It includes Li Chi, the serpent slayer, and the old woman sly enough to outsmart the devil.

    His fiction is an acknowledged influence on entire generations of writers, ranging from H.P. Lovecraft to James Branch Cabell, from Clark Ashton Smith to Lin Carter. Although many of his most famous stories are longer in length, the miniature portraits of Fifty-One Tales (originally published in 1915 and sometimes reprinted under the title The Food of Death) are an ideal introduction to Dunsany. Nowhere is the jewel-like quality of his prose more evident than in the short tales, seminal works which runs the gamut from whimsy to fantasy to social satire.CONTENTS:"The Assignation" "Charon" "The Death of Pan" "The Sphinx at Gizeh" "The Hen" "Wind and Fog" "The Raft Builders" "The Workman" "The Guest" "Death and Odysseus" "Death and the Orange" "The Prayer of the Flowers" "Time and the Tradesman" "The Little City" "The Unpasturable Fields" "The Worm and the Angel" "The Songless Country" "The Latest Thing" "The Demagogue and the Demi-Monde" "The Giant Poppy" "Roses" "The Man with the Golden Ear-rings" "The Dream of King Karna-Vootra" "The Storm" "A Mistaken Identity" "The True History of the Hare and the Tortoise" "Alone the Immortals" "A Moral Little Tale" "The Return of Song" "Spring in Town" "How the Enemy Came to Thlūnrāna" "A Losing Game" "Taking Up Piccadilly" "After the Fire" "The City" "The Food of Death" "The Lonely Idol" "The Sphinx in Thebes (Massachusetts)" "The Reward" "The Trouble in Leafy Green Street" "Furrow-Maker" "Lobster Salad" "The Return of the Exiles" "Nature and Time" "The Song of the Blackbird" "The Messengers" "The Three Tall Sons" "Compromise" "What We Have Come To" "The Tomb of Pan" "The Poet Speaks With Earth" (English version only) "The Mist" (American version only)

    Retelling each in its own individual style, she presents funny tales, moving tales and enchanting fairy tales. Soar with the goshawk, dive with selkies and battle with the stoorworm, as each story is brought to life with exquisite illustrations by Scottish fine artist Kate Leiper, which brim with otherworldly beauty.A wonderful gift, this is a truly stunning book to be treasured for a lifetime and will be enjoyed by parents and grandparents as well as children.Longlisted for the Kate Greenaway Medal 2013.

    This dramatic Kindle in Motion edition presents seven classic stories—each restored to its original version and reimagined with modern digital illustrations.Each tale is lovingly portrayed by a different artist: Kali Ciesemier’s vibrant colors animate the thorny path of “Briar Rose.” The sinister course of “Hansel and Gretel” takes a twist in the candy hues of Peter Diamond. Daniel Krall’s richly detailed line work shines amid the wickedly dark “The Juniper-Tree.” Nicolas Rix’s charming storybook style delights in “The Frog-Prince or Iron Henry.” Ashley Mackenzie’s golden tones light up the ball in “Cinderella.” Horses, ducks, and birds turn macabre in Wesley Allsbrook’s wildly gestural portrayal of “The White Snake.” And Rapunzel lets down her hair in Rovina Cai’s hauntingly beautiful drawings.Experience the iconic classics you know and love, lavishly illustrated to breathe new life into age-old tales.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?

    Nearly 100 stories from over 40 tribe-related myths of creation, tales of epic deeds, ghost stories and tales set in both the animal and human realms.Part of the Pantheon Fairy Tale and Folklore Library

    “The group of beliefs which constituted what for convenience' sake is called the Egyptian religion in an existence of some thousands of years passed through nearly every phase known to the student of comparative mythology. If the theologians of ancient Egypt found it impossible to form a pantheon of deities with any hope of consistency, assigning to each god or goddess his or her proper position in the divine galaxy as ruling over a definite sphere, cosmic or psychical, it may be asked in what manner the modern mythologist is better equipped to reduce to order elements so recondite and difficult of elucidation as the mythic shapes of the divinities worshipped in the Nile Valley.”

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    H. White’s The Sword in the Stone.

    Early in the century a magnificent Sioux woman recorded from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, the Blood Clot boy, and other magical and mysterious figures known to the Sioux.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    You know, chickens and puppies and colts and kittens always grow up much faster than twins. Kit and Kat ate a great many breakfasts and dinners and suppers, and played a great many plays, and had a great many happy days while they were growing up to their names. I will tell you about some of them...P

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.