Barroom brawls. Poisonous snakes. Cholera-infected drinking water. Tumbleweed abrasion. Something called "toe-foot." Even a trip to the outhouse. Yes, there are a million ways to die in the wild, wild West, and Albert plans to avoid them all. Some people think that makes him a coward. Albert calls it common sense. But when his girlfriend dumps him for the most insufferable guy in town, Albert decides to fight back--even though he can't shoot, ride, or throw a punch. Fortunately, he teams up with a beautiful gunslinger who's tough enough for the both of them. Unfortunately, she's married to the biggest, meanest, most jealous badass on the frontier. Turns out Albert has just discovered a million and one ways to die in the West.

    He wasn't concerned about getting the wrong man. He knew what the man looked like. There was no way he could make a mistake about his target's identity -- he had the man's skull under his shoulder.

    So when he sees troubled teen Ryder heading down a dangerous path, he offers the boy a job on the ranch he shares with his two younger brothers. And since Ryder’s temporary guardian is the gorgeous new resort manager, Grace Emery, Slater figures it can’t hurt to keep a closer eye on her as well…Grace Emery doesn’t have time for romance. Between settling in to her new job and caring for her ex-husband’s rebellious son, her attraction to larger-than-life Slater is a distraction she can’t afford. But when the past catches up to her in Mustang Creek, she’ll discover just how far Slater will go to protect what matters most—and that love is always worth fighting for.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Phil Evarts is dead, and the Hatchet Range is up for grabs. That’s 70,000 acres of prime turf just waiting for the man rich enough to buy it . . . or the gunman crazy enough to kill for it. Every schemer in town has his eyes on Hatchet, and Bide Mariner leads the charge. An unscrupulous rancher who’ll stop at nothing for cash, Mariner has the money and the guns to take whatever he wants. Only Will Ballard stands in his way—and that means Ballard is marked for death.   The foreman at Hatchet Range, Ballard is an honest man who’ll do anything to keep the ranch from falling into Mariner’s hands. In a town so rotten with greed that even the sheriff is against him, Ballard must stand alone to save this little piece of the American West.   Voted one of the top twenty-five westerns of all time by the Western Writers of America and made into a 1952 Republic film starring Rod Cameron, Ride the Man Down showcases award-winning author Luke Short at the height of his writing powers.

    C. Boyle is one of the most renowned storytellers of the modern era. This collection of fourteen stories drifts effortlessly between myth and reality, encompassing a panorama of human emotions. In “The Marlbane Manchester Musser Award,” Boyle reveals a writer’s dismay when a simple trip is turned upside down by a stranger. “Los Gigantes” tells the story of a group of giants being used to create a new breed of soldier for the military. In “The Way You Look Tonight” Boyle examines the way our perceptions of our loved ones can change on a dime with just a simple revelation. And in “Sic Transit” he shows how quickly we can become consumed with curiosity.Boyle travels the world in these and the rest of the stories, from California to Russia, Latin America to upstate New York, but his adept touch at depicting the lives of his characters never wavers.

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    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    This story appears in the anthology Make Shift: Dispatches from the Post-Pandemic Future, edited by Gideon Lichfield and available for pre-order from The MIT Press.Content advisory: Discussion of pandemics, near-drowning

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon’s henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale.Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man’s quest for redemption in the face of a distinctly American brutality.

    She’s convinced her daughter is alive but cannot track her into the wilderness alone. Help arrives in the form of James Bailey, an agent of the crown sent to Boston to investigate the murder of Prudence’s husband and to covertly cause a disturbance that would give the king just cause to install royal governors. After his partner is murdered, James needs help too. He strikes a deal with Prudence, and together they traverse the forbidding New England landscape looking for clues. What they confront in the wilderness—and what they discover about each other—could forever change their allegiances and alter their destinies.

    

    A Massachusetts minister named Manasseh Cutler was instrumental in opening this vast territory to veterans of the Revolutionary War and their families for settlement. Included in the Northwest Ordinance were three remarkable conditions: freedom of religion, free universal education, and most importantly, the prohibition of slavery. In 1788 the first band of pioneers set out from New England for the Northwest Territory under the leadership of Revolutionary War veteran General Rufus Putnam. They settled in what is now Marietta on the banks of the Ohio River.McCullough tells the story through five major characters: Cutler and Putnam; Cutler’s son Ephraim; and two other men, one a carpenter turned architect, and the other a physician who became a prominent pioneer in American science. They and their families created a town in a primeval wilderness, while coping with such frontier realities as floods, fires, wolves and bears, no roads or bridges, no guarantees of any sort, all the while negotiating a contentious and sometimes hostile relationship with the native people. Like so many of McCullough’s subjects, they let no obstacle deter or defeat them.