Great changes are brewing that will shape and twist all of humankind. The war hero Vorian Atreides has turned his back on politics and Salusa Secundus. The descendants of Abulurd Harkonnen Griffen and Valya have sworn vengeance against Vor, blaming him for the downfall of their fortunes. Raquella Berto-Anirul has formed the Bene Gesserit School on the jungle planet Rossak as the first Reverend Mother. The descendants of Aurelius Venport and Norma Cenva have built Venport Holdings, using mutated, spice-saturated Navigators who fly precursors of Heighliners. Gilbertus Albans, the ward of the hated Erasmus, is teaching humans to become Mentats…and hiding an unbelievable secret. The Butlerian movement, rabidly opposed to all forms of “dangerous technology,” is led by Manford Torondo and his devoted Swordmaster, Anari Idaho. And it is this group, so many decades after the defeat of the thinking machines, which begins to sweep across the known universe in mobs, millions strong, destroying everything in its path. Every one of these characters, and all of these groups, will become enmeshed in the contest between Reason and Faith. All of them will be forced to choose sides in the inevitable crusade that could destroy humankind forever….

    He wanted to talk about Wells's "Time Machine" but he knew that'd be no use -- these folks didn't read that sort of thing. "If the earth had settled down, we'd have been lower. If it had settled to one side, we'd have been moved one way or another, but as it's settled back in the Fourth Dimension, we're going back in time." "Then --""We're in a runaway skyscraper, bound for some time back before the discovery of America!

    "They are the monsters under the bed when you are little, the shape just caught out of the corner of your eye when you thought you were alone, the shadow of something in a dark corner that surprises you and then isn't there. They stop you dead with a knot of unexpected terror in the pit of your stomach. We have all seen fleeting glimpses of them. Never long enough to see them as I saw them, but it was them. I recognized it the instant I saw it. "We've all seen flashes of them, the dark shadow just out of sight. They could briefly terrify us before but never hurt us because they came from so far distant. They were never able to fully materialize in our world so we saw only transient glimpses of them, the shape of them if the light was just right, if the shadows were deep enough . . . if you were afraid enough. "I think that the star shift has brought us closer to their realm so that they now have the power to step into our world and hurt us." — Kahlan Amnell.

    In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.

    A leading exponent of French existentialism, her work complements, though it is independent of, that of her great friend Jean-Paul Sartre. In "The Ethics of Ambiguity," Madame de Beauvoir penetrates at once to the core ethical problems of modern man: what shall he do, how shall he go about making values, in the face of this awareness of the absurdity of his existence? She forces the reader to face the absurdity of the human condition, and then, having done so, proceeds to develop a dialectic of ambiguity which will enable him not to master the chaos, but to create with it.

    There he meets Tanis, a thoughtful youth born of a tragic union between elf and man. Tanis and Flint, each a misfit in his own way, find themselves unlikely friends. But a pompous elf lord is mysteriously slain, and another elf soon meets the same fate. Tanis stands accused, and if his innocence cannot be proven, the half-elf will be banished forever. Solving the mystery will be a perilous task. Time is on the murder's side, and he is not finished yet.

    There's An Introduction, But No Footnotes. Well, There's A Footnote In The Introduction, But None In The Story.

    But before they even get close, another drow and dwarf pair stumbles across it first: Jarlaxle and Athrogate. In their search for treasure and magic, Jarlaxle and Athrogate inadvertently set into motion a catastrophe that could spell disaster for the unsuspecting people of the city of Neverwinter--a catastrophe big enough to lure even the mercenary Jarlaxle into risking his own coin and skin to stop it. Unfortunately, the more they uncover about the secret of Gauntlgrym, the more it looks like they can't stop it on their own. They'll need help, and from the last people they ever thought to fight alongside again: Drizzt and Bruenor.

    The author magically transports his readers back into the strange and fascinating 19th-century world with this collection of mysterious and lurid stories that time forgot!

    Bierce's book The Devil's Dictionary was named as one of "The 100 Greatest Masterpieces of American Literature" by the American Revolution Bicentennial Administration.

    That's why a guide to the world of uglies has been requisitioned from the hole in the wall. Inside you'll find: A rundown on all the cliques, from Crims and Cutters to tech-heads and surge-monkeys The complete history, starting with the destruction of the oil bug to the launch of Extras in space How all those awesome gadgets came to be: hoverboards, eyescreens, skintennas, sneak suits... PLUS an exclusive look at Scott Westerfeld's first draft of Extras -- starring Hiro, not Aya. And so much more, it's mind-wrecking.

    • (1971)• Some Notes Concerning a Green Box • (1971)• Why Johnny Can't Speed • (1971)• The Emoman • [Humanx Commonwealth • 4] • (1972)• Space Opera • (1973)• The Empire of T'ang Lang • (1973)• A Miracle of Small Fishes • (1974)• Dream Done Green • (1974)• He • (1976)• Polonaise • (1976)• Wolfstroker • (1977)• Ye Who Would Sing • (1976)

    From the first descent of the larynx into the throat (why you can talk but your dog can't), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world's largest growth industries.

    K. Chesterton's biographical essays provide unique portraits of 12 of Europe's most defining figures. Written by one of the world's master essayists, this collection richly expresses Chesterton's thoughts on Charlotte Brontë, William Morris, Byron, Pope, St. Francis of Assisi, Rostand, Charles II, Stevenson, Thomas Carlyle, Tolstoy, Savonarola, and Sir Walter Scott. The book is a perfect companion for any literature, politics, or history course dealing with European history. It is also an excellent addition to any personal or scholarly library.

    The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky more than 765,000 YouTube subscribers. Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.