her breasts as evidence, revealing square nipples. His least profound response is to drop his cigarette into the crease in his chair. So begins the wildest SF novel since the passing of Philip K. Dick. Patrick O'Leary's Door Number Three is a constant wellspring of surprise and wonder, a novel about a young man of today and a woman from somewhere else who is out to love or kill him - or both. The whole, apparently real, world and everything in it can never be the same again.